牧羊人

The Ozark region is characterized by many underground streams and springs. Tourism is one of the region's chief industries and was given a boost by Harold Bell Wright's novel The Shepherd of the Hills (1907), which romanticized the Ozarks.

奥沙克地区的特色是区内有许多地下河流及温泉，观光业是该区的主要行业之一，怀特的小说「山坡上的牧羊人」 The Shepherd of the Hills (1907，将奥沙克加以浪漫化，更促进了它的观光业发展。

I must live like an exile, if I approach near to people a hot terror seizes upon me, a fear that I may be subjected to the danger of letting my condition be observed - thus it has been during the past year which I spent in the country, commanded by my intelligent physician to spare my hearing as much as possible, in this almost meeting my natural disposition, although I sometimes ran counter to it yielding to my inclination for society, but what a humiliation when one stood beside me and heard a flute in the distance and I heard nothing, or someone heard the shepherd singing and again I heard nothing, such incidents brought me to the verge of despair, but little more and I would have put an end to my life - only art it was that withheld me, ah it seemed impossible to leave the world until I had produced all that I felt called upon me to produce, and so I endured this wretched existence - truly wretched, an excitable body which a sudden change can throw from the best into the worst state - Patience - it is said that I must now choose for my guide, I have done so, I hope my determination will remain firm to endure until it please the inexorable Parcae to bread the thread, perhaps I shall get better, perhaps not, I am prepared.

我不得不活着像个流放的人，要是我接近人群，恐惧就会涌上心头，唯恐别人发现我病情。半年来我就是这样过来的。一位高明的医生让我尽量避免使用听觉，而也差不多正合我愿，所以这半年来我一直呆在乡下。不过，有时我也会违背医嘱，忍不住想与别人交往，但是，当我旁边的人听到远处的笛声而我却什么都听不到，或是别人听到牧羊人的歌声而我又什么都听不到的时候，那是怎样一种屈辱的感觉啊！这些事情让我濒临崩溃，要不是对艺术的渴求制止了我，我差不多就要结束我的生命了。我知道没把我命里所有的作品都创造出来，我是不可能离开这个世界的，所以我忍受这痛苦的生活，真的痛苦啊！我的身体容易激动，突然有一点变化，就会一下子从最好变成最坏。我必须选择忍耐，别人这么说，我也这么做了。希望我有足够坚定的意志来承受苦难，直到无情的死神割断我的生命之线的那天。也许我的病会好转，也许不会，对此我都是有心理准备的。

And I saw until that twenty-three had undertaken the pasturing and completed in their several periods fifty-eight times.

7我看了有段时间，俯视了二十个(124)树下的牧羊人；他们各自的时期是五十八个年头。

And I saw till that in this manner thirty-five shepherds undertook the pasturing, and they several...

第九十章 1我在那时观察，因此有三十七个(123)牧羊人被查看，他们都在自各时期内完成，正如起先一样。(123)这里有个明显的错误是35个，犹大王和以色列人（劳伦斯139页） 1。

This is a new set of 50 pairs of plated shepherd hook earrings.

这是一个新成立的五十○对镀牧羊人钩耳环。

Nymphs and shepherds dance drunkly before a wreathed figure of Pan or Priapus ,deities of woodland and gardens ,associated with Bacchus ,god of wine .

林泽仙女和牧羊人醉醺醺的在一个头带花冠身披花环的人象面前跳起舞来，那是潘或者普利阿普斯（掌管山林和园地的神祗，和酒神巴克斯颇有渊源）的雕像。

26 And they came row after row, and they delivered up the rods to the shepherd.

77：26他们到这里来是一排排的，他们发表了棒，以牧羊人。

The prion story starts in the 1730s, when shepherds in Britain and Europe described the disease we call scrapie

Prion之说源于1730年左右，当时在英国和欧洲的牧羊人用来描述我们称作scrapie的病。

The prion story starts in the 1730s, when shepherd s in Britain and Europe described the disease we call scrapie

Prion之说源于1730年左右，当时在英国和欧洲的牧羊人用来描述我们称作scrapie的病。

The law and lawyers are the explicit subject of other Shakespearian dialogue, and much of it is unflattering, including Falstaff's well-known reference in Henry IV Part I to "Old father Antic the law", and the shepherd's son's dismissive declaration in The Winter's Tale: Let the law go whistle.

法律和律师也是其它莎剧人物直率谈论的话题，当然很多并非恭维，包括福斯塔夫在《亨利四世》第一幕里著名的评论，"先辈使法律成为丑角"。在《冬天的童话》里牧羊人的儿子轻蔑的断言，"让法律吹口哨去吧"。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。