滑稽的

Therapontigonus Miles could walk arm in arm with Vadeboncoeur the grenadier, Damasippus the second-hand dealer would be happy among bric-a-brac merchants, Vincennes could grasp Socrates in its fist as just as Agora could imprison Diderot, Grimod de la Reyniere discovered larded roast beef, as Curtillus invented roast hedgehog, we see the trapeze which figures in Plautus reappear under the vault of the Arc of l'Etoile, the sword-eater of Poecilus encountered by Apuleius is a sword-swallower on the PontNeuf, the nephew of Rameau and Curculio the parasite make a pair, Ergasilus could get himself presented to Cambaceres by d'Aigrefeuille; the four dandies of Rome: Alcesimarchus, Phoedromus, Diabolus, and Argyrippus, descend from Courtille in Labatut's posting-chaise; Aulus Gellius would halt no longer in front of Congrio than would Charles Nodier in front of Punchinello; Marto is not a tigress, but Pardalisca was not a dragon; Pantolabus the wag jeers in the Cafe Anglais at Nomentanus the fast liver, Hermogenus is a tenor in the Champs-Elysees, and round him, Thracius the beggar, clad like Bobeche, takes up a collection; the bore who stops you by the button of your coat in the Tuileries makes you repeat after a lapse of two thousand years Thesprion's apostrophe: Quis properantem me prehendit pallio?

米勒会挽着侍卫华德朋克尔的胳膊，达马西普会在旧货店里流连忘返，万森刺杀苏格拉底正如阿戈拉囚禁狄德罗，格利木·德·拉雷尼埃尔会做油脂牛排正如古尔第吕斯发明烤刺猬。我们见到普劳图斯著作中的高架秋千重现在明星门的气球下面，阿普列乌斯在普西勒遇见的吞剑人便是新桥上的吞刀人，拉穆的侄儿和寄生虫古尔古里翁是一对，埃尔加齐尔请爱格尔弗依把他介绍给康巴色勒斯，罗马的四个纨袴子弟阿尔色西马尔古斯、费德洛木斯、狄阿波吕斯和阿尔吉里帕乘着拉巴突的邮车从拉古尔第①出发，奥吕·热尔在孔格利奥面前没有比查理·诺缔埃在波里希内儿面前待得更长久，马尔东不是母老虎，但是巴尔达里斯卡也绝不是一条龙，滑稽人潘多拉布斯在英格兰咖啡馆里嘲弄享乐人诺曼达纽斯，埃尔摩仁是爱丽舍广场的男高音，并且在他周围有无赖特拉西乌斯扮成波白什②向人募捐，在杜伊勒里广场上掐住你的衣扣、不让你走的那个讨厌人让你在两千年以后还重复着忒斯卜利翁的那句话："在我有急事时谁突然抓住了我的衣襟？"

I dreamt of myself in thrities hurrying for me,clutched my neck as suddenly as a flash of light,drag me to the corner,then trampled on my face,dispising me with fleer playing arround his lips.what he dispised was my ludicrousness,my stubbornness to my life,my surrender to lust,my anxiety to fleeting life and the absurd demonstrated by the struggle with despair.

我梦见三十岁的我向我走来，一把掐住我的脖子，拖到墙角，再拿右脚踩着我的脸，用嘴角的狞笑鄙视着我，鄙视我的可笑，鄙视我对生命的执着，对欲望的缴械，对转瞬即逝的人生的焦虑以及对此做出的的绝望挣扎而表现出的滑稽荒诞。

In one of 'Myth' paintings, the huge stones almost occupy fully the whole surface; in contrast, the figures let down, after intense struggle, as if collapsedly, chikenlike, tiny, impotent, unreconciled and depressed, just like giving up battling with the stones. In this series of heroist mode, particularly as against with the picture surfaces in which the giantlike bodies and energy are expressed, the figures in it even look a sense of funniness – wherein we are certain that irony has been engaged in his paintings, and it can be understood as a self-irony that it is not a floppy laziness, while he indeed does not need to tighten his muscles, not to keep a zealous and single gesture for fighting, as if it seems difficult for everything to continue, and in the paintings when the heroes unpack the stones, the artist seems unpack the dream of heroes, letting alone the huge stones burning and overspreading, surrounding us, pressing us and scorching us, even running over the whole picture. It suffocates us with all these heaviness, hardness, and acuity, as registers our weak life like a paper-cut.

