演进

Secondly, it described the three historic periods characterized by crowding in, price war and four dominators. In this way it surveys the process of the upgrading of Chinese SPC industrial innovation capability.

然后，抓住这三个阶段最大的特征——大量进入、价格战和四分天下——描绘出一幅中国程控交换机产业的演进全图，展现了中国程控交换机产业创新能力提升的过程。

In the modern bourgeois modes of production can be indicated as progressive epochs in the economic system of society.

大体说来，亚细亚的、古代的、封建的和现代资产阶级的生产方式可以看作是经济和社会形态演进的几个时代。

The growth of economy as a whole will not be obtained unless the industrial structure evolutes smoothly.

而经济增长又总是同产业结构的变动联系在一起的，没有产业结构的演进，便没有整体的经济增长。

As a functional power, prosecutorial power evolutes with the establishment and development of procuratorial organization.

检察权作为检察机关在履行职能过程中所享有的权力，是随着检察机关的产生与发展而不断演进的。

Social basic system evolutes spontaneously, so the exploration of socialist ownership composition by the Party must be complied with economic law.

社会基本经济制度是自发演进的，党对社会主义所有制的探索必须遵循客观经济规律。

Expertised human resources is created through education, and its utilization makes industrial structure reasonable horizontally and advanced vertically.

教育生产专业化人力资本、专业化人力资本的投入和使用促进了产业结构向横向合理化和纵向高度化演进。

We've come from inert figurines to SimCity.

我们已经从静止的小塑像演进到动态的&模拟城市&。

In fact, the tributary acts as a conditioning reservoir, which is an important factor to sudden flood caused by dam collapse.

在处理洪水演进过程中支流与干流洪水的相互影响时，以前的模型仅将支流流量迭加到干流同时刻的流量上。

The study outcome: the skill elements of the traditional martial arts originated from living requirements according to boxing, plundering, defending, etc. During the skill evolving period, the separation between military skills and folk skills arose, the war requirements gave possibility for the development of the traditional martial arts, especially the development of martial arts'apparatus, the integration military skills and folk skills lay a foundation for the formation of different boxing schools of the traditional martial art skills.

研究结果认为：传统武术技术元素源于搏斗、掠夺、防卫等生存需要；在技术演进过程中随着大规模战争的出现而开始了军事技术和民间技术的分流，战争的需要为传统武术技术特别是武术器械的发展提供了可能，军事技术与民间技术的合流为传统武术技术形成不同的拳种流派奠定了基础；所有拳种流派的动作元素具有元素同源性，劲力是区分拳种流派的主要标志。

The thesis probes into Schoenberg' thinkings about music history, music nationalism, music education, music criticism, and music creation, respectively. There are some important viewpoints in Schoenberg's music thought: Firstly, Schoenberg's ideas of music history, he believes relationship of tradition and revolution in art is dialectical in nature, and argues that evolution in music was determined by natural law, obviously influenced by Hegel's philosophical history idea. Secondly, the thesis sums up his viewpoints of music nationalism, such as "lay stress on art music, look down on folk music","lay stress on western European music, look down on non- western European music" by Schoenberg's account about the reasons of the formation of national art, the dominant of national art and nationality in music; in fact, this viewpoint of western cultural centricity is one of his i mportant viewpoints throughout his life; Thirdly, Schoenberg's concept of music education: in his thought a composing teacher should teach the students how to master "the tool of art", train them for their ability of "one major and various kinds of techniques", try his best to nourish the student's personality; Fourthly, Schoenberg set forth some opinions about modern music critics and the method of music criticism: a music critic must be equipped with the quality of a music expert, and render composer's idea to the public by his art imagination, but not his personal opinion,and Schoenberg stress the areas of music criticism on style and idea ; Lastly, Schoenberg's concept of music creation: Expressionism and organism are two important issues in Schoenberg's thinking about music creation.

本文通过对勋伯格各类论文、书信、演讲、专著等文稿的评述，分别探讨了作为音乐思想家的勋柏格的音乐历史观、民族主义音乐观、音乐教育观、音乐批评观与音乐刨作观，并在此基础上总结了折射在勋柏格音乐思想中的几个重要观点：一，勋柏格对于音乐历史的认识：通过德奥音乐界前辈给予他的创作启示，以及勋伯格对自己几个创作阶段的发展历程的总结，阐述了他对于艺术中的传统与革新之间的关系的辩证认识，并通过这些问题总结出音乐的演进与黑格尔倡导的&历史发展必然性&哲学观念之间存在着必然联系；二，勋柏格的民族主义音乐观：通过勋柏格对于形成民族艺术特征的根本原因、民族艺术中的支配现象、民间音乐与艺术音乐之间的比较、音乐刨作中的&民族性&问题的意识等方面问题的剖析与认识，总结了他的&重艺术音乐，轻民间音乐&、&重西欧音乐，轻非西欧音乐&的观点，从而突出了他的精神领域中的根深蒂固的&德奥音乐中心论&，这是一个浸润着浓厚的西欧文化中心论色彩的观点，也是贯串他毕生的音乐思想的重要观点之一；三，勋柏格对音乐教育问题的见解：勋柏格认为作曲教师应该教会学生掌握&艺术的工具&、在教学中努力做到&一专多能&、注重个性培养；四，勋柏格对当代音乐批评家与音乐批评方法提出的要求：音乐批评家必须具备作为一名音乐家的专业修养，要以真实、客观的态度对待音乐批评这门神圣的职业，充分运用内心的艺术联想向公众再现作曲家的意图，而不是将个人见解强加于受众；同时，批评家需要对艺术的过去与未来拥有全面的了解与较准确的预测，在音乐批评的具体范畴中，应将重心角度置于探讨音乐作品的风格与思想之间的关系方面。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。