漂流的

Journey 歌手:张韶涵专辑:over the rainbow 曲:corrinne may 词:corrinne may it's a long long journey till i know where i'm supposed to be it's a long long journey i don't know if i can believe when shadows fall and block my eyes i am lost and know that i must hide it's a long long journey till i find my way home to you many days i've spent drifting on through empty shores wondering what's my purpose wondering how to make me strong i know i will falter i know i will cry i know you'll be standing by my side it's a long long journey and i need to be close to you sometimes it feels no one understands i don't even know why i do the things i do when pride builds me up till i can't see my soul will you break down these walls and pull me through cause it's a long long journey till i feel that i am worth the price you paid for me on calvary beneath those stormy skies when satan mocks and friends turn to foes it feel like everything is out to make me lose control coze it's a long long journey till i find my way home to you..

to you 这是一段很长很长的旅程直到我明白那里是我认为的去处这是一段很长很长的旅程而我不知道是否能相信当阴影落下阻挡了我的视线我失败了并且明白我必须躲藏这是一段很长很长的旅程直到我找到回家的路是走向你我曾用尽了许多日子来回漂流在无人的岸边疑惑著我的目的是什么疑惑著如何使自己更坚强我知道我将会变的脆弱我将会哭泣我知道你将会站在我的身边这是一段很长很长的旅程而我需要更向你靠近有时候这种感觉没有人能了解我不曾知道为何我完成了那件做过的事当骄傲像高墙般将我拱起直到我看不到自己的灵魂你是否会拉著我穿越过这高墙因为这是一段很长很长的旅程直到我觉得那代价是值得的你给了我基督受难像在这暴风雪的影响下当人们魔鬼般的嘲弄一个个变成敌人感觉就像每件事我因来不及而失去控制这是一段很长很长的旅程直到我找到回家的路是走向你走向你

Chang's earlier film projects include Flotsam Jetsam (2007) in collaboration with David Kelley, a layered narrative addressing themes of landscape and identity against the backdrop of Yichang, a town near the Three Gorges Dam project; and Shangri-La (2005) which documented her real visit to the imaginary place of Shangri-La located in Zhongdian, Yunnan Province.

张怡先前的影片包括与大卫·凯利合作的《漂流物》（2007年），以三峡大坝附近的宜昌作为背景，运用多层次的叙事手法揭示环境与身份的主题；《香格里拉》（2005年）则记录了她实地考察文学中虚构的位于云南省中甸的香格里拉。

With the translation of Buddhist scriptures into Japan's gradual understanding of the "China" and began referring to the use of such air and sea in its master of poetry,"Ling-set","China is Taiwan's Yue Man sequence" of the sentence, of course, at that time "Shina language with a copy of the translators Buddhist usage, but is not common reason for this is has always been to China, said the Japanese usually morokoshi, tohn, and so on, these are the Japanese characters for" Don "the pronunciation Generally reflect the Chinese culture, especially culture of the Tang Dynasty of Japan's far-reaching impact on later Song, Yuan, Ming and Qing dynasties change, said Japan can not change China as "Don" habit did not change the Japanese Chinese culture of respect, admiration psychological. In 1713, Whitehead Arai from Edo shogunate orders, inquiries were drifting in Rome to talk too much about the history, a lot of opportunity to understand the world situation, a reference to China's "Kun Maps", Prepared for a title,"Song laid Introduction," in the world geography, history and more from his Department to listen to on the pronunciation of chi-na, to use katakana and that in the lower left-hand corner is attached to "Shina.

随着佛经的译入，日本逐渐了解"支那"所指并开始使用，如海空大师在其诗集《性灵集》中，有"支那台岳曼殊序"之句，当然，那时"支那一语带有模仿佛经译者的用法，但并不普遍，究其原因，主要是一直以来，日本人通常称中国为morokoshi、tohn等，这些都是日本人对汉字"唐"的读音，大体反映了中国文化，特别是唐朝文化对日本的深远影响，以致后来宋、元、明、清历代更迭，都无法更改日本人称中国为"唐"的习惯，也没改变日本人对中国文化崇敬、羡慕的心理。1713年，新井白石奉江户幕府之命，查询罗马的漂流者史多提，趁机了解了不少世界情势，参考了中国的《坤舆图说》，编写了一本题名为《宋览导言》的世界地理书，他把从史多提处听来的关于chi—na的读音，用片假名来表示并在左下角附以"支那字样。

His college thesis was on the spectacled cayman; he lived in Gainesville, Florida, where alligators sun on the paths; his favourite work involved drifting, by torchlight, in a silent punt among the vegetation mats of the Mamirauá in Brazil or the llanos of Venezuela, with crocodilians darkly all about him, or looping them up on a six-foot pole to take DNA samples from them and massage their scaly necks.

