牛排

Yes. This gentleman will have the beef stew,and I'll have the sirloin steak.

这位先生要炖牛肉，我要牛腰肉牛排。

A:Sirloin steak is our special of the day,sir.

腰肉上部的牛排是今天的物餐，先生。

I will have sirloin steak and salmon for the lady.

我要沙朗牛排，姐要鲑鱼。

Sirloin steak is our special of the day, sir.

今天的特餐是里脊牛排，先生。

That's the chef's recommendation, sirloin steak.

那是主厨推荐的「沙朗牛排」？

We'll still have steak, but we won't have the sizzle, he said.

他说，"我们还有牛排，但我们不会再去制造'滋滋声'了。"

You've got to sell more than the sizzle; you've got to sell the steak.

你不能只卖虚有其势的嘶嘶声，你还必须把牛排端出来。

However, if you refer to the above question, ID has the steak to go with the sizzle.

然而，如果你提到上述问题，ID有牛排，配合令人兴奋。

He's identifying the sizzle with that comment, not the steak.

他把"咝咝"声和自己的看法等同了起来，而不是牛排本身。

You need to sell the sizzle to give the steak a chance.

出售烤牛排的时候，要用诱人的"嘶嘶声"铺路开道。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。