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The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men\'s helplessness, hopelessness and distortedness in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine one\'s individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

The six authors have displayed, in their own ways, a panorama of modem Chinese social life. Zhan Xin-xin expresses the anxiety and lost self of Chinese people at the beginning of main current political culture breakdown and materialistic flooding immediately after the Great Cultural Revolution. Liu Suo-la exposes the anti-classic and pro-individualistic radicalism of young college students facing an opening-up and multi-cultural age. Chen-Rong, in transcendence of historical rationalism, proposes human spiritual emancipation and subjective revelation in order to oppose traditional feudalistic stereotypes. Liu Zhen-yun in his typical cool-minded description, discloses the routine spiritual enslavement, oppression and murder, as well as men"s helplessness, hopelessness and distortedness "in familiar daily life affairs. Zhang Wei attaches importance to a heart-felt emotional and conscientious expression, thinking that the only things that may combine ones individual subjective options with his personal moral responsibility towards world and others are his inner authentic feelings and conscience.

这六位作家是张辛欣、刘索拉、谌容、刘震云、张炜和潘军,他们从不同的角度,以各自不同的方式,展示了中国现代社会中的一幅幅人生图景:张辛欣的作品呈现了"文化大革命"以后主流政治文化分化瓦解和物质主义泛滥初始人的自我迷失与彷徨焦虑的状态;刘索拉表达了改革开放和文化多元时代青年大学生反叛经典和张扬个性的激进姿态;谌容从超越历史理性的高度致力于反抗传统意识和封建世俗观念对人格个性的压抑,提倡人的精神解放和主体意志的彰显;刘震云以近乎残忍的描写,揭露了熟视无睹的日常生活对人的精神上的奴役、蹂躏和扼杀以及人在这一过程中的无奈、绝望和扭曲;张炜强调一种内在真情与良知的表达,认为唯一能够把个人的主观选择与对世界、对他人的道德责任联系起来的,就是人在心灵深处为自己和他人保存的那一份真情与良知;潘军从复归自我和维护个性尊严的角度,把人的爱欲和物欲升华为一种超越世俗伦理道德的纯个人化、精神化的心理体验和情感交流。

In this paper, the ""state-trait anxiety inventory"" was used to inquire and analyze the state and trait anxiety level of Shanghai hobbledehoy football players .The results of the research shows that the players' anxiety level from the different position on the court and the different level teams have a significance difference. The state anxiety of the fullback is higher than the midfield players; the trait anxiety of the midfield and fullback is higher than the forward.

本文采用"状态——特质焦虑量表"对上海市后备专业足球运动员的特质焦虑与状态焦虑水平进行了调查与分析,研究结果表明,不同场上位置以及不同水平球队专业足球运动员的焦虑水平存在显著差异,后卫的状态焦虑水平明显高于前卫;前卫与后卫的特质焦虑水平要明显高于前锋。

The incidence of anxiety and depression in patients with FD was higher than that in healthy volunteers; The average extent of anxiety and depression of FD patients was significantly higher than that of healthy people (p 0.001). 2.The total scores of life events and the scores of negative life events in patients with FD was significantly higher than that of healthy group (p=0.014 and p 0.001), but the favorable life events scores was lower than healthy group's(p=0.001). 3. Eight healthy conceptions in the health-related quality of life of FD patients was significantly lower than that of healthy volunteers (p .001). 4. There was positive correlation among the symptom iterated integral, anxiety evaluation and depression evaluation of the FD patients (p0.001). 5. In the FD patients, there was no significant correlation between the evaluation of symptoms and life events. 6. In the FD patients, there was no significant correlation among symptoms evaluation, energy and body ache, and negative correlation among the other 6 health conceptions (p 0.05). 7. There was significant positive correlation among the total scores of life events、negative life events scores and anxiety evaluation of the FD patients(p.01),and also with depression evaluation(p.05),there was no significant correlation among the favorable life events scores with anxiety and depression evaluation both. 8. There was negative correlation among anxiety evaluation, depression evaluation and 8 health conceptions of the FD patients (p 0.001). 9. There existed negative correlation respectively among the total scores of life events and negative life events scores with 6 health conceptions of the FD patients (p 0.05) and 7 health conceptions of the FD patients (p 0.05), there was no significant correlation among the favorable life events scores and the health-related quality of life of FD patients.

