物体状态

If a particle is moving accelerated, the sum of the inertial reactions of the particle to the objects which force it to produce the accelerated motion is called the inertial force of the particle.

力 是由于小车具有惯性，力图保持原来的运动状态，对于施力物体产生的反抗力。称为小车的惯性力。

Ii Any change of status in operations inter alia, when a space object is no longer functional

运行状态的任何变化（特别是当空间物体不再发挥功能时

That means that astatic state of a conceptual object is static at the conceptual level of the object only.

这也就是说，一个静止状态的一个概念性物体是静止的，在概念层次的对象而已。

Then. a body of revolution with a vertical stabilizing fin and rudders at tail has been tested.

然后就回轉体加上垂直鰭及尾舵的組合体进行試驗，测定了此組合体及其各部件在物体各种运动状态时的慣性参数。

Two kinds of thermal boundary conditions were considered in this study. One was the isothermal rotating object and the other was the adiabatic rotating object. The motionless object was set in rotation at time t=0 with a constant angular velocity. The effect of natural convection was neglected.

本文假设容器内流体的普朗特常数等於5，并假设流体流动属於层流状态，模拟过程中考虑两种不同的边界条件，一为等温旋转体，另一为绝热旋转体；在不同的边界条件下，物体於时间t = 0时开始旋转同时固定角速度，并忽略自然对流。

A Nothing, then, is both equilibrium and disequilibrium.

而且，没有任何一个物体处于平衡又失衡的状态。

B body in motion remains in motion unless acted on by an external force.

如果没有外力的作用，运动的物体仍然保持运动状态。

In some mechanical problems the final deformed state of the material body can be reached by the composition of two deformations.

在某些力学问题中，物体的终末形变状态可以通过两个形变的合成来得出。

Contact found in 80 works will impose upon space and the norm of thinking seems to exist faults and barriers, ahead of fashion conscious consumers continue to derive more imaginative ideas to make their work a kind of weightlessness a sense of unconscious, self-desire expansion and to meet the Gengrang has become such a vague sense of, when hidden, at times, a lot of 80, after describing himself as an artist is not weight of objects, flying freely in the air, floating, this subjective state of consciousness driven by the description of means that the objective mental states, disorders and emptiness, extreme inflation and a good self-concept of a serious departure from the idealism and sense of reality, greatly outstrips reality, a feeling based on fantasy or fantasy thinking.

在我们接触的作品中会无形中发现80后的思维空间与常态似乎存在着断层和隔阂，超前时尚的消费意识不断派生出更有想象力的观念使他们的作品有种无意识的失重感，自我欲望的膨胀和满足更让这样的意识变得虚无飘渺、时隐时现，很多80后艺术家将自己描述成没有重量的物体，在空中自由自在的飞行、飘浮，这种主观意识状态驱使下的描述，意味着客观精神状态的失常和空虚，极度膨胀和自我良好的唯心意识观严重背离了现实，凌驾于现实之上的感觉建立在空想或幻想的思维中。

Painting carries out a static expression through describing objects and things in perceptual space. A kind of definite perceptual space gives up its dynamic state and converts a static state, starting to use a scene chosen by a painter in painstaking to do painting activity. That makes the eternal movement world in static, in the static state it lets people unfold infinite thinking space to understand and comprehend the worldly kaleidoscope.

绘画就是通过感性空间中所描绘的物体和事物来进行静止的表述，一种确定的感性空间，放弃了它的运动状态而转入静止，开始用一个画家苦心孤诣地做出了选择的场面来进行着绘画的活动，以至使本来永恒地运动着的世界静止了，这种静止的状态中，让人们去展开无限的思维空间，去理解和感悟这人间百态。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。