海德格

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海德格尔哲学思想中蕴含的神学思想及其哲学思想对现代神学的影响都构成了海德格尔与现代神学的关系，海德格尔与基督教的关系成为现代神学界甚至是整个思想界关心和研究的热点，人们逐渐看清楚了这个伟大的思想家思想中所蕴含的珍贵思想，他关于存在的思想更是影响了诸如布尔特曼在内的许多存在主义神学家，甚至是整个存在主义神学流派的建构进程，可以说，海德格尔神学思想以及其哲学思想对现代神学思想的影响都成为现代基督教研究的重要思想事件之一，马堡和弗莱堡的神学家都深受其思想影响，瑞士神学家奥特甚至提出以海德格尔哲学改建系统神学的提案，引致德语神学界的海德格尔哲学热和一场海德格尔哲学与神学关系的论争。

As the thinker who "thinking of" in the thinking with "existence" all sells life,Heidegger is thinking of about existence person"s problem always all, though I analyzenot many ideas to the theology making clear that, before a such times easy to bemisunderstood, he would rather choose keeping silent suitable for God, is byexpressing his religion feelings coming poetry and song at most, The person thinksdeeply that are all enlightening the modern theology researcher but and their selfthought deep about existence is full of beard, probe and study to be attracting thelatecomer that we there exist in these same attention"s at the same time also, may to thegreatest extent to such an extent even we have to.

作为终生都在思考"思"与"存在"的思想家，海德格尔一直都在思着关于存在及其存在者的问题，而这些问题本身也都是宗教、神学一直在关注着的，虽然他本人对神学的明确分析并不多见，在这样一个容易被误解的时代，他宁愿选择与上帝相宜的缄默，至多是通过诗歌来表达他的宗教情怀，但其关于存在与思的思考及其自身思想的深邃性都启发着现代的神学研究者，同时也吸引着我们这些同样关注存在的后来者的探索和研究，以至于我们不得不尽可能广泛的进行论述，希望从言说中获得关于海德格尔对上帝的缄默之思。

The paper illustrates the thinking process of Hedger s interpretation on thinking for existence and thinking for arts and points out that his enlightening thinking and questing has led the art philosophy to a new theoretical dimension.

文章简要梳理了海德格尔存在之思与艺术之思互释的思路历程，指出"转向"时期的重要著作《艺术作品的本源》和对荷尔德林诗的阐释，是海德格尔从存在去规定艺术和用艺术来阐释存在的尝试，体现了海德格尔存在论的艺术本质观和文艺批评观。

It expounds Heidegger' s most fundamental thought and involves most of his important themes.

它论述了海德格尔最根本的思想，涉及海德格尔毕生工作的大部分重要主题。

Heidegger inquiry has been upgraded , he thinks modern World is a frustrated period of civilization, hopes to find a way for people to get rid of difficulties , therefore , in the forth part ,his comments is that livingness of poem is really people livingness.

海德格尔的追问又进入一个新的阶段，他认为现代世界是文明失落的时代，他试图从艺术为身陷困境的人类寻找出路，所以，第四部分，海德格尔呼唤诗意生存才是人的本真生存。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析，一开始就试图表明，艺术作品不是什么，以与惯常的认识相区分；基于此，本文分析了物性、器具与艺术作品的复杂关联；之后，揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想，在这种关系中，艺术成为了艺术作品与艺术家的本源性基础。

Derrida didn't make out that Heideger doesn't belong to the metaphysic tradition, and he didn't find Heidegger's language's nothingness and its hidden deep meaning, nor did he find the gamelike free nature in Heidegger's thought.

他没有看到海德格尔并不属于形而上学之传统，更没能发现海德格尔语言之无所隐藏的深意，以及海德格尔思想游戏般的自由本性。

It is of opinion that the fundamental significance of HEIDEGGER s poetics lies in a subversion to conventional esthetic value s, with emphasis on the absolute meaning of the direct experiences from the text and on the riddling nature of artistic and literary riddles.

集中描述海德格尔诗学思想是文章的基本内容，它试图给海德格尔后期思想一个比较清晰的表述，以便人们对海德格尔的晦涩理论以某种稍微明澈的理解；文章坚持海德格尔诗学的基本意义在于对传统美学价值的颠覆、对文本直接经验的绝对意义和对文艺之谜的谜性的强调。

Heidegger culturally misreads Zhuang Zi's poetic thought because of the heterogeneity between Chinese and Western cultures and the differences in academic ideals and academic personality. In this sense, there must be some differences between Heidegger's poetics and Zhuang Zi's poetic thought. But with the factual relationships and possible academic links between both and similarities between foundamental modes of thinking, general theoretical approches, major ways of thinking and basic ways of discoursing, most of the above-mentioned differences do not form obstacles to an effective exchange between Heidegger and Zhuang Zi, and on the contrary, form a 'hermeneutic distance'inciting a fresh dialogue and a fresh thought.

由于中西文化的异质性所带来的文化隔膜，再加之学术理念、学术个性的不同，海德格尔对庄子诗学思想也不可避免地存在着某些明显的&文化误读&（譬如，用《庄子·达生》篇&梓庆为〓&的故事去批评美学研究中&质料内容二分&的思维模式等等），海德格尔诗学与庄子诗学思想之间也不可避免地存在着一定程度的差异；但由于二者之间客观存在着的真实的事实联系与可能的学理联系，以及在根本的思维方式、总体的理论路向、主要的运思方法和基本的言说方式等方面的一致或接近，这些差别中的大多数并没有成为足以阻碍海德格尔与庄子进行有效交流的鸿沟；反倒成了引发新鲜对话、产生新鲜思考的&解释学的距离&。

The interpretations depend more on the non-conceptual approaches like "temporalizing","taking situational power","arts","poem", although the conceptual analyses and arguments are also provided for stepping into the dynamic frontier.

修订新版（2007年）在这方面增加了新发现的材料，即《海德格尔全集》75卷一篇题为&诗人的独特性&（1943年）文章中，海德格尔引用和解释《老子》11章全文，用来说明荷尔德林的思想独特性及他本人思想特性的重要内容。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。