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海尔

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It expounds Heidegger' s most fundamental thought and involves most of his important themes.

它论述了海德格尔最根本的思想,涉及海德格尔毕生工作的大部分重要主题。

I am twenty-two blocks from where Rudolph Valentino lay in state, eight blocks from where Nathan Hale was executed, five blocks from the publisher's office where Ernest Hemingway hit Max Eastman on the nose, four miles from where Walt Whitman sat sweating out editorials for the Brooklyn Eagle, thirty-four blocks from the street Willa Cather lived in when she came to New York to write books about Nebraska, one block from where Marceline used to clown on the boards of the Hippodrome, thirty-six blocks from the spot where the historian Joe Gould kicked a radio to pieces in full view of the public, thirteen blocks from where Harry Thaw shot Stanford White, five blocks from where I used to usher at the Metropolitan Opera and only 112 blocks from the spot where Clarence Day the elder was washed of his sins in the Church of the Epiphany (I could continue this list indefinitely); and for that matter I am probably occupying the very room that any number of exalted and somewise memorable characters sat in, some of them on hot, breathless afternoons, lonely and private and full of their own sense of emanations from without.

黑尔就义在8个街区之外,5个街区之外的出版社办公室中厄内斯特?海明威(1899-1961,美国著名作家)曾挥拳击中马科斯?伊斯特曼(海明威同时代美国政治家)的鼻子,在4英里外瓦尔特?惠特曼(1819-1892,美国诗人)曾奋力为《鹰报》撰写社论,34个街区之外是威拉?凯瑟(1873-1947,美国作家)在纽约为内布拉斯加拓荒者著书立传时居住的街道,玛瑟琳曾经常在一个街区之外的马戏场扮演小丑,36个街区之外是历史学家乔高德在大庭广众下踢烂收音机的地方,哈里?福射在13个街区之外杀了斯坦福?怀特(1906年),5个街区之外是我曾做引座员的大都会歌剧院,而在112个街区之外老克拉伦斯?戴(1874-1935,美国作家)在主现节教堂洗去他的罪过;也因而,我此刻置身的房间可能迎接过无数显赫人物,一些人是在令人窒息的炎热下午到来,孤独而隐退,散发着莫名的自我。

Heidegger inquiry has been upgraded , he thinks modern World is a frustrated period of civilization, hopes to find a way for people to get rid of difficulties , therefore , in the forth part ,his comments is that livingness of poem is really people livingness.

海德格尔的追问又进入一个新的阶段,他认为现代世界是文明失落的时代,他试图从艺术为身陷困境的人类寻找出路,所以,第四部分,海德格尔呼唤诗意生存才是人的本真生存。

EBay invited Brewer last year in January - the sea releases company information through gregarious media, in order to improve company image. Why does chief inspector of EBay public relations fill in · Ma Labo expresses, as in-house reporter, brewer - the duty of the sea is to raise company diaphaneity.

eBay去年1月聘请布鲁尔-海通过社交媒体发布公司信息,以提高公司形象。eBay公关总监何塞·马拉博表示,作为内部记者,布鲁尔-海的职责是提高公司透明度。

Heidegger's analysis, firstly, tried to indicate that the work of art is something different form usual recognitions; for the above-mentioned reasons, this treatise analyses the complicated relations between thingness, equipment and the work of art; then it reveals Heideggor's thought about the relation between art, the work of art and artist, in the relation, art becomes the original foundation of the work of art and artist.

海德格尔的分析,一开始就试图表明,艺术作品不是什么,以与惯常的认识相区分;基于此,本文分析了物性、器具与艺术作品的复杂关联;之后,揭示了海德格尔关于艺术与艺术作品和艺术家三者之间的关系的思想,在这种关系中,艺术成为了艺术作品与艺术家的本源性基础。

Full Band Festival, Macao Solo at Sugar Jar, Beijing Germany Night, Beijing Tie Guan Yin at UMWEG BER CHINA Festival, Berlin Qianhai Kwanyin, Beijing Waterland Kwanyin, Beijing More Less More project, Beijing Solo at Mini Midi 2007, Beijing Bu Yi Yang post Shanghai, Shanghai 2006 Bu Yi Yang Shangbu Nanshan,Shenzhen 12th Kolkata Film Festival, Kolkata Borderline International Film Art Exhibition, Beijing The Third China Independent Film Festival, Nanjing Moscow Biennale, Moscow The Voice Of The Other Shore, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Art Beijing, Beijing Waterland Guanyin Series, Beijing Qianhai Guanyin Series, Beijing 2005 Holland Chinese Festival, Amsterdam Most Electronics, Xiamen Waterland Guanyin Series, Beijing Midi Music Festival, Beijing Dashanzi International Art Festival, Beijing Don't Break My Core, Shanghai 2004 Nuit Blanche Festival (With fm3 and Yan Jun) Paris 1000 Revolutions Per Second, Brussels Shanghai Biennale, Shanghai 2pi Music Festival, Hangzhou Dashanzi International Art Festival, Beijing OUT THE WINDOW (China, Japan, and South Korea multimedia art unites exhibition) Tokyo, Seoul, Beijing Discography: Support the umbrella to stand in dust that float float CD 2006 Kwanyin Records The Microwave DVD 2006 Kwanyin Records Tie Guanyin Duo-viva la vaches, wuquan + yan jun CD 2006 Kwanyin Records Tie Guanyin Duo-Live at 798Cubic Art Center, wuquan + yan jun CD 2006 Kwanyin Records View DVD 2005 Kwanyin Records http://www.myspace.com/wuquan http://www.neocha.com/wuquan ———————————————————————————— Xiao He Third son of Tian Qiaoyun and He Pingsuo.

