爱情的

The greatness of love lies in giving without any excuse and sacrificing without consideration of her result.

爱情的伟大在於无条件付出和不计後果的牺牲。

He has shown that he cares deeply for Yuki ever since he saved her, to what might be love in a romantic sense.

他表示，他对此议案，自从他为你救了她，可能是什么爱情的浪漫的感觉。

Let the world's sharpness like a clasping knife;Shut in upon itself and do no harm

让世界象一把摺刀，把它的锋芒；在自身内敛藏，埋进在爱情的

This is no more dallying of love between us, my lover.

我的爱人，我们之间并非是爱情的游戏。

This is no mere dallying of love between us, my lover.

这只是我们之间爱情的嬉戏，我的恋人。

XXXVIII This is no mere dallying of love between us , my lover .

38 这只是我们之间爱情的嬉戏，我的恋人。

He was like the Emperor of China, who sat glorying in himself, unaware that his fairest provinces were being wrested from him.

他说着站了起来，愚蠢地走到电车前面的平台去，对这些爱情的游戏听之任之。

At the horary courier station, I want to make a wish, calling forever;The bay in love, I will send a hope, calling earnestness.

在时间的驿站，我要许一个心愿，叫永远；在爱情的港湾，我将寄一份希望，叫真挚。

Yes, you are looking at one such individual and I have willingly loved that man for over three miserable years,the absolute worst years of my life The worst Christmases, the worst birthdays,New Year s Eves brought inby tears and Valium These years that I ve been in love have been the darkest days of my life,all because I ve been cursed by being in love with a man who does not and will not love me back .

深陷爱情的那年是我这辈子最暗无天日的一载春秋。

We one day to be able to leave this world, I counted on I am in luck for mine posterity leave behind the wealth, lets them not want the depth to be inescapably involved in love mire.

我们有一天都会离开这个世界，我指望我走时为我的后人留下一点财富，让他们不要深陷在爱情的泥沼里不能自拔。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。