热爱自由的

Boun's paintings will attract us by his unique bright charming color first ,then will keep us standing in front of them, leading us into an open world, a free world where our mind will fly freely , he hope we can feel his endless appetite for artwork creating, passion for his own intense colors and physical commitment of his career which will last his whole life .

伯恩画作里的独特明亮并深具魅力的色彩首先会抓住我们的眼睛，让我们不能移动脚步并把我们带领进入一个让我们思想自由翱翔的世界，他希望观众能体会到他对绘画艺术的无尽执著，对色彩的绵绵热爱及其对这份终生事业执著的身体力行。

In 1980s, being dead against the biggest cultural change in the rising American TV epoch- all public words appear in the form of entertainment forming a cultural spirit - the American Neil Portsman wrote《Amusing ourselves to death》, analysing deeply that all the cultural content will be willing dependency to entertainment, with no complainte and even complete silence,'As a result we have become a species which is amusing itself to death', this proved to be true what Huxley said in 《The Beautiful New World》in 1932 'Men lose freedom because of entertainment, we will be destroyed by what we love'.

1980年代，美国人尼尔·波兹曼，针对美国这种一切公众话语都逐渐以娱乐的方式出现，并成为一种文化精神的文化的重大转变，写了《娱乐至死》，透析一切文化内容都将心甘情愿地成为娱乐的附庸，而且毫无怨言，甚至无声无息，&其结果是我们成了一个娱乐至死的物种&，论证了赫胥黎1932年《美丽新世界》中的预言&人们由于享乐失去了自由，我们将毁于我们热爱的东西&，正日益成为当今美国乃至全球的社会现实。

Third, Mr. ZHOU adhered to freedom and toleration firmly, for he was a liberalist, at the same time, sublating the theory of Nietzsche. Fourth, adding more of the return to the tradition, and the nourishing by Greek and Japanese lose of natural beauty, ZHOU Zuo-ren advocated "art in life", so, his view of literature was more emphased the LITERATURE of human.

由于对自由主义的坚定信念并加以对尼采学说的扬弃，周作人坚持自由与宽容；随着他更多的返回传统和对古希腊、日本人对自然与美的热爱之情的向往，周作人倡导生活艺术化，其文学观也随之更突出人的&文学&。

And friends wrote to Lincoln, and he replied that the pressure of duties kept him from joining them in the efforts toward a marble monument to Lovejoy The last sentence of Lincoln's letter saying: Let him have the marble monument, along with the well-assured and the more enduring one in the hearts of those who love liberty

今天，你也许会说，怀念林肯最真切而又持久的纪念碑无声矗立在那里，在今天，在明天或以后很长的一段时间永存于那些热爱解放事业的人的心中。这个国家总要付出代价，总有人清楚，为了自由，斗争、受苦和牺牲在所难免。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。