结果:1、FD患者焦虑、抑郁的发生率明显高于健康对照组(p.005),平均焦虑、抑郁程度高于对照组(p.001)。2、FD患者经历的生活事件总值(p=0.014)和负性生活事件值(p.001)明显高于健康对照组,正性生活事件值低于对照组(p=0.001)。3、FD患者的生活质量在8个健康概念上均明显比健康人差(p.001)。4、FD患者的症状积分与焦虑评分、抑郁评分呈正相关(p.001)。5、FD患者的症状积分与生活事件值均无相关性。6、FD患者症状积分与活力、躯体疼痛之间无明显相关性,与其余6项健康概念均呈负相关(p.05)。7、FD患者的生活事件总值、负性生活事件值与焦虑评分均显著正相关(p.01),与抑郁评分也均呈正相关(p.05),正性生活事件值与焦虑和抑郁水平均无相关性。8、FD患者焦虑评分、抑郁评分与8项健康概念均呈负相关(p.001)。9、FD患者生活事件总值和负性生活事件值分别与生活质量8项健康概念中的6项和7项呈负相关(p.05),正性生活事件值与生活质量无关。

This writing attempts to explain Ms Su Yu"s work of absurdity genre and how Western existentialism and absurdity literature is employed as a creation theory and a source of writing techniques, combined with Albert Camus"s existentialistic anti-absurdity attitude, in presenting the theme of absurdity on a philosophic level, in revealing the absurdity of human existence and reality, in reflecting the modern human absurdity, in depicting the agonies and meaningless of life as well as the human complex of loneliness and anxiety, and alienation of human nature.

本文试图阐明女作家斯妤的荒诞小说创作,借鉴于西方存在主义哲学与西方荒诞派文学对于人类存在荒诞性的理论与技法,表现的是哲学意义层次的荒诞主题,以书写人的&生存荒诞&、现实的荒诞为主旨,主要反映当代人对于生存的荒诞感,描绘人生的苦痛与无意义,以及孤独、焦虑的情绪,揭示人性异化的丑陋,汲取了加缪存在主义的面对荒诞反抗荒诞的积极人生态度。

This creates neurotically hungry "Grace-chase" expectations in the minds of naive seekers looking to get " high " on euphoria and altered states of consciousness rather than become truly clear and free , free of egoic attachments, aversions and delusions .

他们在那些寻求强烈的极度喜悦和转化的觉知的求道者们的头脑中创造了一种极为焦虑的、饥渴的&追逐恩典&的期望,而不是真正的清晰和自由,脱离自我的依附、厌恶和幻象。

The fury and cruelty of this battle is quite revealed in the figure's complexion and body, or we say that to create these faces and bodies, Yin retrospected the genealogy from Goya to Francis Bacon, including many expressionists, such as Van Gogh, Munck, Oskar Kokoschka. All these artists painted 'anxious people', their brush touches looked intense and sensitive, their paints gave a horrible sense of solidity. The faces and bodies they painted are distorted and twitched under the burden of mental nightmare, so the organs are deformed, or even blurred; in 'Myth', the mental nightmare is incarnated as a stone, a battle between man and stones. Therefore, the deformed and distorted bodies look more vivid, when man strives to raise up a stone, all his muscles and expression are in an intense condition.

这种搏斗的激烈与残酷也充分表露画中人的表情和肌体之中,不妨说,在对这些面孔和身躯的塑造中,尹朝阳回顾了一个从戈雅到弗朗西斯·培根的谱系,其中应该包括了众多的表现主义者们,例如凡高、蒙克、奥斯卡·科柯施卡,所有这些画家都绘制了&焦虑的人&,他们的笔触显得激烈而敏感,颜料有一种可怕的实体感,他们所绘制的人物面孔和身躯,都具有精神梦魇的重负之下引发出的扭曲和抽搐感,器官因此而变形,甚至模糊不清;在《神话》之中,精神梦魇具化成了石头,具化成了人与石头之间的搏斗,人体的扭曲和变形的理由因此来得更为具体,当人奋力地举起一块石头时,他全身的肌肉和表情都自然地处在极度紧张的状态之中。

Now, unite us --Qingdaonews.comNow, unite usNow, unite usIn the end, America's presidential election closed with a familiar-sounding result that prompted a weary and anxious groan: a cliff-hanger, with George Bush winning after a technical wrangle in a heavily contested state.

最终,美国总统大选以一种人们耳熟能详的结局收场,这样的结局难免让人发出厌烦、焦虑的叹息:又是一场惊险紧张的角逐,在竞争异常激烈的俄亥俄州出现技术方面的争议的情况下,乔治·布什获得了最终的胜利。

Now, unite usIn the end, Americas presidential election closed with a familiar-sounding result that prompted a weary and anxious groan: a cliff-hanger, with George Bush winning after a technical wrangle in a heavily contested state.

最终,美国总统大选以一种人们耳熟能详的结局收场,这样的结局难免让人发出厌烦、焦虑的叹息:又是一场惊险紧张的角逐,在竞争异常激烈的俄亥俄州出现技术方面的争议的情况下,乔治·布什获得了最终的胜利。

Yet it is but justice to record, that once, when he was in a dangerous illness, he was watched with the anxious apprehension of a general calamity; day and night his house was beset with affectionate inquiries; and, upon his recovery, Te deum was the universal chorus from the hearts of his countrymen.

不过,还是理应在此提及一件旧事。他曾经罹患一场重疾,那时他的同邑人人带着一种焦虑的惶恐守候着他,犹如一场波及深广的灾难就要降临,他的家人也日夜收到诚挚恳切的问询。待他康复之日,感谢上帝之声成了他的乡人心底一致的合唱。

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