牧羊的

He was alone in his chamber, amid its pastoral scenes, with his feet propped on the andirons, half enveloped in his huge screen of coromandel lacquer, with its nine leaves, with his elbow resting on a table where burned two candles under a green shade, engulfed in his tapestry armchair, and in his hand a book which he was not reading.

他独自待在他那间满壁牧羊图景的卧室里，两只脚伸在炉边的铁栏上，被围在一道展成半圆形的科罗曼德尔九折大屏风的中间，深深地坐在一把锦缎大围椅里，肘弯放在桌子上（桌上的绿色遮光罩下燃着两支蜡烛），手里拿着一本书，但不在阅读。

"I have thought of something," said the chimney-sweep;"let us get into the GREat pot-pourri jar which stands in the corner; there we can lie on rose-leaves and lavender, and throw salt in his eyes if he comes near us."

不过小牧羊女双眼望着她最心爱的瓷制的扫烟囱的人儿，哭起来了。"我要恳求你，"她说，"我要恳求你带着我到外面广大的世界里去。在这儿我是不会感到快乐的。"

Because you fancy that the shepherd or neatherd fattens of tends the sheep or oxen with a view to their own good and not to the good of himself or his master; and you further imagine that the rulers of states, if they are true rulers, never think of their subjects as sheep, and that they are not studying their own advantage day and night.

因为你老是幻想着牧羊人和羊牛人只考虑羊或牛的利益将羊群或牛群饲养得又肥又胖，而不考虑他们自身的利益和主人的利益；你进而又想象着国家统治者的情形，假如他们还是现实中的统治者的话，他们从不考虑像羊那样的利益对象（而羊的利益大概也包括终将被当作食物），而且还日以继夜地不顾自身的权利。

He was merely serving up the same old reassuring myth, so carefully sustained from generation to generation, of a happy bucolic world untouched by the conflicts and savageries of real life, one more episode in the long-running story of Arcadian shepherds and Bourbon milkmaids, of Soviet tractor drivers and Merrie England.

他只不过是将一个同样是老掉牙的神话搬出来给人压惊罢了。这个神话好不容易熬过了一代又一代：快乐的田园生活里，了无纷扰、残酷的现实生活痕迹，是阿卡迪亚牧羊和波旁挤奶姑娘故事的又一章节，是苏维埃拖拉机手和Merrie England的神话。

The Sound of Music (1965) when re-released in the late 20th century was presented as a sing-along version along the lines of the participatory Rocky Horror, with fans dressing up as nuns, lonely goatherds and Nazis.

音乐之声》（1965）在20世纪末再度投入市场时，呈现给观众的是供大家共享的演唱版的《洛基恐怖舞会》里的歌词，影迷们全扮成修女、孤独的牧羊人和纳粹。

Achilles had once taken both of them prisoners in the glades of Ida, and had bound them with fresh withes as they were shepherding, but he had taken a ransom for them; now, however, Agamemnon son of Atreus smote Isus in the chest above the nipple with his spear, while he struck Antiphus hard by the ear and threw him from his chariot.

在此之前，阿基琉斯曾抓过他们――其时，他俩正牧羊在伊达的坡面――缚之以坚韧的柳条，以后又收取赎礼，放入生还。这一次，阿特柔斯之子，统治着辽阔疆域的阿伽门农，击倒了伊索斯――投枪扎进胸脯，奶头的上面――剑劈了安提福斯，砍在耳朵上，把他撂下马车。

The brown, knee-length modified Driza-bone coats, normally favored by horse-riding stockmen mustering sheep, were at least suited to the rainy Sydney weather on the first day of the Asia-Pacific Economic Cooperation meeting.

这款经改造的棕色及膝Driza-bone（字面意思是&像骨头一样干爽&，意为防水效果好）防水风衣深受澳大利亚骑马牧羊人们的青睐，至少对于本届峰会第一天悉尼的阴雨天气来说，这款衣服还是很合适的。

A scientist who studies ethology, or animal behavior, might ask how prehistoric shepherds first coaxed such useful behavior from their domesticated wolves, the ancestors of today's sheepdogs.

一个动物行为学的学者会问史前的牧羊者们是怎样哄骗他们驯化的狼，也就是牧羊犬的祖先，去做这些行为的呢？

The prosperity of sheep husbandry provided abundant food,important material of industry and military.It not only stimulited the commercial development,but satisfied material and cultural needs of people.It also could satisfy the needs of military use.

牧羊业的兴盛为宋人提供了丰富的肉食、重要的手工业原料、必要的军用物资，对于活跃市场，发展商品经济，提高人民的物质生活水平和国防安全有着重大意义。

The poem, according to this theory, shows how a beautiful shepherdess keeps her betrothal vow to her lover of the same rank in fife notwithstanding the allurements and acts of violence of a king.

这首诗，根据这一理论，显示了如何保持美丽的牧羊女她订婚的誓言：在她的情人同一职级的法伊夫尽管allurements和暴力行为的一个国王。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。