爱尔兰佬

It was a bright, cold day, the ground covered with a sleet that had'' frozen so that it seemed as if all the bare trees, the bushes, the cut brush and all the grass and the bare ground had been varnished with ice, I took the young Irish setter for a walk up the road and along a frozen creek, but it was difficult to stand or walk on the glassy surface and the red dog slipped and slithered and I fell twice, hard, once dropping my gun and having it slide away over the ice.

那是个晴朗，寒冷的日子，地面覆盖着雨夹雪冰，把光秃秃的树、灌木丛、砍下的树枝，所有的草和空地已完全用冰，我把年轻的爱尔兰佬散步的道路和冰冻的小溪，不过很难站立或行走在玻璃表面和红色的狗，我倒滑的家伙，努力，曾两次掉我的枪，这让滑掉了冰。

Gorbals Mick, his nickname in snootier corners of Parliament and the press, was a cruel dig at his poor childhood in Glasgow—and, for those attuned to that city's sectarianism, a gibe at his Irish Catholic roots.

高伯的爱尔兰佬[6]，这是他在议会与新闻界中较为自高自大的那群人里的绰号，这个绰号刻毒地挖苦其在格拉斯哥的贫苦的童年时代，以及对应于那个城市的教派主义意识，嘲弄其爱尔兰罗马天主教的背景。

Gorbals Mick, his nickname in snootier corners of Parliament and the press, was a cruel dig at his poor childhood in Glasgow—and, for those attuned to that city's sectarianism, a gibe at his Irish Catholic roots.

高伯的爱尔兰佬

Just as I'm sure you prefer the term Irish-American instead of mick.

就像你更喜欢&爱尔兰裔&而不是&爱尔兰佬&一样

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。