主要艺术活动: 2007 参与不一定乐队乐巡演上海、芜湖、杭州、义乌、珠海、深圳、广州"不一定·愚公移山"北京"不一定·798"北京"武王文窦·澳门国际马拉松国际摇滚音乐节"澳门"白糖罐·声场"北京"德国之夜"北京"迂回中国"柏林"前海观音"北京"水陆观音"北京"马恩列斯毛"系列演出北京"第八届迷笛音乐节"北京"不一样·后上海"上海 2006 "不一样·上步南山"深圳"第12届加尔格达电影节"加尔格达"边界线国际影像艺术展"北京"第三届中国独立影像年展"北京"莫斯科双年展"莫斯科"彼岸之声"北京"第七届迷笛音乐节"北京"第三届大山子国际艺术节" 798艺术工厂北京"艺术北京2006"北京"水陆观音"北京"前海观音"北京 2005 策划/组织电影短片集《色!》"荷兰中国文化节,实验中国"阿姆斯特丹"最电子"厦门"水陆观音"北京"第六届迷笛音乐节"北京"第二届大山子国际艺术节" 798艺术工厂北京"don't break my core"上海"湿森林实验电子现场"长沙"workshop"大理 2003-2004 "Nuit Blanche"艺术节(与fm3、颜峻)巴黎"1000 revolutions per second"布鲁塞尔"第五届上海双年展"上海 2004 "第二层皮音乐节"杭州"第一届大山子国际艺术节"798艺术工厂北京《十夜谈》(与颜峻、fm3、王凡)北京"OUT THE WINDOW"(中、日、韩多媒体艺术联展)东京、汉城、北京 2003 《三国·四记》上海《水煮黄昏》(与fm3、颜峻)北京《不可能》(与颜峻、fm3)北京 2002 "丽江雪山音乐节"(与窦唯、fm3)丽江"点亮长城音乐节"北京发表作品:《打着伞在浮沉中站立》 CD 2006 观音唱片《微波》DVD 2006 观音唱片《铁观音二重奏-杀不死的牛》CD 2006 观音唱片《铁观音二重奏-立方艺术中心现场》CD 2006 观音唱片《观》DVD 2005 观音唱片

And Haider's Alliance party romped to victory in Carinthian local elections on a wave of post-mortem sentiment, taking 45% of the vote in March.

并且海德尔的联盟党经历了海德尔死亡验尸的情绪波动后,在3月克恩顿州地方选举中轻松取胜,获得了45%的选票。

Those who belonged to such famous families as the Cecils of Hatfield House or the Churchills of Blenheim were usually born in the same ancestral home as their forebears, and might very well die there.

出生于名门世家的人,如海特菲尔德的塞西尔们,布伦海姆的邱吉尔们,他们出生在祖先曾经出生的地方,或许也将埋葬在祖辈们曾经埋葬的地方。

They affirmed that Heidegger was a philosopher who opposed humanitarianism because he longed for man's poetically living on the earth and animadverted traditional humanitarianism, accordingly they looked upon Heidegger as the forerunner of environmental ethics.

海德格尔提倡在非对象性的诗意看护中和非知性的神秘启悟来实现这种&思&,这就不难理解海德格尔为什么会在艺术作品中去寻找解救的希望。

The fundamental cause of the differences is that Ingarden is deeply influenced by Husserl who views the conscious activities as the intelligent ones, so the "pure intent object" is equal to intelligent object in Husserl's eyes; while Dufrenne is greatly affected by Merleau-Ponty who amends Husserl's pure consciousness and conseders it as pure aesthesia, so the so-called "pure aesthesia object" is a sensible object, Dufrenne commences criticizing against Ingarden and on the basis of that.

造成这种差异的根本原因在于,茵加登更深地受到胡塞尔纯粹理性意识的影响,把意识活动看作是智性活动,因而其所说的纯粹意向性对象就被杜夫海纳看作是智力对象;而杜夫海纳则更深地受到梅洛一庞蒂的影响,把胡塞尔的纯粹意识修正为纯粹知觉意识,因而其所说的纯粹知觉对象就是一个感性对象。

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