海顿

It was at the request of the Haydonites.

它是海顿人的要求。

Franz Joseph Haydn , who was taken to Vienna by Georg Reutter, one of Caldara's pupils, sang many of his sacred works when he was a choirboy at St. Stephens and possessed copies of two of Caldara's Masses.

弗朗茨约瑟夫海顿，模型，被谁格奥尔Reutter，对卡尔达拉的学生之一，维也纳卡尔达拉唱他时，他是神圣的许多作品在圣士提反choirboy和卡尔达拉的群众2。

Although Chopin lived in the 1800s, he was educated in the tradition of Beethoven, Haydn, Mozart and Clementi; he even used Clementi's piano method with his own students.

虽然肖邦生活在19世纪，他所受的教育仍然依照贝多芬、海顿、莫扎特和克莱门蒂留下的传统；他甚至用克莱门蒂的钢琴弹奏法教育自己的学生们。

Total repertoire shall be a complete Concerto and a 25 minute solo program which includes at least one movement of a Sonata by Clementi, Haydn, Mozart, Beethoven, or Schubert; a virtuoso Etude, and other solo of the contestant's choice

全部的曲目为一首完整的协奏曲和25分钟的独奏，包括至少一首克莱门第、海顿、莫扎特、贝多芬或者舒伯特奏鸣曲的一个乐章；一首炫技练习曲，和一首自选的其他独奏曲目。

In the middle, s catter ed pieces from Baroque period composers, Teleman and Handel, Classic era's Haydn, Kuhlau and Clementi, Romantic times' Schuman and Impressionist Debussy.

其中间杂着巴罗克时期的泰勒曼 Teleman ，海德尔 Handel ；古典时期的海顿Haydn ，库劳 Kuhlau和克莱门蒂 Clementi ，浪漫主义时期的舒曼 Schuman ，还有印象派的德彪西 Debussy 。

This thesis explores the characteristics of Franz Joseph Haydn's compositional techniques and sacred music styles.

摘要 本论文藉由针对海顿生平的探讨，进一步了解海顿的个人创作风格及其宗教音乐作品特质。

Haydn was a countryman, son of a wheelwright, his family still part of the peasantry (for this very reason—or rather, for its democratic implications—Beethoven treasured a painting of the little hut in which Haydn was born); whereas Mozart was a townsman, his father was university-educated (trained as a lawyer, in fact, although he chose music as a profession) and the author of a best-selling book.

海顿来自乡村，是一个车轮修造匠的儿子，他的家族仍属于小农阶级（由于这个原因，作为一种平民化的象征，贝多芬珍藏着一幅以海顿小屋为主题的画作）；而莫扎特则是城市居民，他的父亲接受过高等教育（法学专业，虽然他最终选择以音乐作为终身职业）并且是一本畅销书的作者。

Begin, composition is in very downy tonetic in undertaking, just when those nobles are soporous when, abrupt, orchestra play music gives the melody like Jing thunder lightning, accompanying the drum of cannon type, frighten the nobles in sleep immediately wake, glare of their mouth open one's eyes wide, drowsiness is broken completely, composition also ends at this point.

海顿指挥乐队演出时，常有些故作风雅的贵族前来参加音乐会，可是他们根本不懂音乐，常在乐曲声中打瞌睡，海顿就特意创作了&惊愕交响乐&。开始，乐曲在极为柔和的声调中进行着，正当那些贵族们酣睡时，突然，乐队奏出惊雷闪电般的曲调，伴着大炮式的鼓声，顿时把睡梦中的贵族们吓醒，他们口张目瞪，睡意全失，乐曲也就此告终。

He has also recorded the Brahms Double Concerto with the Berlin Philharmonic Orchestra, Claudio Abbado and Gil Shaham; the Haydn Concerti with the Gulbenkian Orchestra under Muhai Tang; Messiaen's Quartet for the End of Time and Brahms, Mozart and Schumann chamber music with Pires and Dumay.

他还与柏林爱乐和阿巴多以及沙汉姆合作录制了勃拉姆斯的双协奏曲；与汤沐海和古本江管弦乐团合作录制海顿协奏曲；与郑明勋、沙汉姆、迈尔合作梅西安的世界末日四重奏；还与皮埃尔、杜梅合作了勃拉姆斯、莫扎特和舒曼的室内乐。

Rather, musical works and stylistic movements are presented in context so that, for example, the origins of the dynamic, dramatic style of Mozart and Haydn are shown to lie in Italian opera buffa rather than in the architecturally static idiom of Bach and Handel.

恰恰相反，它将作曲家的音乐作品和乐章风格置于音乐世界的语境，从中可见，像莫扎特及海顿的灵动和喜感风格均取源于意大利喜歌剧，而不是巴赫和海德尔一板一眼的格调。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。