爱情的

You have taught me what love is. Your serene form of worship let me forget two thousand years.

你教会了我什么是爱，你对爱情的膜拜让我忘记了时间的存在。

We are free to enjoy the sweet love, but also live freely without the shackles of life.

我们可以自由地享受爱情的甜蜜，还能过着无拘无束无枷锁的生活。

Can be when she once fell in love with a person, we will strictly adhere to their own share of love, love is the shelf-life "forever."

可当她一旦爱上一个人，一定会坚守自己的那份爱，爱情的保质期是"永远"。

Breast sorrel and pinks of love,fingers that wind around tighter than vines.

爱情的石竹花和醡浆草，比藤蔓纠结得更紧的手指。

And at springtide, when the apple blossoms brush the burnished bosom of the dove

在果园里，一对年轻的爱人，会读到我们爱情的故事。

And more cruel and unfair to the gril is that during the 100 turns, there is no man to love this gril in heart, and the gril will afflicted by love suffer the pain of love when her age getting to 18 years old in the every turns.

凡间要转100世才能回到天堂。而在这一百世里，没有一个世间男子会真心真间爱她。女孩每到18后就会受到爱情的折磨，受到一次又一次的伤害。而在天

Your sweet letter has sunken me in the sweet fragrance of our love.

你甜蜜的来信让我沉浸在爱情的芬芳中。

Production of love, because of these factor about thought perhaps, memory is it feel location by mistake to let, think that lets people's behavior surreptitious .

爱情的产生，或许就是因为这些因素左右了思想，记忆让感觉错了位，思考让人的行为诡秘。

And I and my brothers and sisters in their eyes the kind of taboo love the product.

而我和我的兄弟姐妹们就是在他们眼中那类禁忌爱情的产物。

Many years later Tatty Teddy continues to be a symbol of friendship and love. Across the world fans young and old, male and female are falling for his charm.

许多年之后， Tatty Teddy 已经成为友情和爱情的象征，它的 fans 不分国别、不分年龄、不分性别，人们深深被它吸引着。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。