爱情的

Crafty men contemn studies, simple men admire them, and wise men use them; for they teach not their own use; but that is a wisdom with- out them, and above them, won by observation.

虽然爱情的奴隶并不同于那班只顾吃喝的禽兽，但毕竟也只是眼目色相的奴隶，而上帝赐人以眼睛本来是有更高尚的用途的。

You must except, nevertheless, Marcus Antonius, the half partner of the empire of Rome, and Appius Claudius, the decemvir and lawgiver; whereof the former was indeed a voluptuous man, and inordinate; but the latter was an austere and wise man: and therefore it seems that love can find entrance, not only into an Of Love 论爱情 well said, that the arch-flatterer, with whom all the petty flatterers have intelligence, is a man's self; certainly the lover is more.

而在其他场合，同样的词令只能招人耻笑。古人有一句名言："最大的奉承，人总是留给自己的。"----只有对情人的奉承要算例外。因为甚至最骄傲的人，也甘愿在情人面前自轻自贱。

St John no doubt, would have given the world to follow, recall, retain her when she thus left him; but he would not give one chance of heaven, nor relinquish, for the elysium of her love, one hope of the true, eternal Paradise.

约翰无疑愿意不顾一切地跟随着，叫唤她，留她下来、但是他不愿放弃进入天国的机会，也不愿为了她爱情的一片乐土，而放弃踏进真正的、永久的天堂的希望。

When ROSETTA'S sense of adventure in coming to a new country is damped, her spirit and imagination are not, trusting always that the destiny which brought her here has already decided that GINO will be her husband.

萝赛塔来到澳大利亚与心上人结婚的想法受到了世事的阻碍，但是她对爱情的信念始终没有改变，她相信安排她来到澳大利亚的命运已经决定让基诺成为她的丈夫。

Jule and Jan fall in love by accident, then Jan tells Jule their breaking-in secret. But Jule insists on breaking in Hardenberg's villa. The climax of the movie starts. The love between three youths and a kidnapping start as well.

一次偶然的机会Jan和Jule产生了爱情的火花，这时候Jan告知了Jule他和Peter的秘密，Jule执意要潜入Hardenberg的家，但是留下一张Jule的照片。

Teenage couples. Heh, actually my mom's oft-mentioned stories and novelists are all romances as well... Novelist-monk-slash-unrequited-lover Su Manshu's gravesite, Leifeng Pagoda from The White Snake Legend ...

哈哈。其实我妈妈喜欢的故事，小说家也是爱情的--看我们的照片，有苏曼殊的墓碑；白蛇传的雷峰塔。err。。

The strange BE, accompany with the melody of our this love, isn't the sweet madrigal of your my 侬, but is the song that elegantly simple and sad but beautiful XU MEI calm down.

奇怪的是，伴随我们这段爱情的旋律，不是你侬我侬的甜蜜情歌，却是淡雅凄美的许美静的歌。

Cupid has always been regarded as the symbol of love.It's said that he's a naughty manito with a pair of wings.Once his arrow has inserted the young couple's hearts,they will love each other deeply.

丘比特一直被人们喻为爱情的象征，相传他是一个顽皮的、身上长着翅膀的小神，他的箭一旦插入青年男女的心上，便会使他们深深相爱。

However, the novelette does not merely portray character for character but roots out the causes of these characters formation and the cultural essence of each featured character/personage.

孙柔嘉等形象时，隐含作者又放任笔下的任务，对主动追求爱情的女性提出种种不公平的指控，并运用作者和叙述者的权威剥夺这些女性为自己辩护的权利。

Why,such is love's transgression.Griefs of mine own lie heavy in my breast,Which thou wiltpropagate,to have it prest With more of thine:this love that thou hast shown Doth add more grief to too much of mine own.

罗密欧 唉！这就是爱情的错误，我自己已经有太多的忧愁重压在我的心头，你对我表示的同情，徒然使我在太多的忧愁之上再加上一重忧愁。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。