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Then, on the one-loss side, the rest of the top eight were clawing and reaching to advance further.

然后,对一个损失方面,其余的顶端8人扣和深远的进一步推进。

This article starts form carding the formation and development of the animations in the United States, Japan and Europe, in their respective national television animation style characteristics. In the second chapter, from the national culture, folk customs and ways, the character and geographical four conditions explore the United States, Japan, Europe, ethnic style animation in the film formation due to the dynamic; Chapter III trays to find the common aesthetic features of the Television Animation factors in United States, Japan, Europe, also this part describes the characters from four aspects, such as to find truthfulness, to find kind and so on. Chapter four is the key of this article, this part colludes several parts , such as film animation level, the way how animation to present to the concept of integrity, the character and language of the text character and so on . This end of this article is a summary of papers, down from globalization understanding of the vision of China Television Animation, the theoretical study of the ultimate goal is to practice creative services, what is more important is a comparative analysis, which received some of reference, identify China Television Animation and the gap between other countries, in order to learn from foreign advanced development of the film and television animation experience in the domestic film and television animation themes and concepts updates, in the localization of the close integration with the international on the road to the former OK, can have a more far-reaching significance.

论文首先从美、日、欧、中影视动画各自民族风格的特点出发,对其民族风格的形成与发展进行系统的梳理;进而在第二章中,从民族文化、民风民俗、民族性格和地域条件四个方面探究美、日、欧、中影视动画民族风格形成的动因;第三章是对美、日、欧、中影视动画的同质性因素进行比较,论文从启真、扬善、弘美、尚趣四个维度来寻求其共通的美学特征;第四章中外影视动画民族风格的异质性因素比较是本文的重点,也是论文的难点,这一章涉及到许多影视动画本体性的层面,拟从动画的观念品格、文本品格和行为品格三个方面进行把握、比较;最后一章是论文的总结,从全球化的视野下来认识中国影视动画,理论研究的最终目的是要为实践创作服务的,因而,论文更主要的是通过比较分析,从中获得一些借鉴性意见,找出中国影视动画和其他国家之间的差距,更好的学习国外影视动画先进的发展经验,以期对国产影视动画在题材和观念的更新上、在本土化与国际化紧密结合的道路上如何前行能够有更为深远的指导意义。

For psychology, as for other sciences, Indian achievement is not only significant, but also truly refreshing in the way that it conceptualizes human experience.

对心理学来说,正如对其它科学一样,印度的成就不仅意义深远,而且其将人生体验概念化的方式让人耳目一新。

In the view of the theory of learning organization, this paper their to analysis the means of processing, the strategy, the learning government, the statue of organization, the prouder of organization and the culture creaming in the view of the theory of leavening organization, which is one of the most advancing controlling theories nowadays.

最后文章重点分析了学习型政府的构建。从手段上来看是应该建设电子政府。&电子政府&既是一场意义深远的变革,也是政府治理的根本性转变,必然涉及公众参与公共决策和民主制度的变革,引发电子民主;从组织结构上来看,学习型的政府就是从传统组织向民主、以市场为基础的组织结构转变;从政府组织流程上来看,建设学习型政府就是要从企业流程再造中吸取经验,以适应市场化要求;从政府组织文化方面来看,组织文化的改造事实上也就是对组织团队心智模式的改造,学习型政府的建设就是建设适应经济全球化环境的政府组织文化。

I think it's even deeper than that.

我认为有更深远的意义。

The consequences of defaulting could have far reaching and expensive consequences, as your credit score could well be adversely affected.

违约的后果有可能影响深远的后果和昂贵的,因为你的信用评分可能受到不利影响。

Experts believe that demolishing old buildings and building new, and the demolition of the implementation of monetary policy on the real estate market in Nanning has a direct and far-reaching impact.

专家认为,拆除旧建筑和建设新,并拆除执行货币政策对房地产市场在南宁有着直接和深远的影响。

Her skills for demystifying complex concepts and explaining mundane subject matter using interesting and identifiable examples makes a huge difference to her students.

她运用技巧将复杂的概念变得简单通俗化,运用一些常见的有趣的例子解释世俗观点的教学方法都对她的学生影响深远

Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing people\'s striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先,全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后,揭露日伪统治者的暴行,颂扬人民的反抗斗争,探究社会底层的黑暗成为沦陷时期东北文学的中心主题,在这种情况下,经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样,东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

Firstly, the Russian tendency of the national new culture and the third international activity in northeast region came to a decision that Modern Northeast Literature in its beginning was under the influence of Russian culture and literature profoundly. Since 1931 northeast was occupied by Japan, the center topic of occupied era northeast literature became exposing the violence of Japanese and emblazing peoples striving and exploring the darkness of society bottom. In this case, the Soviets revolutionary literature which went through October revolution and expressed the similar conflict topic turned into the study model of northeast writers. The creations of northeast writers was under the influence of Soviets revolutionary literature deeply in the topic, conceive outline, the character building.

首先,全国新文化运动的俄苏倾向和东北地区第三国际共运活动的开展共同决定了东北新文学在其开端就受到俄苏文化和文学的积极而深远的影响。1931年东北沦陷后,揭露日伪统治者的暴行,颂扬人民的反抗斗争,探究社会底层的黑暗成为沦陷时期东北文学的中心主题,在这种情况下,经历了十月革命炮火洗礼、表现相似的斗争主题的苏俄革命文学就成为文学素养相对薄弱的东北作家的学习榜样,东北作家的创作在主题、构思、人物形象塑造等多方面都受到了苏俄革命文学的深刻影响。

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Finally, according to market conditions and market products this article paper analyzes the trends in the development of camera technology, and designs a color night vision camera.

最后根据市场情况和市面上产品的情况分析了摄像机技术的发展趋势,并设计了一款彩色夜视摄像机。

Only person height weeds and the fierce looks stone idles were there.

只有半人深的荒草和龇牙咧嘴的神像。

This dramatic range, steeper than the Himalayas, is the upturned rim of the eastern edge of Tibet, a plateau that has risen to 5 km in response to the slow but un stoppable collision of India with Asia that began about 55 million years ago and which continues unabated today.

这一引人注目的地域范围,比喜马拉雅山更加陡峭,是处于西藏东部边缘的朝上翻的边框地带。响应启始于约5500万年前的、缓慢的但却不可阻挡的印度与亚洲地壳板块碰撞,高原已上升至五千米,这种碰撞持续至今,毫无衰退。