爱情的

Has the main feminine characters tragedy also to have the secondary feminine characters tragedy, has marital, the love tragedy also has the birth, the disposition tragedy, their tragedy of all forms, mutually interwove in the same place constituted a feminine elegy symphony.

其中有主要女性人物的悲剧也有次要女性人物的悲剧，有婚姻、爱情的悲剧也有生育、性格的悲剧，她们的悲剧形形色色，互相交织在1起构成了1首女性悲歌的交响曲。

Has the main feminine characters tragedy also to have the secondary feminine characters tragedy, has marital, the love tragedy also has the birth, the disposition tragedy, their tragedy of all forms, mutually interwove in the same place constituted a feminine elegy symphony.

其中有主要女性人物的悲剧也有次要女性人物的悲剧，有婚姻、爱情的悲剧也有生育、性格的悲剧，她们的悲剧形形色色，互相交织在一起构成了一首女性悲歌的交响曲。

To lofty dispels strongly displays for to belief dispelling with to love dispelling, dispels the performance to the culture for falls into one kind of non- cultural condition the city and the village as well as with mysticalness substitution person's culture which cannot be known.

对崇高的消解集中地表现为对信仰的消解和对爱情的消解，对文化的消解表现为将城市和乡村陷入一种无文化状态以及用不可知的神秘性取代人的文化性。

Remember that the man who can shoder[7] the most risk will gain the deepest love and the supreme[8] accomplishment; Call you mother on the phone. If you can't, you may think of her in your heart; When someone sneezes say,"God bless you"; If you fail, don't forget to learn your lesson; Remember the three " respects". Respect yourself, respect others, stand on dignity[9] and pay attention to your behavior; Don't let a little dispute break up[10] a great friendship; Whenever you find your wrongdoing[11], be quick with reparation[12]!

记住：那些敢于承担最大风险的人才能得到最深的爱和最大的成就；给妈妈打电话，如果不行，至少在心里想着她；当别人打喷嚏时，说一声&上帝保佑&；如果你失败了，千万别忘了汲取教训；记住三个&尊&：尊重你自己；尊重别人；保持尊严，对自己的行为负责；不要让小小的争端损毁了一场伟大的友谊；无论何关于爱情的英语诗歌时你发现自己做错了，竭尽所能去弥补；动作要快！

In 1618 she published a collection of thirty-six solo songs and soprano/bass duetsthat is a compendium of contemporary styles, ranging from intensely moving, harmonically adventurous laments to joyful sacred songs in Italian and Latin to witty strophic songs about the joys and perils of romantic love.

她在1618年出版了30集，6首歌曲，女高音独唱/低音二重奏（金正日普里莫图书出版社阿尔穆西切）这是一个现代风格的汇编，从激烈的运动，和声冒险感叹在欢乐的歌曲到意大利的神圣和拉丁美洲的机智有关的乐趣和浪漫爱情的危险strophic歌曲。

In the scarlet poppy land, under the saintly snow mountains, I, as if the paralytic slave of yours, was prisoned by your beauty in the glass filled with affection.

橙色的黎明，会在一片红色的罂粟花地，在圣洁的雪山之下，我如被麻醉的奴仆，被你的美丽囚禁在盛满爱情的玻璃瓶中，你笑

No matter the thick rough gallant man's teenager on Yuan water and river, the prostitute who does sailor's business, wish eagerly love soughs , green and green etc., they all have a physique of health , simple soul , embodiment with beautiful human nature of heavy friendship , light interests person.

无论是沅水河上粗蛮豪侠的少年，做水手生意的妓女，还是渴望爱情的萧萧、翠翠等，他们都是有着健康的体魄、质朴的灵魂，重情义、轻利益的人性美的体现者。

Gift Details: Always be able to have many to run after the consummate people amatory on the way , make them dust-covered so right away within self memory with regard to like that amber in 1000, the most beautiful memory eternal solidification is in self inward profundity , will never be ready to wake up.

礼品详细说明：爱情的路上总是会有很多追求完美的人，那么就让他们尘封在自己的记忆里吧，就如同那千年的琥珀，把最美的回忆永远的凝固在自己的内心深处，永远不愿醒来。

Gift Details: Always be able to have many to run after the consummate people amatory on the way , make them dust-covered so right away within self memory with regard to like that amber in 1000, the most beautiful memory eternal solidification will never be ready to wake up in self inward profundity.

礼品详细说明：爱情的路上总是会有很多追求完美的人，那么就让他们尘封在自己的记忆里吧，就如同那千年的琥珀，把最美的回忆永远的凝固在自己的内心深处，永远不愿醒来。

Gift Details: Always be able to have many consummate people of go after amatory on the way , make them dust-covered so right away within self memory with regard to like that amber in 1000, will never be ready to wake up with the most beautiful memory eternal the heart solidifying in self profundity.

礼品详细说明：爱情的路上总是会有很多追求完美的人，那么就让他们尘封在自己的记忆里吧，就如同那千年的琥珀，把最美的回忆永远的凝固在自己的内心深处，永远不愿醒来。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。