淹没的

Nothing is more destructive, either in regard to the health, or the vigilance and industry of the poor than the infamous liquor, the name of which, derived from Juniper in Dutch, is now by frequent use and the laconick spirit of the nation, from a word of middling length shrunk into a monosyllable, intoxicating gin, that charms the unactive, the desperate and crazy of either sex, and makes the starving sot behold his rags and nakedness with stupid indolence, or banter with in senseless laughter, and more insipid jests; it is a fiery lake that sets the brain in flame, burns up the entrails, and scorches every part within; and at the same time a Lethe of oblivion, in which the wretch immersed drowns his most pinching cares, and, with his reason all anxious reflections on brats that cry for food, hard winter's frosts, and horrid empty home.

没有什么比之&松子酒&这样一种臭名昭著的酒对于穷人们的健康、神经警觉和工作更为有害的东西了。这酒的名称原本来自荷兰语中对于桧类树木的称谓，现在，在一个崇尚简洁精神的国度里、通过经常性的使用，从一个中等长度的词汇压缩成了单音的、醉人的&松子酒&，迷惑着那些麻木绝望痴迷的男女，让饥饿的人带着愚昧的懒惰用袋子裹着裸体的身子干坐，或是无聊地说笑，讲着乏味的笑话活着；彷佛是个满是酒精的湖，把这些人的脑子点着了火，燃烧到肠子，烧到身体的各个部位；同时，忘神来了，把酒鬼们最后一点在意都淹没掉，一点良心都没有，不再焦虑地看着自己那些哭着要食物的儿郎，不再顾及冬天的霜冻和可怕空旷的家。

The unilaterality shadowed the individual real life, immersed individual unique personality, and alienated individual colorful life.

本书分三部分对这一问题进行了剖析：在改革开放前----青少年价值观教育的经验总结中，回顾了新中国成立以来在强烈的意识形态下，在火热的阶级斗争中，在频繁的政治运动过程中，青少年价值观由&崇高理想&、&政治挂帅&到&主体迷失&的演变过程，指出这一时期价值观教育的片面性就在于以人的政治、阶级的一面否定和取代了人的其他的方面，尤其是人属于私己方面的追求和属于个人灵魂方面的事务，致使个人真正的生活被遮蔽、个人独特的个性被淹没、个人丰富多彩的生命被异化。

According to the historic viewpoint, this dissertation retrospect that development of adolescence value view from"sublime ideal""politics cored"to"lost of subject"since the new P. R. C. established under the strong ideology, within fiery class struggle, in the process of frequent political movement. It points out that unilaterality of value view education in this period negates and substitutes people's other aspects, especially personal pursuit and individual soul, by politic and class aspects. The unilaterality shadows the individual real life, immerses individual unique personality, and alienates individual colorful life.

论文分两部分对这一问题进行了剖析，在历史的返观中，回顾了新中国成立以来在强烈的意识形态下，在火热的阶级斗争中，在频繁的政治运动过程中，青少年价值观由&崇高理想&、&政治挂帅&到&主体迷失&的演变过程，指出这一时期价值观教育的片面性就在于以人的政治、阶级的一面否定和取代了人的其他的方面，尤其是人属于私己方面的追求和属于个人灵魂方面的事务，致使个人真正的生活被遮蔽、个人独特的个性被淹没、个人丰富多彩的生命被异化。

"Myth" Dream familiar faces I am waiting for you is the tenderness Even tears drowned world I will not let go, and every minute lonely bear Because I has promised I know you moved between Love to awake Jesus Christ vicissitudes only love is forever the myth Told not always the same segments of love If repeated how much pain entangled night Qia扎 Hold your hands and let me never-never Chen Shang-frozen love Cradle can really melt phase Swaying in the wind on the furnace fire Immortal also endless Waiting for spring to bloom come spring I laugh mercilessly years Chijue Heart of the World such as steel barren Miss him forever to arrive together Beihuan negative, only love is forever the myth Nobody forgotten ancient, ancient oath Your tears filled fly into the Nabi Love is the wind under the wings accompanied comfortable flying two heart You are beautiful my heart only a myth

