牧羊

He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs.

他在二楼占用一套宽大的老式房间，一面临街，一面对着花园，大幅大幅的哥白兰①绒毯和博韦②绒毯挂齐天花板，毯子上织的是牧羊图，天花板上和壁框里的画缩成小幅，又出现在每张围椅上。

He lived in the Marais, Rue des Filles-du-Calvaire, No. 6. He owned the house. This house has since been demolished and rebuilt, and the number has probably been changed in those revolutions of numeration which the streets of Paris undergo. He occupied an ancient and vast apartment on the first floor, between street and gardens, furnished to the very ceilings with great Gobelins and Beauvais tapestries representing pastoral scenes; the subjects of the ceilings and the panels were repeated in miniature on the arm-chairs.

他在二楼占用一套宽大的老式房间，一面临街，一面对着花园，大幅大幅的哥白兰①绒毯和博韦②绒毯挂齐天花板，毯子上织的是牧羊图，天花板上和壁框里的画缩成小幅，又出现在每张围椅上。

"Though it has served as a guard dog, war dog, fire-department mascot, hunter, shepherd, and performer, it became best known as a coach or carriage dog, functioning as an escort and guard for horse-drawn vehicles."

用于放哨、军事、消防、狩猎、牧羊和表演马戏；不过最知名的用途是拖车犬，伴行于马车旁以提供保护。

Cattle dog trials, similar to the standard sheep dog trials, are also popular in Australia and sheep dogs are usually used for this sport.

牧牛比赛，类似于标准牧羊比赛，在澳大利亚也是一项热门赛事。

The film flip-flops between the real world and a fantasy dream world, in which the evil king pursues the girl he loves and her lover, a chimney sweep, only to be thwarted at every turn by lOiseau.

电影在真实世界和奇幻梦境中穿插跳跃，残暴的国王四处追捕他垂涎已久的牧羊女和她的爱人扫烟囱工，但总是被lOiseau破坏。

I much preferred La Bergere et le Ramoneur (the Shepherdess and the chimney sweep), a 1953 film, redone by the Frenchman Paul Grimault in 1980 as Le Roi et l'Oiseau, or the 1947 film The Little Hunchbacked horse by the Russian Ivan Ivanov.

我最喜欢的是《牧羊女与扫烟筒的人》，那是部1953年的电影，1980年被法国人Paul Grimault翻拍成为Roi et l'Oiseau，还有1947年俄罗斯Ivan Ivanov的《小驼背骑兵》。

"I have thought of something," said the chimney-sweep;"let us get into the GREat pot-pourri jar which stands in the corner; there we can lie on rose-leaves and lavender, and throw salt in his eyes if he comes near us."

不过小牧羊女双眼望着她最心爱的瓷制的扫烟囱的人儿，哭起来了。"我要恳求你，"她说，"我要恳求你带着我到外面广大的世界里去。在这儿我是不会感到快乐的。"

The chimney-sweep and the little shepherdess looked piteously at the old Chinaman, for they were afraid he might nod; but he was not able: besides, it was so tiresome to be always telling strangers he had a rivet in the back of his neck.

扫烟囱的人和牧羊女望着这位老中国人，样子很可怜，因为他们害怕他会点头答应。但是他现在不能点头了，他同时又觉得怪不好意思告诉一个生人，说自己颈子里牢牢地钉着一根钉子。因此这一对瓷人就成为眷属了。他们祝福老祖父的那根钉子；他们相亲相爱，直到他们碎裂为止。

His most important work is La Berg re et le Ramoneur (The Shepherdess and the Chimneysweep).

他最重要的作品是《La Berg re et le Ramoneur》（《牧羊女和扫烟囱工人》）。

One day he came to Magadha country's Niger River near the company due to food and water, tired and hungry, collapsed to the ground, but fortunately this time there is a shepherd girl found him, rescued him and took her own lunch Zhanmi, glutinous rice boiled with wild fruits of "chyle" Let him eat, he would recover.

有一天，他来到该公司附近，由于食物和水，又累又饿摩揭陀国的尼日尔河，晕倒在地，幸好这一次有一个牧羊姑娘发现他，他救出了自己的午餐Zhanmi，糯米与野生的果实"乳糜"让他煮吃，他会痊愈。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。