爱情的

He is not to loving you, be only, he cannot give you that you wanted to be called "amatory" love; He cannot be accustomed that a people absurd appearing in him life; He does not have courage and the strength to embrace your only.

他不是不爱你，只是，他不能给你---你所要的那种叫做"爱情"的爱；只是他还不习惯你莫名其妙的出现在他的生活当中；只是他没有拥抱你的勇气和力量

A detailed analysis of the painting Bacchus and Ariadne thus reveals a complex and subtle structure.

在格罗的同时代人中，只有少数几个人能够理解并赞赏他对《巴克斯与阿里阿德涅》这一表现爱情的神话题材的把握，对"丰富的瞬间"的想象。

Years ago, when my friend Capote Duncan was one of the most eligible bachelors in New York, he dated every woman in town. Back then, we were still romantic enough to believe that some woman could get him. He has to fall in love someday, we thought.

几年前，当我的朋友Copote Duncan还是纽约最当之无愧的钻石王老五之一的时候，他曾和城里的每一个女人约会，那时，我们依然相信爱情的存在，确信他最终会与一个女人相守终生，我们想，他绝对会有一天陷入爱河。

Another then fall in love at first sight, listen to don't enter anyone to advise 阻, which afraid become bankrupt also regardless the sacrifice, from present mother to his inheritance secretly to the lover, in addition, he mightiness of envy the heart is also his love to express profoundly, keeping most genuine feeling a person clay-cold cover up into the underground, he still tries to come out her excavation, seeing the top last side.

另一个则一见钟情，听不进任何人的劝阻，哪怕倾家荡产也在所不惜，由暗中将母亲给他的遗产赠送给情人，此外，他强烈的嫉妒心也是他的爱情的深切表现，直至情人死后埋入地下，他仍然设法将她挖掘出来，见上最后一面。

What is real and what is fiction? Claude Lelouch's multi-layered movie is a glossy melange of suspense and romance – a thriller populated by offbeat characters including a runaway husband, a serial killer nicknamed The Magician, a ghost writer and a hairdresser.

什麼是现实而什麼是故事，Claude Lelouch 的这部多层次电影是一部夹杂悬疑与爱情的浮夸合集–一部由非传统角色形成的恐怖电影，包括了落跑新郎、绰号魔术师的连续杀人魔、代笔作家和理发师。

But come what sorrow can, it cannot countervail the exchange of joy that one short minute gives me in her sight: Do thou but close our hands with holy words, then love-devouring death do what he dare; It is enough I may but call her mine.

不管侵蚀爱情的死亡怎样伸展它的魔手，只要你用神圣的言语，把我们灵魂结为一体，让我能够称她一声我的人，我也就不再有什么遗恨了。

First of all, all are only the love prologues, thick and splendid content is in later chapter.

首先，所有的都只有爱情的序言，厚重而辉煌的内容是之后的篇章。

OVER the course of history it has been artists, poets and playwrights who have made the greatest progress in humanity's understanding of love.

纵观历史过程中一直被那些制作了最伟大的关于人类对爱情的理解的作品的艺术家，诗人和剧作家。

For a few seconds afterwards I have a fine spiritual glow… and maybe it would continue that way indefinitely – how can you tell?– if it weren't for the fact that there's a woman beside you and then the douche bag and the water running… all those little details that make you desperately selfconscious, desperately lonely. And for that one moment of freedom you have to listen to all that love crap… it drives me nuts sometimes… I want to kick them out immediately… I do now and then.

完事以后有几秒钟我觉得精神振奋……也许这种精神状态会无限期地持续下去-若不是身边有个女人，还有装灌洗器的袋子，水在哗哗流……这些微小的细节使得你心里清楚得要命，使你觉得十分孤独，而就在这完全解脱的一瞬间内你还得听那些谈论爱情的废话……有时这简直要叫我发疯……我不时发疯。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。