演奏者

Generally, most experienced oboists scrape their own reeds in order to achieve the desired tone.

通常，很多有经验的双簧管演奏者会自己削簧片已达到自己想要的音色。

But when practicing music art, the player, as a re-creator, is the main body that gives audience all these emotional experiences.

而在艺术实践中，演奏者作为二度创作者，便是带给听众这些种种情感体验的主体。

In Milan, Leonardo became a busiest court musician. To please his hirer, he served countless time-consuming court galas as a stage setter, a garment designer, a gala host, and of course, a musician.

为了取悦领导者，作为宫廷乐师被请入的达·芬奇不得不花费大量的时间忙碌在数不清的宫廷晚会上，他时而是舞台背景的搭建者、服装设计师，时而是晚会的主持人、乐器演奏者，真是忙得不亦乐乎！

These never diminished him as a performer but on the contrary, were a luxury that only the true artist can allow himself when he is concerned with poetry and deep feelings, and not with the showing-off of finger dexterity.

这些从未贬低他演奏者的身份，正好相反，这是只有真正的艺术家在关注诗意和深沉的感情，而不是炫耀手指的灵巧时才能拥有的一种奢侈。

Most beginners will choose an inexpensve tin whistle, while intermediate and advanced players will buy more expensive whistles.

大多数初学者会选择一支便宜的锡口笛，而中级和高级的演奏者会买比较贵的笛子。

The nice thing about the tin whistle is that, although they can be very expensive, even professional players are likely to have several inexpensive whistles lying around, just for practice.

对于锡口笛来说，有一件很爽的事情，那就是尽管有些笛子也很贵，但即使是专业的演奏者，他们也可能会经常用一些低价的笛子进行练习。

This text tries to pass mental nervous main reason of analytical piano performer, from before give musical performance of mental state preparation,give musical performance of the mental state regulate,practice medium of mental state train commence, emphasize study how adopted a valid method to regulate a piano to give musical performance appear hour mental strain.

本文试图通过分析钢琴演奏者心理紧张的主要原因，从演奏前的心理准备、演奏时的心理调节、实践中的心理训练入手，着重探讨如何采用有效的方法来调节钢琴演奏时出现时心理紧张。

Singers and instrumentalists have to be able to get every note perfectly in tune.

歌手和器乐演奏者一定要让每个音符都完美的协调。

Singers and instrumentalists have to be able to get every note perfectly in tune.

歌手和乐器演奏者必须使所有的音符完全相同协调。

Singers and instrumentalists have to be able to get every note perfectly in tune.

弦乐器的演奏者练习的则是在左手的手指上下滑动的同时，右手前后拉动琴弓--两个截然不同的动作。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。