特德

The distress of the people, the laborers without bread, the last Prince de Conde engulfed in the shadows, Brussels expelling the Nassaus as Paris did the Bourbons, Belgium offering herself to a French Prince and giving herself to an English Prince, the Russian hatred of Nicolas, behind us the demons of the South, Ferdinand in Spain, Miguel in Portugal, the earth quaking in Italy, Metternich extending his hand over Bologna, France treating Austria sharply at Ancona, at the North no one knew what sinister sound of the hammer nailing up Poland in her coffin, irritated glances watching France narrowly all over Europe, England, a suspected ally, ready to give a push to that which was tottering and to hurl herself on that which should fall, the peerage sheltering itself behind Beccaria to refuse four heads to the law, the fleurs -de -lys erased from the King's carriage, the cross torn from Notre Dame, Lafayette lessened, Laffitte ruined, Benjamin Constant dead in indigence, Casimir Perier dead in the exhaustion of his power; political and social malady breaking out simultaneously in the two capitals of the kingdom, the one in the city of thought, the other in the city of toil; at Paris civil war, at Lyons servile war; in the two cities, the same glare of the furnace; a crater-like crimson on the brow of the people; the South rendered fanatic, the West troubled, the Duchesse de Berry in la Vendee, plots, conspiracies, risings, cholera, added the sombre roar of tumult of events to the sombre roar of ideas.

人民的疾苦，没有面包的劳动人民，最后一个孔代亲王的横死②，仿效驱逐波旁家族的巴黎而驱逐纳索家族的布鲁塞尔，自愿归附一个法兰西亲王而终被交给一个英格兰亲王的比利时，尼古拉的俄罗斯仇恨，站在我们背后的两个南方魔鬼西班牙的斐迪南和葡萄牙的米格尔，意大利的地震，把手伸向博洛尼亚的梅特涅，在安科纳以强硬手段对付奥地利的法兰西，从北方传来把波兰钉进棺材的那阵无限悲凉的锤子声音，整个欧洲瞪眼望着法国的那种愤激目光，随时准备趁火打劫、落井下石的不可靠的盟国英格兰，躲在贝卡里亚背后拒绝向法律交出四颗人头的贵族院，从国王车子上刮掉的百合花，从圣母院拔去的十字架，物化了的拉斐德，破产了的拉菲特，死于贫困的班加曼·贡斯当，死于力竭的卡齐米尔·佩里埃，在这王国的两个都市中棗一个思想的城市，一个劳动的城市棗同时发生的政治病和社会病，巴黎的民权战争，里昂的奴役战争，两个城市中的同一种烈焰，出现在人民额头上的那种类似火山爆发的紫光，狂烈的南方，动荡的西方，待在旺代的德·贝里公爵夫人，阴谋，颠覆活动，暴乱，霍乱，这些都在种种思潮的纷争之上增添了种种事变的纷起。①在法国一八三○年革命中，拉斐德是自由保王派，波林尼雅克是被推翻的查理十世王朝的内阁大臣。②孔代，波旁家族的一个支系，一八三○年孔代亲王被人吊死在野外，未破案。

Reagan Presidential Library and Museum in Simi Valley, Calif., while the 1993 Cadillac Fleetwood Brougham is at the Clinton Presidential Center in Little Rock, Ark.

目前，1983年凯迪拉克弗利特伍德轿车驻留，而1993年凯迪拉克弗利特伍德布鲁厄姆在克林顿总统中心在阿肯色州小石城是在罗纳德里根总统图书馆和西米谷，加利福尼亚州，博物馆

951Halcyon days, high school boys in blue and white football jerseys and shorts, Master Donald Turnbull, Master Abraham Chatterton, Master Owen Goldberg, Master Jack Meredith, Master Percy Apjohn, stand in a clearing of the trees and shout to Master Leopold Bloom.

951（宁静幸福的日子：高中男生穿着蓝白相间的足球运动衫和短裤。唐纳德。特恩布尔、亚伯拉罕。查特顿、欧文。戈德堡、杰克。梅雷迪思和珀西。阿普约翰站在林间空地上，朝着少年利奥波德。布卢姆喊叫。

He asked me a few questions, put a composing stick in my hand to see how I worked, and then said he would employ me soon, thought he had just then nothing for me to do; and, taking old Bradford, whom he had never seen before, to be one of the town's people that had a good will for him, entered into a conversation on his present undertaking and prospects; while Bradford, not discovering that he was the other printer's father, on Keimer's saying he expected soon to get the greatest part of the business into his own hands, drew him on by artful questions, and starting little doubts, to explain all his views, what influence he relied on, and in what manner he intended to proceed.

