火的

I'm your fire at your desire.

我是你的欲望之火。

She saved him from the fire but at the cost of her own life.

她从火中把他救了出来，却牺牲了自己的生命。

She saved him in the fire at the cost of her life.

她从火中救了他，却付出了生命的代价。

She save him from the fire at the cost of her life.

她从火中救了他，却付出了生命的代价。

The hot air rising from the fire pushed the balloon up into the sky.

他们在气球下点燃了火，火焰发出的热气把气球推向了天空。

Embers from the fire were scorching the balloon fabric, and one of the men smothered the fire with his coat.

火苗从火被烈日气球结构和其中一名男子闷死消防与他的外衣。

Is it time for you to fire your boss and become a free agent?

这时候，你是火你的老板，成为自由代理人？

The flat is on fire," I shouted down to my wife,"ring the fire brigade.

公寓在火上，"我对我的妻子下，"响消防队。

With his dying breath, Billy looked up at the fire chief and said,"Chief, am I really a fireman now?"

藉由他的垂死呼吸，比利向上在火领袖看而且说，"领袖，我真的现在是一个救火队员吗？"

Does the brain have its own "fire" department, so to speak?

大脑有自己的"火"字部门，可以这么说吗？

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。