烟灰缸

Don't forget my lipstick, I left it in your ashtray.

别忘了我的口红，就在你的烟灰缸。

This is the ashtray you want.

这是您要的烟灰缸。

Cut off his head, I need another ashtray...

割下他的头，我需要一个新的烟灰缸。。。

It was my grandmother's ashtray; it was ceramic and not real; it was not harmful.

它就是我祖母的烟灰缸；它是陶瓷做的；不是真的；它是无害的。

Excuse me, may I have an ashtray ?

对不起，请给我一个烟灰缸好吗？

I am sorry ,you need to compensate 20 yuan for the damaged ashtray.

对不起，你还需赔偿损坏的烟灰缸费用20元。

He said he was giving his dad the ashtray he created in school.

他说他要给爸爸送他在学校做的那个烟灰缸。

As I grew up, I always wondered what had become of that ashtray.

随着年龄的增长，我常常想是什么变成了那个烟灰缸。

Of course, do not you use the keyboard when the ashtray.

当然更不要把你的键盘当烟灰缸用。

He said he might as well just gave him the stupid ashtray he had made.

他说他有可能把他自己做的那只丑陋的烟灰缸送给他。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。