爱尔兰

From a rousing, raucous tune to a melancholy Irish air, Will's incomparable tin whistle will bring you home to Ireland, and once there, will capture your heart and soul forever more.

从活泼的、沙哑的曲调成为暸一种忧郁的爱尔兰镟律，Will的无与伦比的锡哨子演奏犹如将妳带到爱尔兰家的感觉，而且一旦那样，将抓住妳的心和灵魂永远甚至更多。

The preferred tipple for most people on St Patrick's Day is a pint of Irish stout, a heavy, black beer, although others may plump for a glass of Irish whiskey.

在守护神日那天大多数人会选择喝爱尔兰黑啤，一种酒精度高，黑颜色的啤酒，当然也有选择爱尔兰威士忌的。

The colour green is predominant on St Patrick's Day as that is the national colour of Ireland, which is sometimes called the Emerald Isle.

绿色在守护神那天是主要的颜色，这也是因为绿色是爱尔兰的国色，所以有时候爱尔兰也被称作绿宝石岛。

Ireland is also called the Emerald Isle because of its rich green countryside.two political units:Northern Ireland and the Republic of Ireland.

爱尔兰因其葱翠欲滴的乡村景色，又称绿宝石岛。两个行政区：北爱尔兰和爱尔兰共和国。

Dan: Read him, I've listened to him, I've fetched him his morning Irish coffee.

fetch：取来，带来 Irish：爱尔兰的读他的作品，我听过他讲话，帮过他买早上的爱尔兰咖啡。

Saint Patrick is the protector of Ireland. March 17 is the most important day of the calendar in that country.

圣帕特里克是爱尔兰的保护神。3月17日是爱尔兰日历上最重要的一日。

Two of the men were sued both personally and as representatives of the Real IRA, the splinter republican group that had admitted responsibility for the atrocity.

两位被告中的一位是个人，另一位代表了爱尔兰共和军，爱尔兰共和军中的一小群人已被确认为这次爆炸事件负责。

His major works and commissions include: ' Three Temperaments , for Big Choir ' (1986), ' Counterpoint of Times , for woodwind septet ' (1989), ' Wild Children , for mixed Chamber Ensemble ' (1993), ' Overture , for solo Chinese bass drum and Chinese winds and percussion band ' (1994), ' Intonation , for chamber orchestra ' (1990-1994), ' Flavour of Bashu , for two violins, piano and percussion ' (1995), ' Pole , for solo Chinese Yun-luo, Chinese pai-gu and Chinese bass drum with six percussionists ' (1996),commissioned by Japan Asian Percussion Ensemble, ' Symphonic Prelude --- Bashu Capriccio' (1996), 'The Song Without Words , for solo percussion ' (1997), commissioned by the Ministry of Culture of Japan, Japanese Contemporary Music Association, and Japanese Embassy in China,'Illusions of the Symphonic Stage of Tang Dynast y , for orchestra of Tang Dynasty, percussion, voices and a big choir '(1999), commissioned by Japanese No Music Guanshiliu Green Spring Association, Chinese Music Research Center in Japan, Japanese Asian Percussion Ensemble and Japanese-Chinese Cultural Exchange Association,'The Prospect of Colored Desert , for violin, cello, sheng, pipa and percussion '(2000),commissioned by Yo-Yo Ma, Silk Road Project Inc. of the U.S., Sony Record,'Three Movements of Autumn , for small Chinese instruments ensembl e'(2000) and ' Sound Games , for 5 Chinese Percussion Instruments Players ' (2000-01), commissioned by La Cité de la Musique, Paris "2000 Chinese Classical Music Series", ' Fusion I , for Mixed Chamber Ensemble ' (2002), commissioned by Holland New Ensemble and Atlas Ensemble, ' Fusion II , Concerto for Solo Chinese Percussion and Orch.' (2002), commissioned by Japanese–Chinese Committee of Friendship and Public Music Performance, and ' Fusion III , for Irish flute, accordion, bodhran, Chinese sheng, zheng, Percussion and 13 Strings with Chamber Choir.' (2003-04), commissioned by China-Ireland Exchange Program, ' The Three Images from Washing Painting , for chamber ensemble of 17 players '(2005) commissioned by the New Juilliard Ensemble for the special concert of the Juilliard Centennial and sponsored by Asian Cultural Council and the Guggenheim Partnership and 'The Butterfly Dream', new 7 scenes Opera inspired by KUN QU' (2007) commissioned by the Contemporary Legend Theatre, Taiwan etc.

主要作品及委约包括：《三种气质，无伴奏合唱》(1986)、《时间的对位，木管七重奏》（1989）、《野娃子，混合室内乐队与童声》(1993)、《对话，男声独唱，女高音，童声合唱团，混声合唱团与混合乐队》(1993-94)、《序鼓，独奏中国大鼓、排鼓、云锣与中国民间吹打乐队》（1994）、《吟，室内交响乐》（1990-1994）、《蜀韵，两支小提琴、钢琴与打击乐》（1995）、《极，独奏中国云锣、大鼓、排鼓与六位打击乐演奏家》（1996）、《巴蜀随想，交响序曲》（1996）、《无词歌，打击乐独奏》（1997）（日本国文化厅、日本现代音乐协会、日本国驻中国领事馆等联合委约）、《梦的交响舞台，唐代乐队，打击乐，人声与合唱团》（1999）（日本能乐观世流绿泉会、日本中国音乐勉强会、日本亚洲打击乐团、日中文化交流协会等联合委约）、《舞蹈组曲，大型管弦乐队》(1999)、《漠墨图，小提琴、大提琴、笙、琵琶与打击乐》（2000）（马友友、美国丝绸之路文化发展公司、日本Sony唱片等联合委约）、《秋三阕，9位中国乐器演奏家》（2000）、《响趣，5位中国打击乐器演奏家》（2000）（法国巴黎音乐城&2000中国古典音乐系列音乐会&委约）、《融I ，混合室内乐团》（2002）（荷兰 New Ensemble， Atlas Ensemble联合委约）、《融II ，打击乐协奏曲》（2002）（日本日中友好音乐公演委员会委约）、《融III ，爱尔兰笛子、手风琴、巴朗鼓，中国笙、筝，打击乐，13件弦乐器以及室内合唱团》（2003-04）（爱尔兰国家文化委员会、爱中2004文化交流年组委会委约）、《水墨画意三则，为17位演奏家的室内乐团》（2005）（美国朱丽亚音乐学院新室内乐团委约，美国亚洲文化基金会和美国古根海姆基金支助）及《梦蝶，七场新昆剧》（2007）等。

The mission of the Irish Peatland Conservation Council is to conserve a representative sample of living intact Irish bogs and peatlands for the benefit of the people of Ireland, and to safeguard their diversity of wildlife.

爱尔兰泥炭地保护委员会的使命：保护爱尔兰共和国那些没有被人类影响过的、具有代表性的沼泽和泥炭地；保护这些地区的野生动植物多样性。

A brand of Irish Cream, made of Irish whiskey blended with fresh cream, spirits and a little chocolate.

知名爱尔兰乳酒，以爱尔兰混合威士忌为基加入新鲜奶油、少量巧克力及烈酒。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。