他问我一些问题后，把一个排字盘放在我的手中，看我怎样工作，之后他就说能够立即雇用我，并且对老布雷德福特说以前他从没见过的，为全城民众对他有好感的一个，于是谈论他现在的事业和计划；而布雷德福特为了避嫌，并不说明他是另一个印刷厂老板的父亲。他说希望把全城这一行的大部份生意掌握在他手中，布雷德福特引诱他讲下去，让他将他事业的计划和进展的态度完全说出来。

The first section of Chapter Three expounds that Atwood, as a modern Cassandra, expresses her environmental apocalyptic intention through her creations, giving detailed explanation with some actual examples, such as Atwood and Monkey-Wrench-Gang in the real world as well as Jimmy's mother, Crake's father and Crake himself in the fabricated world in the text.

第三章第一节阐明作为现代'卡珊德拉'的阿特伍德通过创作表达的"环境启示"意图，并以实例进一步说明，例如现实中的阿特伍德、猴子破坏帮以及文本中的吉米之母、秧鸡之父以及秧鸡本人。

Six minutes later there was a shock to digest for the capital city side as Sofian Chahed turned over on his right ankle and had to go off to be replaced by Andreas Schmidt,who failed to thwart the next Galatasaraz chance on 38 minutes as Ates forced a good save from the Hertha keeper Christian Fiedler with a fine shot from 20 metres.

六分钟后，首都球队受到了难以接受的重创——索菲安·查赫德右脚踝扭伤而不得不由安德烈·施密特替换下场，后者没能阻止加拉塔萨雷在第38分钟由阿特斯的突破，致使赫塔守门员克里斯蒂安·菲德勒不得不对这记20米开外的极具威胁的射门做出一个精彩的扑救。

With his first round opponent Wong Choong Hann gone as well, Gade now looks at a first round confrontation with Irish hope Scott Evans, a player he has trained with and who's coach Jim Laugesen is one of Gade's closest friend.

陈金因为在汤姆斯杯中受伤也缺席了此次公开赛，所以皮特盖德看起来很有机会，他曾在几天前的新加坡公开赛四分之一决赛与李宗伟交手，因为他的首轮对手黄宗翰的离开，盖德现在瞄准了爱尔兰的唯一希望斯科特埃文斯，他曾和这名选手一起接受过训练，并且埃文斯的教练吉姆劳吉森也是盖德最好的朋友之一。

By 1978, Pedro had formed the rock group Serú Girán with Charly García, David Lebón and Oscar Moro, perhaps the most important group in the history of rock music in Argentina. By 1983, Pedro had joined the American jazz group Pat Metheny Group, touring the world several times over and winning three Grammy awards with Pat Metheny, Lyle Mays, Steve Rodby and Paul Wertico.

1978年，佩德罗与查理·加西亚、大卫·雷伯恩以及奥斯卡·莫洛组成了摇滚乐队"Serú Girán"，这也许是阿根廷摇滚乐历史上最为重要的一支乐队了。1983年，佩德罗加入了美国爵士乐组合"Pat Metheny Group"（中文名似乎音译为"派特麦席尼"），与派特麦席尼、雷勒·麦斯、史蒂夫·罗德比及保罗·威尔蒂科一起进行过数次世界巡演并获得三届格莱美大奖。

That's what the mezzo-soprano Waltraud Meier and tenor Ben Heppner are doing every four days right now, in the Paris Opera's sold-out new production of Richard Wagner's "Tristan und Isolde."

这就是女中音沃特劳德·梅耶尔和男高音本。赫普纳目前每隔四天在巴黎剧院里新改编自理查德。瓦格尔的歌剧《特里斯坦和伊索尔德》"Tristan und Isolde"）中要去做的。

Monroe was particularly angered by Zukofsky's rejection of Edwin Arlington Robinson, Robert Frost, Edgar Lee Masters, and Edna St. Vincent Millay, all of whom were regular contributors to the magazine.

梦露特别愤怒Zukofsky拒绝埃德温阿灵顿罗宾逊，罗伯特弗罗斯特，埃德加李大师，和埃德娜圣文森特米莱，他们都经常捐款的杂志。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。