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Allison Abbate, Colleen Atwood, John August, Rick Baker, Helena Bonham Carter, Felicity Dahl, Johnny Depp, Danny Devito, Danny Elfman, Carlos Grangel, Ray Harryhausen, Martin Landau, Rick Heinrichs, Christopher Lee, Lindsay Macgowan, Shane Mahan, Ian Mackinnon, Alex Mcdowell, Victoria Price, Ken Ralston, Paul Reubens, Deep Roy, Winona Ryder, and Richard Zanuck.

阿利森阿巴特,科琳阿特伍德,约翰奥古斯特,瑞科贝克,海伦娜邦汉卡特,富临达尔,约翰尼德普,丹尼德维托,丹尼叶夫曼,卡洛斯Grangel,雷·哈里豪森,马丁兰道,里克海因里希斯,克里斯托弗李,林赛麦高恩,巴蒂尔马汉,伊恩麦金农,亚历克斯道尔,维多利亚价格,拉尔斯顿,保罗鲁宾斯,深罗伊,薇诺娜瑞德,和理查德扎纳克。

Dutch still life painters: Hyda, Claesz and Kalff, the scenery painters of Salomon van Ruysdael and his nephew Jacob van Ruysdael, Going, Berchem, Hayden and CapelleToday, Jan Hagemann, the son of Hans Hagemann, has brought partial works collected by the family to China to share these lovely art pieces with a broader audience.

汉斯·哈格曼的收藏包括了佛兰德斯画家鲁本斯、凡·代克、斯奈德斯、扬·勃鲁盖尔、布劳威尔、西格斯、菲特、荷兰静物画家海达、克拉斯、卡尔夫、风景画家萨洛蒙·范·雷斯达尔及其侄子雅各布·范·雷斯达尔、戈英、贝尔赫姆、海登以及卡佩勒等许多西洋绘画史上的显赫名字。

The paper illustrates the thinking process of Hedger s interpretation on thinking for existence and thinking for arts and points out that his enlightening thinking and questing has led the art philosophy to a new theoretical dimension.

文章简要梳理了海德格尔存在之思与艺术之思互释的思路历程,指出"转向"时期的重要著作《艺术作品的本源》和对荷尔德林诗的阐释,是海德格尔从存在去规定艺术和用艺术来阐释存在的尝试,体现了海德格尔存在论的艺术本质观和文艺批评观。

By the intercomparison of the composite El Nino events before and after 80 decade through the data above, the development of El Nino events before 80 decade has close relation to the south area of equator; and El Nino events after 80 decade has close relation to the north area of equator.

通过对八十年代前与八十年代后的合成厄尔尼诺事件的对比分析,从海表面温度、热含量和海表面风场与气压场的分布可以看到八十年代前的厄尔尼诺事件的发生和发展与赤道以南的海洋过程的变化关系较大,而八十年代后的厄尔尼诺事件与赤道以北的海洋变异关系密切。

Derrida didn't make out that Heideger doesn't belong to the metaphysic tradition, and he didn't find Heidegger's language's nothingness and its hidden deep meaning, nor did he find the gamelike free nature in Heidegger's thought.

他没有看到海德格尔并不属于形而上学之传统,更没能发现海德格尔语言之无所隐藏的深意,以及海德格尔思想游戏般的自由本性。

It is of opinion that the fundamental significance of HEIDEGGER s poetics lies in a subversion to conventional esthetic value s, with emphasis on the absolute meaning of the direct experiences from the text and on the riddling nature of artistic and literary riddles.

集中描述海德格尔诗学思想是文章的基本内容,它试图给海德格尔后期思想一个比较清晰的表述,以便人们对海德格尔的晦涩理论以某种稍微明澈的理解;文章坚持海德格尔诗学的基本意义在于对传统美学价值的颠覆、对文本直接经验的绝对意义和对文艺之谜的谜性的强调。

The forming of non- Smithian strata are expounded at theory level.

