漏斗管

Corolla tubular, campanulate, or funnelform, laterally enlarged, bilabiate; lobes 5, imbricate.

花冠管状，钟状，或者漏斗状，侧面膨大，二唇形；裂片5，覆瓦状排列。

Flowers often funnelform or campanulate, sometimes tubular or cupular.

花通常漏斗状的或钟状，有时管状的或杯状。

Calyx tubular, campanulate, or infundibuliform, usually corollalike, 4- or 5(or 6)-merous, mostly caducous, sometimes circumscissile, or persistent; lobes imbricate.

花萼管状，钟状，或漏斗状，通常花冠状，4-5(-6)瓣，大多早落，有时周裂，或宿存；花萼裂片覆瓦状排列。

Inflorescence has a flower 1, 3; Bud piece 2, long and thin; Sepal narrow wraps around needle form, outside hairiness; Corollaceous funnel form, long 5, 7 centimeters, blue or lilac, run ministry white; Staminal 5, do not extend corollaceous outside, filament differs long, base ministry a bit broad, hairiness; Ovarian 3 rooms, every room has 2 ovule.

花序有花1—3朵；苞片2。细长；萼片狭披针形，外面有毛；花冠漏斗形，长5—7厘米，蓝色或淡紫色，管部白色；雄蕊5，不伸出花冠外，花丝不等长。基部稍阔。有毛；子房3室，每室有2胚珠。

Pedicels scaly; calyx large,(2–)3–8 mm, deeply 5-lobed, scaly, margin sometimes ciliate; corolla tubular-campanulate to funnel-campanulate, pink, white, or yellow; outer surface usually scaly, sometimes glabrous; stamens 10, declinate; ovary 5-locular; style straight, glabrous or scaly at base.

花梗有鳞；大的花萼，(2-)3-8毫米，深深5浅裂，有鳞，有时具缘毛的边缘；花冠管状钟状到漏斗状钟状，粉红色，白色，或黄色；外表面通常有鳞，有时无毛；雄蕊10，下倾；子房5室；花柱直，无毛的或有鳞的在基部。

Corolla tube thin funnelform to nearly tubular, 6-14 mm in diam. at mouth; filaments 8-14 mm.

瘦对近管状，6-14毫米直径在嘴漏斗状的花冠筒；花丝8-14毫米 42

Leaves with entire margins, 1-2 cm; flowers narrowly funnelform to tubular, always solitary.

叶具全缘的边缘，1-2厘米；花狭漏斗状到管状，总是是单生。

Perianth funnelform to tubular; leaves 1-2.5 cm.

花被漏斗状到管状；叶1-2.5 厘米 7

Corolla tubular with a swollen base and funnelform limb, lobes erect, usually coherent at apex

花冠管状具一膨胀的基部和漏斗状的瓣片，裂片直立，通常连着的在先端 44 Ceropegia 吊灯花属

Corolla tubular, base swollen, often asymmetrically, upper part often funnelform; lobes usually slender and coherent at apex.

花冠管状，基部膨胀，经常不对称的，上半部分通常漏斗状；通常的裂片纤细和连着的在先端。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。