牧羊

It's in the collie family, Right?

是种牧羊狗对吧？

It was soon obvious that the little German shepherd crossbreed would be a ''.

没多久就看得出这只小德国杂种牧羊狗会长成一条''。

It was soon obvious that the little German shepherd crossbreed would be a large dog --, too large to continue sharing a doghouse with Tex and the yellow cat.

没多久就看得出这只小德国杂种牧羊狗会长成一条大狗，大到不能再和特克斯及黄猫同享一间狗屋。

Although they were not really cowboys (the word cowboy is often used derisively in the west by those who do ranch work), the urban critics dubbed it a tale of two gay cowboys.

他们也不是真正的牛仔。（牛仔一词经常用于牧羊人中），大城市的文学评论家说这是关于两个同性恋牛仔的故事。

It is connected with German bands and Dresden shepherdesses.

它把德国法官与的累斯顿牧羊女连接起来。

I would rather speak of the genre of the revolutionary idyll: and indeed, in his Versions of Pastoral (1960), William Empson went a long way towards assimilating socialist realism in general to such a form, which, with its shepherds and shepherdesses and its rural peacefulness and fulfillment, seems to have died out everywhere in the literature of the bourgeois age as such.

这里我想谈谈革命的抒情诗这一文类：实际上，在威廉·燕卜荪的《田园诗种种》（ Versions of Pastoral， 1960）里，他走了很长的路才把社会主义现实主义吸纳到这种形式，鉴于其中所描写的牧羊的男女，乡村的恬静和满足，这种形式似乎在资产阶级时期的文学里已经完全消失。

Endymion was a handsome young shepherd who kept his flocks of sheep on Mt.

恩底弥翁是位风度翩翩的青年牧羊人，他在小亚细亚的拉塔莫斯山牧羊。

Endymion was a handsome young shepherd who kept his flocks of sheep on Mt Latmos,Asia Minor.

恩底弥翁是位风度翩翩的青年牧羊人，他在小亚细亚的拉塔莫斯山牧羊。

Endymion was a handsome young shepherd who kept his flocks of sheep on Mt Latmos, AsiaMinor.

恩底弥翁是位风度翩翩的青年牧羊人，他在小亚细亚的拉塔莫斯山牧羊。

20 Endymion Endymion was a handsome young shepherd who kept his flocks of sheep on Mt Latmos,Asia Minor .

恩底弥翁恩底弥翁是位风度翩翩的青年牧羊人，他在小亚细亚的拉塔莫斯山牧羊。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。