温存

But after a scene in which one person was in earnest and the other a perfect performer---after the tenderest caresses, the most pathetic tears, the smelling bottle, and some of the very best feelings of the heart, had been called into requisition---Rebecca and Amelia parted, the former vowing to love her friend for ever and ever and ever.

在这一幕里，一个人是真心实意的，另一个却演了一场精彩的假戏——最温存的拥抱，最悲伤的眼泪，嗅盐瓶，还有最亲切依恋的情感，都使用上了——然后，丽贝卡和爱米利亚分别了。丽贝卡发誓要永远永远永远爱她的朋友。

I prefer the short-time tenderness to accompanying for life-long time.

我不奢求你一世的陪伴，想要的只有片刻的温存。

I prefer having your accompanying for life-longtime to the short-time tenderness.

我不要短暂的温存，只要你一世的陪伴。

I prefer having your accompanying for life-long time to the short-time tenderness.

我不要一时的温存，只要你一世的陪伴。

I prefer having your accompanying for life-long time to the short-time tenderness.

我不要短暂的温存，社会，只要你一世的陪同。

I prefer having your accompanying forlife-long time to the short-time tenderness.

我不要短暂的温存，只要你一世的陪伴。

Of the attentive that I am infatuated with mermaid princess to live, I am infatuated with the marine; of dark blue that " sound rang at 12 o'clock, everything will restore unvarnished " I am infatuated with the adventure; like Alice of my infatuation of; of strange unreal prophecy and her dream between Bai Xue's princess and 7 small atomy pure, exquisite feeling.

我迷恋美人鱼公主居住的温存的、碧蓝的海洋；我迷恋那个&12点钟声一响，一切将恢复成原样&的奇幻预言；我迷恋爱丽斯和她梦一样的奇遇；我迷恋白雪公主和七个小矮人之间单纯、细腻的感情。

He placed a tracy chapman cd on the table in front of me.

我会想你的，&他无限温存地说道。&

The two lovers continued long together, as they were wont, all unwitting of Tancred; but at length they saw fit to get out of bed, when Guiscardo went back to the grotto, and the lady hie d her forth of the room.

那一对情人像往常一样，温存了半天，直到不得不分手的时候，这才走下床来，全不知道唐克莱正躲在他们身边。纪斯卡多从洞里出去，她自己也走出了卧房。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。