火车站

Keep straight on and go across the river. You'll see the railway station on your right.

直走然后过了这条河，你会看见你的右边是火车站。

Well, first go down to the Train Station.

嗯，首先，走到火车站。

Sat me down in the train station, told me to read it.

把我放在火车站，让我读

As soon as you get off the train ,you will find that bank is in your opposite position.

你一走出火车站就可以看到那一家银行在你对面。

You can see the band is opposite to you once you get off the train.

你一走出火车站就可以看到那一家银行在你对面。

Can you drop me off at the train station?

你能载我去火车站吗？

The Changchun Chinese redbud flower hotel The Changchun Chinese redbud flower hotel appertains to Jilin province tour Corp., is from the five-star level hotel that National Tourism Administration appraises , is located in "green gallery " the people main street south end, near scene south Lake scenic spot elegant and pretty, aeroport is that the business travel staying elects 2.5 kilometres, 9 kilometres, 38 kilometres from downtown area commerce gold street Chongqing road from the railway station.

长春紫荆花饭店隶属于吉林省旅游集团，是由国家旅游局评定的五星级饭店，位于&绿色长廊&人民大街南端，比邻风光秀丽的南湖风景区，距市区商业金街重庆路2.5公里，距离火车站9公里，飞机场38公里，是商务旅游的下榻首选。

Therefore, keeping an old ordinary building like the Xunlimen Railway Station, which has been witness to people's aspirations and efforts for a better future, is not assuaging someone's nostalgia.

因此，保存一个普通的老建筑，如循礼门火车站，它见证了人民的愿望，为更美好的未来努力，不是安抚人的怀旧。相反，它是为了维护民族精神，和老百姓的生活。

On the way to the station, he chatted about their trip.

在去火车站的路上他聊起了她们的旅程。

While some wait, life chugs along here at the Beijing Railway Station, where the spring festival travel rush is only just dying down.

我们来到了北京火车站，春运的繁忙刚刚过去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。