这首歌不错的，谁能翻译成英文？《神话》梦中的人熟悉的脸孔你是我守候的温柔就算泪水淹没天地我不会放手，每一刻孤独的承受只因我曾许下承诺你我之间熟悉的感动爱就要苏醒万世沧桑唯有爱是永远的神话潮起潮落始终不悔真爱的相约几番若痛的纠缠多少黑夜掐扎紧握双手让我和你再也不离分枕上雪冰封的爱恋真心相摇篮才能融解风中摇曳炉上的火不灭亦不休等待花开春去春又来无情岁月笑我痴狂心如钢铁任世界荒芜思念永相随悲欢负月唯有爱是永远的神话谁都没有遗忘古老，古老的誓言你的泪水化为漫天飞舞的彩蝶爱是翼下之风两心相随自在飞你就是我心中唯一美丽的神话

The 'arrival' of Sisyphus means that he has to employ 'pathetic fallacy' to personify the stone as signifying man's desire and mental burden – the stone lying at the roadside has been changed and elevated to a symbolic level, which incorporates the myth with heroic spirit and becomes the objective equivalent to that of desire, anxiety, and pressure. In essence, the physical features are drowned and from between to express the natural physical features or the ideas, he chooses the latter. This means that there is disjoint between what originally moved him and what he would like to express, but he is acutely aware of it – the 'danger of illustration'. We can see that these series of paintings are finally presented to us, the physical features of the objects still remains and are expressed to some extent. Among them some directly depict the stones in their own part about their pleats and points, desolateness and heaviness; at the meantime, nobody appears in the pictures.

西西弗斯的&到来&，意味着他不得不采用感情误置的方式，将石头进行拟人化的处理，用以指称人的欲望和精神负担——那块路边的石头已经不复它本来的面目，它被提升到一个象征的位置上，与神话和英雄的精神题旨迅速结合在一起，成为人性之中欲望、焦虑、压力等情感的客观对应物，从本质上来说，物自身的特性被淹没了，在表现物的自然特性和表现理念这两者之间，他选择了后者，这意味着，在感动他的最初事实与他要表现的事实之间就有了一种脱节，但他敏感地意识到了这种脱节，这种&图解的危险&，我们可以看到，当这组画最终呈现在我们面前的时候，物的自然特性得到了很大程度的挽留和表现，其中有一些画作直接描绘了岩石本身，它本身的褶皱和棱角、苍凉和沉重，同时，并没有人出现在这样的画面上。

Michael Jackson 专辑:History Stranger in Moscow Michael Jackson I was wandering in the rain Mask of life, feelin' insane Swift and sudden fall from grace Sunny days seem far away Kremlin's shadow belittlin' me Stalin's tomb won't let me be On and on and on it came Wish the rain would just let me How does it feel How does it feel How does it feel When you're alone And you're cold inside Here abandoned in my fame Armageddon of the brain KGB was doggin' me Take my name and just let me be Then a begger boy called my name Happy days will drown the pain On and on and on it came And again, and again, and again... Take my name and just let me be How does it feel How does it feel How does it feel How does it feel How does it feel How does it feel How does it feel When you're alone And you're cold inside How does it feel How does it feel How does it feel How does it feel How does it feel How does it feel How does it feel When you're alone And you're cold inside Like stranger in Moscow Like stranger in Moscow We're talkin' danger We're talkin' danger, baby Like stranger in Moscow We're talkin' danger We're talkin' danger, baby Like stranger in Moscow I'm live in lonely I'm live in lonely, baby Stranger in Moscow (KGB interrogator - Russian to English Translation) Why have you come from the West? Confess!

在生活雨面具漫步， feelin疯狂的快速和突然的秋天从雍容晴天很远似乎 Kremlin的我的阴影belittlin 斯大林的坟茔不停不会让我是和对此没有来雨会让我的愿望怎么它感觉怎么它感觉怎么它感觉当您是单独的，并且您是在脑子KGB的我的名望末日审判这里摒弃的冷的里面是doggin我作为我的名字，并且请让我是 begger男孩告诉我的命名愉快的天不停然后将淹没痛苦和对此来了和再和再和再…采取我的名字和请让我是怎么它感觉怎么它感觉怎么它感觉怎么它感觉怎么它感觉怎么它感觉当您是单独的，并且您是冷的里面怎么它感觉怎么它感觉怎么它感觉怎么它感觉怎么它感觉怎么它感觉当您是单独的，并且您是冷的里面象陌生人在莫斯科象陌生人在莫斯科我们是我们是 talkin危险的talkin危险，婴孩象陌生人在我们是talkin危险我们是talkin危险的莫斯科，婴孩象陌生人在我是活在孤独我是活在孤独的莫斯科，小陌生人在莫斯科 KGB审问者-俄语到英语翻译为什么您来自西方？

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。