尹朝阳的《神话》系列里有一幅，巨大的石头几乎占满了整个画面，相比之下，画中的人经过了激烈的挣扎，松弛了下来，形将瘫软一般，渺小，无能，心有不甘而黯然神伤，俨然已经放弃了与石头的搏斗，在这个英雄主义调式的系列里，尤其是与其中表现了英雄那巨人般的体魄和能量的画面相对，这幅画中的人甚至显出了一种酸楚的滑稽感——这里，我们确知反讽已经介入了他的绘画，并且，可以理解为一种自我反讽，它并非是纨绔式的慵懒，然而，确实不再绷紧他全身的肌肉，不再保持激昂而单一的斗姿，好像一切都已经难以为继，在画中的英雄卸下了石头的同时，艺术家自己也仿佛卸下了英雄梦，任凭那巨大的石头像烈火般燃烧和蔓延，包围我们，紧紧地挤压、烤炙我们，并且溢出整个画面，它以全部的沉重、坚硬和尖锐使我们窒息，反衬出我们脆薄如剪纸般的生命。

But he never forgot, he felt the markings each morning, a ghost tattoo about her he couldn't stop describing to strangers: If there is writing in this place, he begins, it's only proof that a tribe of pens once lived here, pardoning themselves in advance for their mortal leap from a line of thinking to a half-lit field which starts under the rubric of hay and fruit trees but seems to contain much more than mere space allows, in the vicinity of sundown and all the nouns streaked with gold, drowning in drachmas, lounging in louche, leading from the eye to the distant mountain the guidebooks say is uninhabitable though behind it squats a shack which is the summer home of God, finally free from making cherries for the emperor's children; little God with his funny name for which the other students teased him so, his elaborate notes.

但他从未忘记，每天早晨他感觉得到那些印记，他忍不住要向陌生人描述她的一块幽灵般的刺青：如果这地方有写作存在，他说，那仅仅证明了有一个用笔的部落曾经在这里住过，为那致命的一跃他们自己事先道歉，从一缕思绪跃至半明半暗的原野，那原野在干草与果树的套红标题下起始却似乎容纳了比空间本身所允许的东西要多得多，在落日与所有带金纹的名词周边，淹没在古银币中，混迹于狼藉声名里，从眼前一直到导游指南称为人烟罕至的远山，隐蔽在山背后的一间密室是神的夏宫，终于从为皇帝的孩子们做樱桃的差使中脱身出来；小小的神有个其他学生们取笑的滑稽名字，他记载详尽的笔记。

Sicken the mongness swing at i i beat show maker rule shake it shake it down i be the negro what a ha profa everybody come on we will be the shaker what'a crazy star so what everybody had enjoyed crazy wild look rock it in the sigh chilly women happy be the big down explaining the heart but super cheater baby baby come on you better rock with me i be the hasha blade for no what you may lay in XXX everybody scream XXX everybody dance i am the king of the swear or will you rock in dead cause when we in the place that we talk in shock in the world cause we will bullshit and speak makes it rocks in a city last night a jewel saved my life, now that all you want last night a jewel saved my life, there's a party going on last night a jewel saved my life, now is bergy time last night a jewel saved my life, there's a party going on now yo wow wrong wanna a chair super negro wanna said hanging out man negro show will love some of a faggot you are murd when i dread to make a connect to yo babies dont try helicopter pipe-check we'll be smoking a cigar so as bad as sharper rocking down somebody everywhere of a party over there man sweetie homie sot all the danstroll mad all train the city cause we the best droll size the rockies to flat by a squash like a super star try to right up at the top whoever say no way, check it out the quality's down whoever like it or moaning out turning our stuff around should get down jungle fibre getting tie boogy night smoothy is looking for kill we'll be the one and the male we'll be the top place wrong place raping the world cause we would have top place now start the pub we'll be the hard too, shaking everybody what a tough shit bar man rocks for its tale beating me in the dance my moving XXX everybody dance i'll be the dance keep surprising everybody with a jet and never tell mine too, my thingy got to swing it with me you taking over your mind cause where the jackets were the baseline checking it hard cause we'll be the place sudden start bald day damn number rare yo, yeah, come on ,come on ,come on, come on damn number rare yo moving out yo swing twenty fold pop yo fly yo

使mongness 摇摆厌恶在i 我摔打展示制作商规则震动它震动它击倒 i 是黑人ha profa 大家进展我们将是振动器what'a 疯狂的星如此什么大家享受疯狂的狂放的神色晃动它在叹气冷颤的妇女愉快是大下来解释心脏但超级骗子婴孩婴孩进展您改善岩石与我 i 是hasha 刀片为没有什么您可以放置 XXX 大家尖叫 XXX 大家舞蹈我是发誓的国王或您晃动在死者的意志起因当我们在我们谈在震动在世界上的地方导致我们意志胡说和讲牌子它岩石在城市昨晚珠宝拯救了我的生命，即然所有您要昨晚珠宝拯救了我的生命， there's 党继续昨晚珠宝拯救了我的生命，现在是bergy 时间昨晚珠宝拯救了我的生命， there's 党继续现在 yo 哇错误要对椅子超级黑人要对前述垂悬在人黑人展示之外将爱一些faggot 您是murd 当我畏惧做a 连接对yo 婴孩不尝试直升机管子检查 we'll 抽雪茄至于坏象更加锋利晃动在某人到处党下在那供以人员糖果homie sot 所有danstroll 疯狂所有训练城市起因我们最佳滑稽可笑估量罗基斯对舱内甲板由南瓜象一次超级星尝试在右边在上面谁不说方式，检查它在quality's 之外下来谁喜欢或呻吟在扭转我们的材料之外如果得到在密林纤维下得到领带 boogy 夜 smoothy 寻找杀害 we'll 是那个和男性 we'll 是顶面地方错误地方强奸世界起因我们现在会安排顶面地方开始客栈 we'll 是坚硬的，震动大家坚韧shit 酒吧供以人员岩石为它的传说把我难住在舞蹈我行动的XXX 大家舞蹈 i'll 是舞蹈保留惊奇大家与喷气机并且从未告诉我的，我thingy 被得到对摇摆它与我您接收您的头脑起因夹克是基础线的地方检查它坚硬起因we'll 是地方突然的起动秃头天数字罕见的yo，呀，进展，进展，进展，进展数字罕见的yo 行动在yo 之外摇摆二十折叠流行音乐yo 飞行yo

