漫无目的地

Clean-shaven men in collarless shirts or in underwear, women with aprons or sloppy pink wrappers leaned on the sillsand gazed with aimless interest at the street, the sky, those who were passing below.

刚刮过脸的男人穿着汗衫、内衣，女人系着围裙或者披着邋遢的粉红罩衫，他们都靠在窗口漫无目的地望着天空和街上的行人。

There were religious who lived in complete isolation, belonging to no community and having no legitimate superiors; indeed, some wandered aimlessly about, at the risk of giving disedification by their vagabondage.

有宗教谁住在完全孤立，属於没有社会和没有合法的上级，事实上，一些有关漫无目的地游荡，在可能使disedification其

She was idly drawing on a piece of paper.

她在纸上漫无目的地乱画。

She just drifts aimlessly from job to job.

她只是漫无目的地不断变换工作。

Otherwise you simply free up time at work that you will then fritter away pointlessly.

否则，你就干脆处理工作上的事情，然后你在上班时就可以漫无目的地消磨。

Wait or pass the time aimlessly or futilely; be kept waiting .

漫无目的地或者白费地等待或者消磨时间；一直等待。

One day, a young man in a bad mood, because he walked out of the door, wander aimlessly gallivant about, unconsciously came to the deep forest.

有个年轻人，有一天，因心情不好，他走出了家门，漫无目的地到处闲逛，不知不觉间来到了森林深处。

I like Hangshizourou destinations like random walk, in a daze, until exhausted, look at the rise of days, is Gypsophila paniculata bucket.

不知道。我犹如行尸走肉一样漫无目的地走路，发呆，直到筋疲力尽，抬头看天，已是满天星斗。

Its sister, by contrast, is loose-limbed, sprawling and a bit of a dilettante, worrying about greenery, equality and empowerment, as well as poverty.

相反，它的"姐妹"却爱漫无目的地四处招摇，还有点狗拿耗子——喜欢多管闲事，比如对绿化、平等、权力以及贫穷等问题，它都要"先天下忧"。

Its sister, by contrast, is loose-limbed, sprawling and a bit of a dilettante[3], worrying about GRE enery, equality and empowerment, as well as poverty.

相反，它的"姐妹"却爱漫无目的地四处招摇，对绿化、平等、权力以及贫穷等问题，它都要"先天下忧"，结果却都浅尝辄止。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。