物体状态

If something is in a state of flux , it is constantly changing.

如果物体处在一种流动的状态，它的形状是不断变化着的。

For analyzing the state of one C point,one small positive parallel hexahedron is taken out from the point.

A y 图1 - 5 (1)为了分析一点的应力状态，在这一点从物体内取出一个微小的正平行六面体，各面上的应力沿坐标轴的分量称为应力分量。

We can thus determine the most probable state of the object by finding the location in the particle filtering distribution with the highest weight.

因此，我们可以通过寻找在粒子滤波分布中最大的权重来确定物体最有可能处于的状态。

First, an initial projection matrix is obtained through homography between an image and a scene plane. The homograph matrix between two images, i. e., the image plane and the scene plane, can then be calculated from matching points of these two images. Thus the projection matrix of every next frame can be calculated from homograph matrix between the current image plane and the previous one. Registration of virtual objects is finally completed.

根据这个原理，首先通过一个景物平面和图像之间的单应得到初始状态相机的投影矩阵，然后对后面每帧图像和前一帧进行自然特徵点匹配，通过匹配点对计算出图像之间以及图像与景物平面的单应关系，由此就可以得到每一帧图像对应的相机的投影矩阵，从而完成虚拟物体的注册。

D: Well the law of inertia says that something in motion will tend to stay in motion, and what's more, to move in a straight line.

惯性原则就是：运动中的物体要保持运动的状态，同时保持直线运动（惯性守则好像不是这么说的吧，请参看楼上的）。

The goods will be stopped in the overturning state when stopping the power .

动力中断时物体能停止在翻转后的状态。

Phot oelastic experiment is an effective method which may directly observe and measur e the stress state in the body under the action of outside force in the laborato ry condition, so that it is a fact to gain quantitatively the orientation of max imum principal stress, the trajectories of principal stresses and the magnitude map of the stresses.

光弹物理模拟实验是在实验室条件下直接观察和测量在外力作用下物体内部应力状态和特征的有效手段，能够得到定量化的最大主应力方向、主应力轨迹线和应力级值分布图。

Operationally, it's never been flatter than printer, no mater how flat I brush, and it's never been more photographic than photography, no matter how hard I draw. As a result, I tend to emphasize the hand-drawing characteristic and the contrived distinctness. Technology brings us convenience and rapidity, but my work shows some reaction against it. So far, the Technology could make one touch to complete all the things, and maybe in the future it could have made everything unlabored by just thinking. However, Technological operation makes physical perceptions getting degenerated, and the crisis of primordially physical degeneration is the fierce dilemma for me.

在身体的操作下意识到平涂即使再平最终也不会大於电脑影像输出，而在物体描绘的写实感也不会大於照片的真实感，所以转而强调手绘的真实性和人为刻意操弄下的距离，对於科技带来的便利性和快速性，在我的创作中某一程度显现了对科技的反动，但是科技的操作渐渐的让身体的感知退化，目前科技可以做到 one touch 就能办到生活的一切事情，而在以后甚至只需要动脑感应就可以达到很多劳动所不及的事情，如此身体的原始性逐步降低所带来的危机感正是我自身所处的一个拉扯状态，强调身体所操作出来的痕迹。

Visual body or astral body teleportation, or visual object teleportation but before we can master teleportation we must first learn the art ofTelekinesis/Psychokinesis and Clairsentience and the higher state of consciousness the seventh sense.

想象身体或星光体心灵运输，或想象物体心灵运输但是在我们能精通心灵运输前我们必须首先学会心灵致动/意志力和感知他人感情、生死感和更高状态意识第七感觉的艺术。

Visual body or astral body teleportation, or visual object teleportation but before we can master teleportation we must first learn the art of Telekinesis/Psychokinesis and Clairsentience and the higher state of consciousness the seventh sense.

想象身体或星光体心灵运输，或想象物体心灵运输但是在我们能精通心灵运输前我们必须首先学会心灵致动/意志力感知他人感情，生心灵致意志力和感知他人感情感知他人感情，心灵死感和更高状态意识第七感觉的艺术。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。