潜意识地

Scientists have delighted to show that so-called rational choice is shaped by a whole range of subconscious influences, like emotional contagions and priming effects (people who think of a professor before taking a test do better than people who think of a criminal).

科学家欣喜地阐明，所谓的理性选择是受一系列诸如情绪感染，激发效应这些潜意识影响所决定的（在测验前想起教授的人要比想起罪犯的人表现得更好）。

Scientists have delighted to show that so-called rational choice is shaped by a whole range of subconscious influences, like emotional contagions and priming effects (people who think of a professor before taking a test do better than people who think of a criminal).

科学家欣喜地展示所谓的理性选择是由一整套的潜意识影响塑造的，例如情绪的感染以及启动效应（priming effect，如在测试之前想起教授的人会比想起罪犯的人取得较好的成绩）。

Scientists have delighted to show that so-called rational choice is shaped by a whole range of subconscious influences, like emotional contagions and priming effects (people who think of a professor before taking a test do better than people who think of a criminal).

科学家很高兴地得出，人们合理的选择是受情绪感染、激发效应等潜意识的影响而形成（比如，人们一般会认为教授比囚犯更能考得好成绩）。

Delivered the depressed feminism in tradition and the long journey of being librated to self liberated.

那些代表情绪的形象会神出鬼没般地出现在我们的生活中并以最意想不到的方式渗透进我们的潜意识。

Realism concentrates on the representation of the external reality of certain social group, featured by chronological order, omniscient point of view, closed ending, external characterization and so on; modernisms focus shifts to the consciousness and subconsciousness of mankind, mythical archetype, stream of conscious, anti-hero, open ending have been used frequently by modernists; postmodernism serves as a break as well ascontinuity of modernism, similar with modernism, it rebels against any pre-established rules and pays attention to innovations in form, but it emphasizes absurdity, playfulness and the crisis of representation in postmodern society, the blurring of high and low literature, collage, parody are the favorites of postmodernist.

现实主义侧重对社会某一群体的现实生活的反映，一般带有明确的时空概念，严密的情节，常用的叙事角度为全知视角，人物塑造上以外部描写为主；现代主义小说多表现人物内在心理的变化，关注人的意识及潜意识，神话原形、意识流、反英雄、开放式结尾为现代主义小说常用手法；后现代主义小说继承了现代主义对传统的反叛、形式上的革新等原则，但其作品强调后工业社会的荒诞性、游戏性及表征危机，有意识地混淆了高雅文学与通俗文学的界限，拼贴画、戏仿在后现代作品中应用广泛。

Every time when Haiping goes upstairs to her room, she would like to, or subconsciously, look at the house as small as her contentedly. In the house, there are a two-floor bed and a tent bed which can be folded lean against the door.

海萍每次路过二楼上三楼的时候，都喜欢，或者潜意识里很满足地朝那间和自己家面积一样大的10平方米小屋望进去，看看那张双层床和斜靠在门边的行军折叠床。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失