火焰状

Many kinds of soft sedimentarydeformation structures have been found in seismite, such as step micro-faults, pleatedwithin layers,liquefactionsandstone and clay veins, vibrationalliquefaction deformation structure, seismic breccias and flame structure.

震积岩的主要标志是发育各种类型的软沉积变形构造，包括小规模阶梯状正断层、层内小褶皱、扭曲变形、振动液化砂岩脉、微裂缝、震碎角砾岩、火焰构造等。

A broad expanse of the river was turned to blood;1 in the middle distance the red hue brightened into gold, through which a solitary log came floating black and conspicuous;2 in one place a long, slanting mark lay sparkling upon the water; in another the surface was broken by boiling, tumbling rings, that were as many-tinted as an opal; where the ruddy flush was faintest, was a smooth spot that was covered with graceful circles and radiating lines, ever so delicately traced; the shore on our left was densely wooded, and the somber shadow that fell from this forest was broken in one place by a long, ruffled trail that shone like silver; and high above the forest wall a clean-stemmed dead tree waved a single leafy bough that glowed like a flame in the unobstructed splendor that was flowing from the sun.

不远处红光闪成金黄；孤零零的一根原木在河中漂浮而来，呈一线醒目的黑色；河的一处，一条长长的斜影横落在水面上，闪闪烁烁；另一处，水面被翻滚的水波打碎，仿佛蛋白石放射的斑斓色彩；红彩最淡处是一片平静的水面，覆盖着优雅的环形和放射状的波纹，细腻如绘；河左岸是一片浓密的森林，一条长长的崎岖小径划破树林的一片荫翳，闪闪如银；一株光秃秃的枯树高耸于密林之上，仅剩的一杆青枝随风摇曳，像火焰闪耀在阳光洒下的一览无遗的壮美之中。

I'll describe a shot from the Exterior Brookfield sequence of an exterior of a row apartment on fire with an explosion blasting out the third story windows. The shot was composited on an Inferno by Bob Wiatr. We started with a live plate of the street scene. Our first task was to remove a foreground chainlink fence and camera crew. We recreated the fg matching the flashing ambulance lights. To create a snowy, misty look we used a number of logic ops of the bg with a mist plate which was basically the bg heavily blurred and multiplied back onto itself, graduating to create a sense of dimensionality. Glows were added around lights and flames using Sapphire plug-ins and light beams were added to streetlights. Four or five layers of 3d particle snow created in Maya were combined with practical elements varying in size and focus depending on distance from the camera.A miniature explosion element was incorporated into the comp, also with added glows, interactivity with the building, and rotoscoping of foreground objects. The entire comp was then time warped for editorial matching with the subsequent cut.

我可以描述一个Exterior Bookfield的几个镜头，那是一排的公寓着火，在三楼窗户引起爆炸，这个镜头是Bob Wiatr用Inferno合成的，我们用一个现场的街道镜头开始，我们的第一个任务是删除一个在前景中的链条状的篱笆和摄像人员，我们重新制作了前景以期与前景中的闪烁的救护车灯匹配，为了制作一个下雪的雾蒙蒙的效果，我们用了大量的logic ops，用了一个雾层，这个层基本上就是把背景尽量模糊然后再把它重新加到背景上面，渐变式的制作出一个层次感，自发光用Sapphire插件加在灯光和火焰的周围，而光线被加到路灯上，在maya中制作的四到五层的三维的粒子雪用来和不同大小的真实的素材混合在一起，焦距则依赖镜头的景深，同时在楼房爆炸的地方加入了一个缩小了的爆炸素材，以及爆炸的辉光效果，和重新放置的前景物体，整个的镜头接着匹配时间用来做最后的剪辑制作。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。