From every street and every corner drove carriages filled with clowns, harlequins, dominoes, mummers, pantomimists, Transteverins, knights, and peasants, screaming, fighting, gesticulating, throwing eggs filled with flour, confetti, nosegays, attacking, with their sarcasms and their missiles, friends and foes, companions and strangers, indiscriminately, and no one took offence, or did anything but laugh.

马车上坐满了白衣白裤白面具的小丑，身穿花衣手持木刀的滑稽角色，戴半边面具的男男女女，侯爵夫人，勒司斐人，骑士和农民。大家尖声喊叫着，打打闹闹，装腔作势，满天飞舞着装满了面粉的蛋壳，五颜六色的纸，花球，用他们的冷言冷语和种种可投掷的物品到处攻击人，也不分是敌是友，是同伴是陌生人，谁都不动气，大家都只是笑。

In fact I was reading and doing a little research, that book that's in the play, was a book that he was actually writing and I know now as I've read a little bit about him and I've met him a little bit, I think he's a serious fellow and a fellow not uninterested in wisdom literature, wisdom thinking, big questions in life, uh, religion in some ways, and the big question of who are we and it's not what this piece of material deals with, and even though certain passages of it, as they are quoted, can be made to sound a little funny, ah, no it's up for grabs as to what the nature of that book is.

事实上，我是边读边做研究的，这个剧本改编自一本书，事实上这本书才是作者的原著。现在我读了一些有关他的文章，也与他有过一些接触，我认为他是一个非常严肃的人，对智慧文学、智慧思维、人生问题、宗教问题，以及我们是谁这种严肃问题并不是毫无兴趣。而这些并不是这部剧里的主题，尽管其中也引用了一些智慧型文段，但目的只是为了使它听起来更滑稽。嗯，其实这本书的本质是很容易读懂的。

He takes the point that all kinds of laughter are attribute to mechanization because of people's absentmindedness,but the"mechanization" is contrary to "the changing stream of life",which represents the effect of"something mechanical encrusted on the living",that is cosmic effect.

1(p.2)他把一切可笑的滑稽都归结为人类的&心不在焉&而导致事物所走向的机械化。他认为，人类社会是&不断变化的生命之流&，是不应该有机械的东西搀合在里面。所以，一旦心不在焉就会产生&镶嵌在活的东西上面的机械的东西&[1](p.25)的效果。

The obvious interest of Jiajhi's story isn't in any physicalityor even in the suspense and danger, but in how a Mata Hari lover who's a virgin when she and her young actor troupe hatch their plan (comically, she must learn sex from a guy whose limited experience is with prostitutes)--discovers this is, like it or not, the love of her life--and how long and how terribly she might struggle with that realization.

在Jiajhi的故事明显的利益是没有任何physicalityor甚至在悬念和危险，但在如何玛塔哈里的情人谁是处女时，她和她的年轻演员演出孵化他们的计划（滑稽，她必须学会从一个人的性别有限的经验与妓女）-发现这是喜欢还是不喜欢，这是她一生的挚爱-多久，以及如何可怕她会斗争的实现。

This imitation of the for-profit IPO process may seem gimmicky, but in fact it is part of a new trend to improve how non-profits are financed, so that they can escape the obsession with short-term fund-raising that is pervasive in the charitable world. With money in the bank to finance the next three years' operations, Ms Lublin and her team will be free to focus on reaching Do Something's goals.

这次对赢利性IPO程序的模仿看起来有些滑稽，但实际上代表了一种趋势，就是非营利性组织获取资金的方式的改善，这样他们就可以免受慈善事业中比比皆是的频繁短期融资之苦，由于银行里已经存有了未来3年运作的经费，Lublin女士和她的团队就可以游刃有余的将精力放在实现DO sth的目标上了。

Lugalbanda was a god and shepherd king of Uruk where he was worshipped for over a thousand years.

Lugalbanda 是神和被崇拜了一千年多 Uruk古埃及喜克索王朝国王。

I am coming just now,' and went on perfuming himself with Hunut, then he came and sat.

我来只是现在，'歼灭战perfuming自己与胡努特，那麼，他来到和SAT 。