烟囱

Moist Pak-D insulation is used primarily as a surface layerover Fiberfrax blanket linings in hot gas erosion applications(e.g., hot gas ducts, breechings, convection boxes, flares,etc.).

Moist Pak-D绝热材料在热气侵蚀应用（如热气导管、烟道、对流箱、烟囱喇叭口等）环境中，主要用作Fiberfrax毯内衬的表层。

GERMANY'S chimney sweeps—hallowed as bringers of good luck, with their black top hats and coiled-wire brushes—are under attack.

头戴黑帽、背负铁丝的德国烟囱清洁工被认为是带来好运的人，现在却受到了抨击。

GERMANY'S chimney sweeps—hallowed as bringers of good luck, with their black top hats and coiled-wire brushes—are under attack.

德国烟囱清洁工向来被视为能带来好运的圣人，他们头戴大礼帽、身背金属盘条刷，可如今却遭到了抨击。

GERMANYS chimney sweeps—hallowed as bringers of good luck, with their black top hats and coiled-wire brushes—are under attack.

头戴大礼帽、身背金属盘条刷的德国烟囱清洁工被视为能带来好运的圣人，如今却遭到了抨击。

Coal, in the form of honeycomb briquettes, is the major source of fuel for cooking and heating, and the soot is discharged directly into the air through the chimney.

煤，在形式蜂窝状煤球，是的主要来源，燃料做饭和取暖，和烟尘是直接排放到空气中通过烟囱。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜间的水气用诗歌的外衣覆盖住河岸时，河岸就像披着面纱般。破旧的房屋在昏暗的天空下消失不见了，高耸的烟囱变成了希腊神殿，仓库成了夜晚的宫殿，整个城市悬居在空中，仙境就在我们面前----旅人快步往家赶；上班的人和学生们，博学和玩乐的人们在他们停止去看的那一刻开始就停止了理解，而自然，如果说曾唱过歌的话，那就是独独向艺术家，她的儿子及主宰者一展过那美妙的歌喉---对她的儿子是因为他爱她，对它的主宰者是因为他了解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

到了晚上，薄雾用诗歌穿上了一层面纱，矮小的建筑迷失在昏暗的天空下，高大的烟囱变得更加突兀，仓库置于夜色中，整个城市悬挂在天空中，所谓的人间仙境就在我们眼前——旅客也因此加快了回家了脚步；无论是工人、知识分子，还是哲人或者消遣的人，都停止了思考，仿佛他们已经不再看得到。这一次自然唱得是那么优美动听，她为艺术家一人唱着优美的歌曲。把他当做她的孩子，她的家长——之所以说她的孩子是因为他爱她，而说是她的家长是因为他懂她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的薄雾诗意般的笼罩着河畔，就像罩着一层薄纱，落寞的大楼在阴暗的天空中迷失了自我，高高耸立的烟囱如同一座钟鼓楼，在夜色中，仓库也如同宫殿般华丽，整个城市悬挂在天空中，一片神奇的土地展现于眼前，然后一个徒步旅行者急着赶回家，一个工作狂，也是一个文人，一个智者，也是一个充满乐趣的人。不要去伤脑筋了。不要去想了，自然正在她自己的音调在歌唱，对艺术家唱着她美妙的歌曲，她歌唱她的孩子和知己，爱着她的孩子，懂她的知己。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当旁晚的迷雾以其柔纱般的诗意笼罩着河边，破旧的建筑消失在朦胧的天空，高高的烟囱变成了一座座孤立的钟楼，大大小小的仓库恍如夜色间的宫殿，整个城市悬在了空中，宛若仙境展现在我们眼前，那时候，路上的人们匆匆赶路回家；劳动者和文化人，智者和浪子，认为他们深入观察，他们也就不能理解，而只在此时才开始歌唱的大自然便把自己美妙的歌唱给艺术家---她的儿子和她的主人；说他是儿子是因为他爱她，说他是主人是因为他理解她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当傍晚的迷雾用它薄纱般的诗意笼罩着河岸，古老的建筑迷失在朦胧的天空，高耸的烟囱幻化成一座座孤立的钟楼，林林总总的仓库就像夜里的宫殿整个城市都悬挂在了天空中，宛如仙境展现在我们眼前，在那时，路上的行人匆匆地赶回家；劳动者和文人，智者和浪子，他们视而不见，自然也就不能理解，而只在此时才开始歌唱的大自然便把自己美妙的歌曲献给了艺术家们——她的儿子和她的主人；说他是儿子是因为他爱她，说他是主人是因为他理解她。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。