海尔

Heidegger's acerbic descriptions of "idle talk" or Gerede is a well known point in case: Idle talk and pointless chatter are from the philosopher's point of view a kind of degeneration of real or authentic communication; instead of a common exploration of the truth, we engage in a repetitive exchange of commonsensical trivialities.

海德格尔对"闲谈"的尖刻描述可以作为一个很好的例子：从哲学家的观点来看，闲聊和无关紧要的闲谈是一种真实的或本真的交流的退化，其中，我们不是在从事对真理的共同探究，而是在重复性地交流一些常识性的鸡毛蒜皮的东西。

The first one is embodied by his Copernican revolution.

第一个环节集中体现在海舍尔的哥白尼式革命上。

So Heschelian philosophy of religion can be regarded as one Copernican revolution.

第一个环节集中体现在海舍尔的哥白尼式革命上。

Merleau-Ponty's theory of corporality offers a new possibility for us to release ourselves from Heidegger's theoretical trouble.

梅洛－庞蒂的身体理论为解决海德格尔的理论困境提供了一种新的可能。

Heidegger denies the way of interpreting spatiality through the analysis of corporality, thinking that spatiality can't be radically elucidated by corporality other than reasonably explained by the original structure of survival of "being-in-the-world". But he eventually lands himself in deep theoretical trouble.

海德格尔否定了通过身体性来理解空间性的理路，认为身体性并不能从根本上阐明空间性，唯有通过"在世界之中存在"这一源始的生存论结构，空间性才能得到合理的说明，但最终却陷入了理论困境。

Frederick III, Count Palatine, put forward, in 1562, the Heidelberg Catechism, which is of Calvin's inspiration.

冯三，计数腭，提出， 1562 ，海德堡问答，这是卡尔文的灵感。

Heim was a couturier designer from Cannes, France, who had designed a very small bathing suit called the "Atome".

海姆和里尔德（实际上的比基尼二度发明人）是用现代词汇"比基尼"来称呼这种特定的泳装的第一人。

Heidegger's modus philosophandi is neurotic through and through and is ultimately rooted in his psychic crankiness.

海德格尔的哲学形式完完全全是神经过敏的，而且根本是确立在他的精神上的偏执之上的。

Between Hunstanton and Cromer is Wells-next-the-Sea.

亨斯坦顿与克罗默之间有个叫海畔韦尔斯的地方。

The popular co-founder of Médecins Sans Frontières, a charity, who once waded ashore in Somalia carrying a sack of rice, looks out of place besuited in his grand office at the Quai d'Orsay.

作为慈善机构-无国界医生组织的有名的共同创办人，他曾背着一大袋粮食跋涉于索马里的海岸边，在多尔赛码头豪华的办公室里一个合适的地方，他望着外面。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。