海尔

The 3-2 victory in Galicia means Celta have it all to do at Highbury tomorrow night.

客场3：2的胜利意味着赛尔塔要想翻盘就必须在海布里倾尽全力。

Nevertheless, wouldn't it be great to see Arjen produce a gaol of a similar quality to that which he scored at Highbury last season to open the scoring for Chelsea?

然而，你就不想看到罗本再打出象上赛季在海布里那样的入球为切尔西打开胜利之门吗？

I might have passed Heidfeld if I had not get so badly held up around the pit stops.

如果不是在停站的时候被严重耽误了，我本来可以超越海德菲尔德。

In 1998, at the invitation of Elena Rostropovich, Mr. Numajiri led the Orchestra Sinfonica di Milano "Giuseppe Verdi" in performances at the Evian Festival. In 1999, EMI recorded his second engagement with the London Symphony Orchestra that included Gubaidulina's The Canticle of the Sun with Mstislav Rostropovich as the soloist.

他还将与中国爱乐乐团以及海法交响乐团。1998年，在埃莱娜罗斯特罗波维奇的邀请之下，亀典沼率领米兰"朱塞佩·威尔第"交响乐团参加了埃维安音乐节的演出。1999年EMI唱片公司录制了他与伦敦交响乐团的第二次签约的演出，其中包括由穆斯基斯拉夫·罗斯特罗波维奇独奏的古拜杜林娜的《太阳的赞美歌》。

In addition to Mozart and Rossini, Bartoli has spent much of her time performing and recording baroque and early classical era music of such composers as Gluck , Vivaldi , Haydn and Salieri .

除了莫扎特，罗西尼，巴托利花了很多时间，她表演和录音巴洛克和早期为格鲁克，维瓦尔第，海顿和萨列里等作曲家的古典音乐的时代。

But his ideal has not changed - to become One Piece, and to find the legendary Roger D Goldoni's Mibao-One Piece, started on this adventure ......

不过他的理想仍然没有改变——成为海贼王，并且找到传说中哥尔·D·罗杰的秘宝-One Piece，冒险就此开始了

One thing we all agree on is that each of the major brands; Sennheiser, AKG, Beyerdynamic, Grado, and Ultrasone, all have their own "sound", which in some way makes one want to own one of each.

P+ R。有一件事我们都同意的是，各主要品牌；森海塞尔， AKG ，拜亚，歌德，和Ultrasone ，都有自己的"声音"，这在某种程度上使人们希望自己都能得到它们每一个。

Becoming the guarder of being is to guarantee the living root of human being, so as to realize the poetically living on the earth. It shows that what Heidegger cared for was the interest of human being than that of the essence of substance. In this view, we have no reason to look Heidegger as the forerunner of environmental ethics, and the attempt to seek theoretically sustain in Heidegger's thinking concerning technology is impractical.

同时，我们也应认识到海德格尔并不从是美学的角度去分析艺术作品，他寄希望于艺术作品并不是要求人们都应效仿艺术家而行事，因为在他看来，艺术能够超越在场的东西，把在场与不在场结合起来，使人超越技术所带来的功利性的追求，重新回到"家"中。

But visitors head for the Guggenheim before Guernica.

但是游客在去格尔尼卡前都会去古根海姆。

Professor Schell is the recipient of a Guggenheim Foundation Fellowship, an Alicia Patterson Foundation Fellowship and a Columbia/Freedom Forum Fellowship. He is also the recipient of an Overseas Press Club Award, a Harvard/Stanford Shorenstein Award and numerous writing prizes.

舍尔教授是古根海姆基金会会员、艾丽西亚-帕特森基金会会员、哥伦比亚/自由论坛会员，曾获"海外媒体俱乐部奖"、哈佛和斯坦福Shorenstein奖以及很多写作奖项。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。