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Most of our popular tales date from days when the primitive Aryan took his evening meal of yava and fermented mead, and the dusky Sudra roamed the Punjab.

大多数的我们流行的故事日期从数天起当原始的印欧语花他的傍晚 yava 的一餐并且使 mead 发酵了,而且微暗的首陀罗漫游了印度西北部的一地方的时候。

The simplest explanation is that OBEs are exactly what they seem: the human consciousness separating from the human body and traveling in a discorporate form in the physical world.

最简洁的解释是,神识离体的体验本质,正如它的体验自身所呈现的:人的神识飘离开人的身体,以一种单独的方式在这个物理世界上漫游。

In this paper, by considering the convenience of consumers, we use group blind signature technology with the character of hash chain to create the dividable and anonymous e-cash. Thus the users can consume not only in the home mobile domain but also visit mobile domain without register and authentic. We use off-line e-cash to increase the efficiency of payment exchange. Under the fair principle of all participators, we set a convenient and secure mobile payment.

因此,以消费者使用上的最大便利性为考量,本研究利用群体盲签章加入杂凑链之特性的方式来产生可分割的匿名电子现金,让消费者不只可以在主系统业者的网域内作消费,当其到漫游业者的网域内消费时,也不需要额外的认证及注册过程,并采用离线验证的方式来增加付款交易的效率性,在考虑各角色公平的原则下,提供一个方便、安全的行动付款系统。

The smell of that buttered toast simply talked to Toad, and with no uncertain voice; talked of warm kitchens, of breakfasts on bright frosty mornings, of cosy parlour firesides on winter evenings, when one's ramble was over and slippered feet were propped on the fender; of the purring of contented cats, and the twitter of sleepy canaries.

黄油烤面包的气味,简直在向蟾蜍讲话,说得清清楚楚,半点不含糊。它讲到暖融融的厨房,明亮的霜晨的早餐;讲到冬日黄昏漫游归来,穿拖鞋的脚搁在炉架上,向着一炉舒适的旺火;讲到心满意足的猫儿打着呼噜,昏昏欲睡的金丝雀在啁啾。

When the viewpoint is changing quickly, the rendering algorithm ignores some details of the diffuse component, otherwise the scene is rendered more precisely. The Specula highlight is dependent of the viewpoint, it must be processed in real time. We present an algorithm to get rid of the area that does not contain specula highlight quickly and calculate only the area that contains the specula highlight. In order to calculate the specula reflection and refraction component, we presented a new raytracing algorithm based on the environment map transformation. The environment maps are constructed at the sample points of the scene in the preprocessing phase. We add depth information in the environment maps and generate the exact reflection and refraction intensity with the transformation of a few pixels.

对于表面光亮度漫射分量,由于它与视点无关,可以把面片按照光照细节的分布预剖分成层次结构,然后在实时漫游时根据场景变化的快慢决定绘制的细致程度;对于镜面高光分量,由于它与视点有关,必须实时处理,我们提出了一种快速高光裁剪算法,通过简单测试,去除那些不包含高光的区域,只处理包含高光的区域;对于镜面反射分量和折射分量,我们提出了一种基于环境映照变换的快速光线跟踪算法,预先在场景的离散采样点处建立环境映照,然后根据入射点的位置,把邻近采样点处的环境映照上相关象素处的可见点变换过来,求取反射分量和折射分量。

The unpresented viewer has certain assumed authenticity as he roams beyond time and space in the dark metropolitan night and witnesses everything in the painting-the landscape, the wastes and the figures. Particularly, presentation of scenes is just like an embezzlement of images and photographic picture composition makes everything unfurling in sensed reality, making the viewer authentic and sensible. Viewer can be either the assumed ego of the subject or people viewing the painting.