他的大学论文就是写的有眼镜状斑纹的美洲鳄；他曾经居住的地方——佛罗里达州的盖恩斯维尔，鳄鱼在小路上晒太阳；借着手电的光亮，划着静行无声的平底船，在巴西的马尔马拉或委内瑞拉的亚诺斯河流植物垫衬的水中漂流，是他所钟爱的工作的一部分，其间，黑色鳄鱼遍及他的四周，或者，把鳄鱼环绕在一个6英尺长的杆子上，以采集它们的DNA样本，然后按摩它们那多鳞的脖子。

With the objective camera, the 6th generation film-makers expressed the unexpressive things through the ideas themselves, which showed a kind of post-modern spirit: an ideal time had passed and the new generation advocated the difference, freedom, multi-polarization and tolerance as this wasa world of the commoners in which people had no dreams but the innumerous spiritual debris drifting in the river of time.

第六代电影人的用客观的电影镜头，以表象自身的形式使不可表现之物表现出来，显示出一种后现代主义精神：一个理想主义的时代已经过去，新的一代推崇的是差异、自由、多元、宽容的生命态度，这是一个凡人的世界，凡人的生活没有梦想，只有漂流于时间之河的无数精神碎片。

On the road Tom he told me all about how it was reckoned I was murdered, and how pap disappeared pretty soon, and didn't come back no more, and what a stir there was when Jim run away; and I told Tom all about our Royal Nonesuch rapscallions, and as much of the raft voyage as I had time to; and as we struck into the town and up through the -- here comes a raging rush of people with torches, and an awful whooping and yelling, and banging tin pans and blowing horns; and we jumped to one side to let them go by; and as they went by I see they had the king and the duke astraddle of a rail -- that is, I knowed it WAS the king and the duke, though they was all over tar and feathers, and didn't look like nothing in the world that was human -- just looked like a couple of monstrous big soldier-plumes.

在路上，汤姆告诉了我，当初人家怎样以为我是被谋害了，我爸又是怎样在不久以后失踪的，从此一去不回；杰姆逃走的时候又是怎样引起了震动的；一桩桩、一件件，原原本本都讲了。我呢，对汤姆讲了有关两个流氓演出《王室异兽》的事以及在木筏上一路漂流等等的全部经过。因为时间不多，只能讲到哪里就算哪里。我们到了镇上，直奔镇子的中心――那时是八点半钟――只见有一大群人象潮水般涌来，手执火把，一路吼啊，叫啊，使劲地敲起白铁锅，吹起号角。我们跳到了一旁，让大伙儿过去。队伍走过时，只见国王和公爵给骑在一根单杠上――其实，那只是我认为是国王和公爵，因为他们遍身给涂了漆，粘满了羽毛，简直已经不成人形――乍一看，简直象两根军人戴的狰狞可怕的粗翎子。

It is contamination of water with city sewage and factory wastes; the runoff of fertiliser and manure from farms and feed lots; sudsy streams; sediment washed from the land as a result of storms, farming, construction and mining; radioactive discharge from nuclear power plants; heated water from power and industrial plants; plastic globules floating in the world's oceans; and female sex hormones entering water supplies through the urine of women taking birth control pills.

它是水体被下列污染物所污染：城市污水和工业废水；从农场和饲养场流失的化肥和粪肥；充满泡沫的溪流；由于暴雨、耕作、建筑和采矿而被冲刷的土壤沉积物；来自核电站的放射性排泄物；电厂和工厂的热水；漂流在全球海洋中的塑料小球；从服用避孕药的妇女的尿液进入供水系统的女性荷尔蒙。

It is contamination of water with city sewage and factory wastes; the runoff of fertiliser and manure from farms and feed lots; sudsy streams; sediment washed from the land as a result of storms, farming, construction and mining; radioactive discharge from nuclear power plants; heated water from power and industrial plants; plastic globules floating in the world's oceans; and f

它是水体被下列污染物所污染：城市污水和工业废水；从农场和饲养场流失的化肥和粪肥；充满泡沫的溪流；由于暴雨、耕作、建筑和采矿而被冲刷的土壤沉积物；来自核电站的放射性排泄物；电厂和工厂的热水；漂流在全球海洋中的塑料小球；从服用避孕药的妇女的尿液进入供水系统的女性荷尔蒙。

Yang Zhichao's "Macau" attempts to show the whole process of how the blood of the artist loses the original environment and the inherent functions of blood after experiencing well-technology-based "drift" and thus becomes dissimilated in shape and purpose : the blood in the body of the artist is quantitatively exsanguinated for three times within 45 minutes and then poured into a dice-shaped mould, and the dice is taken out after the blood curdles.

杨志超的《澳门》试图展示艺术家本人的血液历经精心技术化的&漂流&之后，如何失去了血液流通的原有环境和固有功能，从而在形状和用途上发生异化的全过程：艺术家体内的血液，被分成三次定量采撷，历时45分钟，而后灌入骰状模具，待血液凝固后，再取出翻好的骰子。

The flipside to Spiritualized's 'Ladies And Gentlemen We Are Floating In Space' album, it's a 60-minute torrent of positivity, an open-ended love letter to his wife Kate Radley, as well as a paean to the possibilities of a life unencumbered by uncertainties.

与每一个人》是一张主题明确的专辑--它实际上是将专辑《女士们先生们，我们在太空中漂流》精神化之后的版本；它是60分钟积极情绪的迸发，是给他妻子凯特的一封写不完的情书，也是对那种因漂泊不定而无牵无挂的生活的赞美。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。