牧羊女

The film flip-flops between the real world and a fantasy dream world, in which the evil king pursues the girl he loves and her lover, a chimney sweep, only to be thwarted at every turn by lOiseau.

电影在真实世界和奇幻梦境中穿插跳跃，残暴的国王四处追捕他垂涎已久的牧羊女和她的爱人扫烟囱工，但总是被lOiseau破坏。

I much preferred La Bergere et le Ramoneur (the Shepherdess and the chimney sweep), a 1953 film, redone by the Frenchman Paul Grimault in 1980 as Le Roi et l'Oiseau, or the 1947 film The Little Hunchbacked horse by the Russian Ivan Ivanov.

我最喜欢的是《牧羊女与扫烟筒的人》，那是部1953年的电影，1980年被法国人Paul Grimault翻拍成为Roi et l'Oiseau，还有1947年俄罗斯Ivan Ivanov的《小驼背骑兵》。

"I have thought of something," said the chimney-sweep;"let us get into the GREat pot-pourri jar which stands in the corner; there we can lie on rose-leaves and lavender, and throw salt in his eyes if he comes near us."

不过小牧羊女双眼望着她最心爱的瓷制的扫烟囱的人儿，哭起来了。"我要恳求你，"她说，"我要恳求你带着我到外面广大的世界里去。在这儿我是不会感到快乐的。"

The chimney-sweep and the little shepherdess looked piteously at the old Chinaman, for they were afraid he might nod; but he was not able: besides, it was so tiresome to be always telling strangers he had a rivet in the back of his neck.

扫烟囱的人和牧羊女望着这位老中国人，样子很可怜，因为他们害怕他会点头答应。但是他现在不能点头了，他同时又觉得怪不好意思告诉一个生人，说自己颈子里牢牢地钉着一根钉子。因此这一对瓷人就成为眷属了。他们祝福老祖父的那根钉子；他们相亲相爱，直到他们碎裂为止。

His most important work is La Berg re et le Ramoneur (The Shepherdess and the Chimneysweep).

他最重要的作品是《La Berg re et le Ramoneur》（《牧羊女和扫烟囱工人》）。

In ancient times, a handsome young man named Crocus fell in love with a shepherdess. Sadly, she did not love Crocus.

在古代，有位名叫 Crocus 的俊美男子爱上了一个牧羊女，令人伤心的是牧羊女并不爱他。

It is connected with German bands and Dresden shepherdesses.

它把德国法官与的累斯顿牧羊女连接起来。

Unless you would like me to go as Little Bo Peep.

除非你要我穿的像小牧羊女一样？

These work , the worker who has writing the coal miner , spinning and weaving worker , dockman and builds road, have writing the peasant and drought combating, there are still takes rural area girl , shepherdess and singsong girl as subject matter , also has writing the youth student , teenager children , newspaper delivery boy life.

这些作品，有写煤矿工人、纺织工人、码头工人和筑路工人的，有写农民与旱灾作斗争的，还有以农村姑娘、牧羊女和歌女为题材的，也有写青年学生、少年儿童、报童生活的。

All at once, a gust of wind, more merry than the rest, and probably charged with performing the affairs of Springtime, swept down from the nursery, flung itself on the alley, enveloped the young girl in a delicious shiver, worthy of Virgil/'s nymphs, and the fawns of Theocritus, and lifted her dress, the robe more sacred than that of Isis, almost to the height of her garter.

忽然来了一阵风，吹得特别轻狂，也许负有什么春神的使命，从苗圃飞来，落在小路上，裹住了那姑娘，惹起她一身寒噤，使人忆及维吉尔的林泉女仙和泰奥克利特①的牧羊女那妩媚的姿态，这风竟把她的裙袍，比伊希斯②的神衣更为神圣的裙袍掀起来，几乎到了吊袜带的高度。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。