不在场的观看者有一种假定的真实性,他在都市的黑夜中跨越时空地漫游,画中的每一物都是他的所见,景观、废弃物和人物,尤其是,场景的表现如同图像的挪用,摄影式的构图使得一切东西都在感觉的真实中展开,这样也把观看者置于真实的境地。

Since few venues, even Qatar or Caesar's Palace, offered him enough to make public playing worth his while, he spent the years after 1975 (when he forfeited his world title by refusing to defend it) largely wandering the world like a tramp, castigating his enemies.

因为很少有即使是像卡塔尔或凯撒的宫殿那样的地方能够给菲舍尔用于公开比赛的时间提供足够的奖金,所以他在1975年(这一年他由于拒绝卫冕,丧失了世界冠军头衔)后的一些年间像一个流浪者一样漫游于世界各地,猛烈的批评他的敌人。

He call'd me one Morning into his Chamber, where he confined by the Gout, and expostulated very warmly me upon this Subject: He ask'd me what Reasons more a meer wandring inclination I had for leaving my Father House and my native Country, where I might be well introduced, and had a Prospect of raising my Fortunes Application and Industry, with a Life of Ease and Pleasure He told me it was for Men of desperate Fortunes on one Hand, or of aspiring, Superior Fortunes on the other, who went abroad upon Adventures, to rise by Enterprize, and make themselves famous in Undertakings of a Nature out of the common Road; that these things were all either too far above me, or too far below me; that mine was the middle State, or what might be called the upper Station of Low Life, which he had found by long Experience was the best State in the World, the most suited to human Happiness, not exposed to the Miseries and Hardships, the Labour and Sufferings of the mechanick Part of Mankind, and not embarass'd with the Pride, Luxury, Ambition and Envy of the upper Part of Mankind.

一天早晨,他把我叫进他的卧室;因为,那时他正好痛风病发作,行动不便。他十分恳切地对我规劝了一番。他问我,除了为满足我自己漫游四海的癖好外,究竟有什么理由要离弃父母,背井离乡呢?在家乡,我可以经人引荐,在社会上立身。如果我自己勤奋努力,将来完全可以发家致富,过上安逸快活的日子。他对我说,一般出洋冒险的人,不是穷得身无分文,就是妄想暴富;他们野心勃勃,想以非凡的事业扬名于世。但对我来说,这样做既不值得,也无必要。就我的社会地位而言,正好介于两者之间,即一般所说的中间地位。从他长期的经验判断,这是世界上最好的阶层,这种中间地位也最能使人幸福。

They wandered about their lovely woods and copses, they sang their lovely songs; their fair was light - the fruits of their trees, the honey from their woods, and the milk of the animals who loved them.

他们在自己美丽的园林中和树林里漫游,唱着自己优美的歌儿,食用容易消化的食物、自己树上的果实、自己森林里的蜂蜜,以及那些喜欢他们的动物的乳汁。

It was very exciting at that season to roam the then boundless chestnut woods of Lincoln —— they now sleep their long sleep under the railroad —— with a bag on my shoulder, and a stick to open burs with in my hand, for I did not always wait for the frost, amid the rustling of leaves and the loud reproofs of the red squirrels and the jays, whose half-consumed nuts I sometimes stole, for the burs which they had selected were sure to contain sound ones.

这样的季节里,倘徜在林肯一带无边无际的栗树林中,真是非常兴奋的,——现在,这些栗树却长眠在铁道之下了,——那时我肩上扛了一只布囊,手中提了一根棍棒来打开那些有芒刺的果子,因为我总是等不到霜降的,在枯叶飒飒声和赤松鼠跟樫鸟聒噪责怪声中漫游,有时我还偷窃它们已经吃了一部分的坚果,因为它们所选中的有芒刺的果子中间,一定有一些是较好的。

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推荐网络例句

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸,那乌黑、忧郁的眼睛,她便会相信,他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失

But because of its youthful corporate culture—most people are hustled out of the door in their mid-40s—it had no one to send.

但是因为该公司年轻的企业文化——大多数员工在40来岁的时候都被请出公司——一时间没有好的人选。