漂亮人

Can not be each business nevertheless so prosperous ↓ 3, just arrived of new city I, seek new view everywhere, the station takes camera to overflow in house of bubble steamed bun aimlessly a chaos is patted, do not let off even eaves ↓ 4, in the street alley of lane of whole the Huis, probably only I just can am opposite there is grumous interest ↓ in the take a walk cock hen of roadside 5, going, see the ancient Buddhist templeput on the brakes with one beautiful place and compound, it is one saves in good condition big mosque so this screen wall on ↓ or front door most the look ↓ that attracted me first 6, go in to look, the building distinguishing feature of each place is so attract my ↓ 7, boosting watch for a chance, to any one place in compound Gu Xianggu's lubricious construction details does not let off ↓ 8, also be to see a new world in the compound on the side of main hall ↓ 9, room apical moon, beautiful here is authentic mosque building ↓ 10, go out courtyard, better of a few the Hui nationality people sitting in the sun next prattle,↓ of good envy letting a person 11, this clever animal on mosque gate pier looked a long time, also doing not have differentiate to go out is what animal ↓ 12, come out from the Huis lane, along the town god's temple that the ave went to Xi'an toward westing again on the west, light is a card these upstairs woodcarving had let me admired a head to pat ↓ a long time 12, what main hall of town god's temple saves is not very good, xi'an municipal government also uses contemporary carpentry to come alive without sedulous ground it seems that overhaul, then ability sees audience hall two side this former juice raw ingredient woodcarving gate ↓ 13, the eaves of audience hall also follows pailou same distinctive ↓ 14, the gravelstone lion of two side of pailou looks to also resemble antique ↓ is breathed out, photography homework of the first day is explained end, will stick other again tomorrow...

不过可不是每一家的生意都这么红火↓3、刚到一个陌生城市的我，到处寻找新鲜的景致，站在泡馍馆拿起相机漫无目的地一通乱拍，连房檐都不放过↓4、整个回民坊的街巷里，大概只有我才会对在路边的散步的公鸡母鸡都有着浓厚的爱好↓5、走着走着，就看见一处漂亮的古刹和院落，原来是一间保存完好的大清真寺↓还是正门对面的这个影壁最先吸引住了我的目光↓6、走进往看，每一处的建筑特色都是那么吸引我↓7、捧着相机，对院落里的任何一处古香古色的建筑细节都不放过↓8、正殿旁边的院落里也是别有洞天↓9、房顶上的月亮，标致着此处是正宗的清真寺建筑↓10、出得大院，几位回族长者们正坐在太阳底下闲聊，好让人羡慕↓11、清真寺门墩上的这个灵兽看了半天，也没辨出是什么动物↓12、从回民坊出来，沿着西大街再往西走就到了西安的城隍庙，光是牌楼上的这些木雕就已经让我仰头拍了半天↓12、城隍庙正殿保存的不是很好，西安市政府似乎也没有刻意地用现代木工活来翻修，于是才能看到大殿两侧这原汁原味儿的木雕大门↓13、大殿的房檐也跟牌楼一样有特色的↓14、牌楼两侧的小石狮子看上往也像古董呢↓哈，第一天的摄影作业交代完毕，明天再贴其它的

He was kind of raggeddy and wild. And she was very beautiful, you know.

他是那种随性狂野的人，而她则很漂亮。

Daisy Miller is an innocent girl, young and beautiful, she spent much time sojourning in Europe. She got acquainted with an American boy, Winterbourne in Switzerland, and they decided to meet in Rome next time.

黛西·米勒是一个年轻漂亮、天真无邪的美国姑娘，长期旅居欧洲，在瑞士结识了美国青年温特伯恩，两人商定在意大利的罗马再次相会。

She's a smart young lady, and very nice.

她是个漂亮的小姑娘，人也非常好。

Michael fogrot accident friendsknow amorism for Hannah the older than he is much more beautiful women adolescents Michael in the eyes of the soul is the most asked him to draw people in but he did not dare to speak to some and Hannah.

米夏在公车上意外结识了风情万种的售票员汉娜，这位比他年纪大得多的漂亮女人，在青春期少年米夏的心目中是最让他魂牵梦绕的人，但是他也并不敢与汉娜攀谈。

I think japaneese men all like you,because you very beauti

我也跟你一样喜欢日本男生，因为你再日本人眼里是个很漂亮的女孩）））你总有一天会幸福的，完美女孩

Thus,in Italy in 1914,Antonio Sant'Elia envei-sioned a metropolis of fantastic industrial skyscrapers and multilevel circula-tion in LA Citta Nuova."I conclude in desfavor of preservation,reconstruction,reproduction of ancient monuments,"he declared.In France in 1918,Tony Garnier drew in great picturesque detail La Cite' Industrielle, a complete regional industrial village.In America in 1934,Frank Lloyd Wright constructed a vast miniature model of his imaginary modern town called Broadacre City.But it wasthe great Swiss-born Parisian architect Le Corbusier who,more than any of the other modern mastrs,devoted his energies to envisioing the conse-quences of modern architectural form upon the shape of the contemporary metropolis.His drawings were beautiful,adstract,and widely influential.

因此，在意大利，在1914年，安东尼奥sant'elia envei - sioned大都会离奇的工业摩天大楼和多层次的环流公告在La citta Nuova新&，我结束在desfavor的保存，重建，再现古代纪念碑&，他declared.in法国在1918年，托尼卡尼尔提请在风景如画的大香格里拉详细列举'工业，一个完整的区域产业village.in美国早在1934年，弗兰克劳埃德赖特修建了一个庞大的微型模型，其假想的现代城镇所谓广city.but它wasthe伟大瑞士生于巴黎建筑师柯布西耶的人，比其他任何一种现代mastrs奉献了精力envisioing该conse - quences现代建筑形式后，形成的当代metropolis.his图漂亮， adstract ，而且影响广泛。

He was not confident about his own image(no wonder, he is called "white face careerist").

他就找了一个漂亮的人代替他，而自己当这个人的侍卫，拿着刀站在旁边。

I don't know whether we've forsaken our poetic nature, our romanticism, inherent inner beauty, or whatever we've done to ourselves, that nowadays most of the time we think more of finances. We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。