焦虑地

If we cannot adjust very good our mental condition, it might easily produce emotional anxiousness .

如果不能很好地调整自己的心理状态，很容易产生焦虑情绪。

If we cannot adjust very good our mtal condition , it might easily produce emotional anxiousness .

如果不能很好地调整自己的心理状态，很容易产生焦虑情绪。

Abdominal pain characteristics: When the possibility to exclude a variety of acute diseases and ascariasis things, can not find the cause of a variety of recurrent abdominal pain are likely to be habitual abdominal pain.

有的刚上幼儿园的小孩，每当让他上幼儿园时就喊肚子痛，好像是在装病似的。这时，家长不应武断地说孩子装病而斥责他，以免伤害孩子的自尊心，但也不宜显出过分焦虑。可以告诉孩子："等腹痛好了再去"。这可能是由于心理原因造成的一种习惯性腹痛。

Nancy Tomes, author of "The Gospel of Germs," believes the obsession waxes and wanes in response to social anxiety-about diseases such as anthrax, SARS or avian flu, naturally, but also about issues like terrorism or immigration that bear a metaphoric relationship to infection.

南茜。汤姆斯，"细菌的福音"的作者，相信痴迷于waxes and wanes是对社会关于诸如炭疽，非典或者禽流感之类疾病的焦虑产生的响应。自然地，也和像恐怖主义和移民入侵之类问题对忍受传染病的象征性关系有关。我防范不了本。

She was an incomparable, wise-cracking comedienne who knew just how to handle the fragile ego beneath the rugged exterior of the man she loved.

但是，只有卡洛尔才深深地了解他作为演员和男人的情绪和焦虑，给予他想要的温暖。

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的"到来"，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种"图解的危险"，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Foreword When Guyi surveyed what happened around him seriously , there is full of anxiety and discomposure in his heart . He asks himself ," Is it the inevitable ruth in the human progress ?"

当古一认真审视周边所发生的一切时，内心充满了莫名的焦虑和不安，他不停地问自己：这是人类进步过程中必显的悲哀吗？

Instead, the concern now is less tangible, more amorphous, as US officials begin to expound what Jonathan Schell has aptly called the "psychological domino theory."

也正如1964年10月国务院负责远东事务的助理国务卿威廉·邦迪所指出，原先的多米诺理论"非常合宜"。恰恰相反，这种焦虑真实可见不足，并且更多地缺乏固定形态。

They hadmore or less a feeling of nervousness, fear, anxiousness , dysphoria and loneliness.

患者住院后会不同程度地产生紧张、恐惧、焦虑、烦躁、孤独等情绪。

The expression of the ali enation , anxiety and despair constitutes the common characteristic of modern literature .

不顾一切地反映现代西方人的异化感，焦虑感和绝望感构成了现代主义文学的一个共同特征。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。