灵魂中的

The predella has scenes from the life of the Virgin; Mary's Birth, Her Wedding with Saint Joseph, Mary's Visit to her cousin Saint Elisabeth, the Birth of the Christ Child, the Presentation of Jesus in the Temple and the Dormition of the Virgin with Christ receiving her soul.

圣坛中描绘的情景包括圣母的生活、玛利亚生子、她与圣约瑟的婚礼、玛利亚拜访她的表妹圣伊丽莎白、基督降生、耶稣在神殿的圣职推荐以及圣母逝世时基督接受她的灵魂。

In her novel, you can't see the feudal exploitation and oppression,the kind of bloody invasion of imperialism, But she presented an "eventless tragic "to us by remembering all sorts of people and their lives in her hometown."Biography of Hulan River" is: an eventless tragic of the people; a soul tragic of the stander-by; a great tragic of the women.

在小说中，看不见封建的剥削和压迫，也看不见帝国主义那种血腥的侵略，而是通过追忆家乡的各种人物和生活画面，作者写出了一部"几乎无事的悲剧"：一部几乎无事的民族悲剧，是一部看客的灵魂悲剧，是一部伟大的妇女悲剧。

The so-called heathen made "graven images" of their Gods, whom they were accustomed to worship, but among the most intelligent, at least, these images were but the visible fulcrums with which they were enabled to mentally concentrate on the qualities which they desired to externalize in their lives.

所谓"蛮族"的人们为自己的神"雕刻偶像"，然后向它屈身跪拜，对於他们中少数有智慧的人来说，他们不过是把这些偶像当作一个精神支点，一个可视化的外在形象，用来寄托自己的灵魂。

Frost might have encountered this relatively esoteric term in a purely legal context, but there is reason to believe that it came to him from Marlowe's Doctor Faustus, from a passage in which Mephistopheles tells the learned Doctor that he "must bequeath" his soul "solemnly / And write a deed of gift with thine own blood ..."

佛洛斯特可能在纯粹法律的文章中，遇到这个比较古怪的术语。但是我们有理由相信，他在阅读英国作家「马罗」的「浮士德博士」时看到这个术语。有一段，魔鬼梅菲斯特告诉博学的浮士德博士，「他必须尊重其事地放弃他的灵魂，然后用自己的手写下礼物的契约。

And all souls of men shall gnash their teeth as they burn in the river of brimstone and the rush of the fire in the blazing plain, and ashes shall cover all things.

以及所有的灵魂男子应gnash他们的牙齿，因为它们刻录在河的硫磺和繁忙的火灾中，披荆斩棘平原和骨灰应涵盖所有的东西。

"My one sufficient object was to greet that pious friend of mine, the Apostle Eliot, and rejoice with him over the many precious souls he hath won from heathendom!"

我唯一的目的是去问候我的一位虔诚的朋友，艾略特使徒，并和他一起欢庆他从邪教中争取过来的众多可贵的灵魂！

My one sufficient object was to greet that pious friend of mine, the Apostle Eliot, and rejoice with him over the many precious souls he hath won from heathendom!

我唯一的目的是去问候我的一位虔诚的朋友，艾略特使徒，并和他一起欢庆他从邪教中争取过来的？多可贵的灵魂！

My one sufficient object was to greet that pious friend of mine, the Apostle Eliot, rejoice with him over the many precious souls he hath won from heathendom!

我唯一的目的是去问候我的一位虔诚的朋友，艾略特使徒，并和他一起欢庆他从邪教中争取过来的众多可贵的灵魂！

Little as you may know of Him, it is more than enough to keep you low and humbled.......God, by our Infirmity and weakness, keeps us in continual dependence upon Him for teachings and revelation of Himself from His Word ......Let us, then, discerning once more the awful distance between the inconceivably great God and our own smallness, fill our soul with a holy and awesome fear of Him.

然而，即使对神了解如此之少，也足够让我们自抑与谦卑了……神透过人的软弱，使人不断地依靠他，寻求他的教导和圣经中所启示的他自己……让我们再一次看到伟大的神和渺小的我们之间莫大的差别，让我们灵魂深处充满对神圣洁的敬畏吧。

Zhang has stated," In this process of 're-ornamentation,' I consciously implement the 'painterly effects' that everyone sees in my works - such as my attention to colour and brushstrokes - with the greatest meticulousness, leaving only a piece of history and life that has been rendered vague and confused, souls struggling one by one under the forces of public standardization, faces bearing emotions smooth as water but full of internal tension, the ambiguous fates of life lived amidst contradictions passed back and forth among the generations ."

张晓刚表示，「在这种『重新装饰』的过程当中，我特意格外谨慎地在作品中采用清晰可见的『绘画效果』－例如著重色彩、笔触，留下历史陈迹的气氛；画中人的生活模糊又困惑，一个个灵魂在公众标准化的外力之下挣扎，脸上柔情似水，内心其实充满紧张，而且在代代相传的矛盾之下所继承的暧昧命运。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