以殷鸿福等(1998)归纳总结的非威尔逊旋回理论为指导,从理论上阐述了非史密斯地层形成过程:造山带区古大洋相当复杂,尤其是中国古特提斯域古大洋,多为多岛洋,多岛洋是一个宽阔的但不干净的洋,它在其各个演化阶段,始终充满着由裂解地块、裂谷、海道、微板块与次级小洋盆、火山岛弧、海山与边缘海等不同裂离与聚合程度的、海陆相间的多岛洋盆;多岛洋盆在其整个洋陆转化进程中,往往所经历的是多期开合与多期次软碰撞,故由非威尔逊旋回转化而来的造山带混杂岩带地层一般都经历过多期强烈的构造混杂,使造山带演化不同期次、同期次不同阶段、不同大地构造相、不同沉积古地理单元、不同构造层次地层体在极短程内相互拼贴、无序叠置。

Heidegger culturally misreads Zhuang Zi's poetic thought because of the heterogeneity between Chinese and Western cultures and the differences in academic ideals and academic personality. In this sense, there must be some differences between Heidegger's poetics and Zhuang Zi's poetic thought. But with the factual relationships and possible academic links between both and similarities between foundamental modes of thinking, general theoretical approches, major ways of thinking and basic ways of discoursing, most of the above-mentioned differences do not form obstacles to an effective exchange between Heidegger and Zhuang Zi, and on the contrary, form a 'hermeneutic distance'inciting a fresh dialogue and a fresh thought.

由于中西文化的异质性所带来的文化隔膜,再加之学术理念、学术个性的不同,海德格尔对庄子诗学思想也不可避免地存在着某些明显的&文化误读&(譬如,用《庄子·达生》篇&梓庆为〓&的故事去批评美学研究中&质料内容二分&的思维模式等等),海德格尔诗学与庄子诗学思想之间也不可避免地存在着一定程度的差异;但由于二者之间客观存在着的真实的事实联系与可能的学理联系,以及在根本的思维方式、总体的理论路向、主要的运思方法和基本的言说方式等方面的一致或接近,这些差别中的大多数并没有成为足以阻碍海德格尔与庄子进行有效交流的鸿沟;反倒成了引发新鲜对话、产生新鲜思考的&解释学的距离&。

The name Blenheim derives from a decisive battle that took place on the 13th August 1704 on the north bank of the river Danube, near a small village called Blindheim or Blenheim, where the French leader, Marshall Tallard, had fixed his lines.Here John Churchill, the first Duke of Marlborough, won a great allied victory over the forces of Louis XIV, thus saving Europe from French domination.

布伦海姆宫是对第一代马尔波罗公爵约翰·丘吉尔功绩的表彰。17048月13日,约翰率领英国、奥匈、荷兰等军队在多瑙河北岸小镇布伦海姆决定性地击败了路易十四的法国大军,从而粉碎了其争霸欧洲的梦想,为了表彰约翰的功绩,英国安妮女王为他在牛津郡建立了这座布伦海姆宫,并封其为马尔波罗公爵。

With the total number of works published amounting to almost 190 million, Diogenes has so far released more than 5,800 titles, out of which more than 2,000 are still available. These include classics such as Montaigne, Shakespeare, Moliere, Flaubert, Stendhal, Balzac, Dickens, Tolstoy, Chekhov; modern classics such as Georges Simenon, William Faulkner, F. Scott Fitzgerald, George Orwell, Carson McCullers, Patricia Highsmith; bestselling authors such as John Irving, Paulo Coelho, Donna Leon; and equally successful German-speaking writers such as Alfred Andersch, Friedrich D rrenmatt, Urs Widmer, Hugo Loetscher, Ingrid Noll, Jakob Arjouni, Erich Hackl, Bernhard Schlink, Doris D rrie, Martin Suter and Patrick S skind.

他们的作者名单包括了经典作家蒙田、莎士比亚、莫里哀、福楼拜、司汤达、巴尔扎克、狄更斯、托尔斯泰、契诃夫,现代经典作家乔治·西默农、威廉·福克纳、司各特·菲茨杰拉德、乔治·奥威尔、卡森·麦卡勒斯,派翠西亚·海史密斯,畅销书作家约翰·欧文、保罗·科埃略、唐娜·莱昂,还有同样出色的德语作家们,如艾尔弗雷德·安德森、弗里德里克·迪伦马特、乌尔斯·维特默尔,胡戈·罗彻尔,英格丽特·诺尔,雅各布·阿约尼,埃里希·海克尔,本哈德·施林克,桃丽丝·多利,马丁·苏特和帕特里克·聚斯金德。

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