火蚁

If there exists something more dreadful than the perpetual darkness that enshrouds the forest like the mighty hands of Yama himself, an impenetrable veil ensconcing all things sinister to be unleashed upon his clan, it must be the thought of a well-executed ambush commanded by the most feared warrior in the known world: a man with a reputation to loot, to kill, to plunder, a conqueror of the entire continent, a harbinger of death, the herald for doomsday to exterminate man like puny ants via fire and steel!

他将自己深深地隐藏在一个阴暗面具之下，所有阴晦的事都由这个组织处理，这就是为人所知的被大多数武林认识所惧怕的完美伏击：他的对手，是一个犯下滔天大罪的人，恃强凌弱，强取豪夺，杀人如麻，这个江湖中所有的罪恶都与他有关，他是武林的霸主，而那些处于角落的毫不起眼的弱小的人们若想与他作对，就如同用区区小蚁的身躯去接受火的灼烤与金刚的压迫。

That moment tastes a net very fire, individual homepage can pass formic alliance, Xie Meng or what noble to taste the examine and verify of the net, the LOGO that can hang them on the page in oneself is how successful then feel.

那时候品网很火，个人主页能通过蚁盟、叶盟或什么贵族品网的审核，能在自己在页面上挂上他们的LOGO那是多么有成就感啊。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。