烟灰缸

A: I feel terrible, but I've just broken your ashtray.

实在对不起，我把你的烟灰缸给碎了。

You're supposed to be looking for your soul, not an ashtray.

你应该寻找你的灵魂而不是找烟灰缸

Of course, let you use the keyboard as an ashtray.

当然更不要把你的键盘当烟灰缸用。

I'll get you an ashtray.

不，没关系。我帮你拿一个烟灰缸。

Okay, and you find an ashtray with cigarettes in it and you think.

你发现了一个烟灰缸还有些烟蒂，所以你就认为。

A: I feel terrible, but I've just broken you ashtray.

真是很抱歉，我刚才打破了你的烟灰缸。

Customer: Can I have an ashtray, please?

请给我个烟灰缸好吗？

Now there's three cigarettes in the ashtray.

现在有三根香烟在烟灰缸里。

And please get some water, glasses and ashtray ready as well.

好的。另外也请把水，杯子和烟灰缸准备好。

PART 1 A: I feel terrible, but I've just broken you ashtray.

真是很抱歉，我刚才打破了你的烟灰缸。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。