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浪漫主义作家

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The art of fiction, as Jane Austen knew it, declined from her through Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot, because the mania of romanticism had seized upon all Europe, and these great writers could not escape the taint of their time; but it has shown few signs of recovery in England, because English criticism, in the presence of the Continental masterpieces, has continued provincial and special and personal, and has expressed a love and a hate which had to do with the quality of the artist rather than the character of his work.

jane的小说技巧,在她之后就开始没落了,Scott, and Bulwer, and Dickens, and Charlotte Bronte, and Thackeray, and even George Eliot(这些都是Jane之后的作家,你可以在金山上查到详细的资料)都没怎么采用她的风格,因为欧洲人骨子里有着狂热的浪漫主义,而这些伟大的作家也没有能够摆脱他们时代的感染。在英国,也没有什么恢复的迹象,面对着欧洲大陆上的伟大作品,英国的评论依然本土化,特殊化,个人化,他们对于作家表现出了强烈的爱,憎,而不是对于他们的作品人物。

Through reviewing music history writers explanation about romantic music in the 20th century, reflecting the view that romantic music is free only in form and order and the inheritance is greater than contrariness between romantic music and classic music, this paper finds defectiveness of past conclusion, comparing classic music, the paper holds , romantic music have had new cultural attribute, and the fragmentation between romantic music and classic music is no less than inheritance.

本文检视了20世纪以降西方音乐史作家对浪漫主义音乐的解读,反思了那种把浪漫主义音乐仅仅看作是形式和秩序方面不守法、推断其对古典主义音乐的继承远远大于对立的论断,认为这种结论失之偏颇。本文提出,与古典主义音乐相比,浪漫主义音乐已具有新的文化性质,它与古典主义音乐之间的断裂丝毫不少于对它的继承。

Later versions include the long and famous poem Faust by the nineteenth-century Romantic writer Johann Wolfgang von Goethe, as well as operas by Charles Gounod and Arrigo Boito and a symphony by Hector Berlioz.

更新版本包括长期和著名的诗浮士德的十九世纪浪漫主义作家约翰沃尔夫冈冯歌德,以及歌剧由查尔斯古诺和萨基博伊托和交响乐的埃克托尔柏辽兹。

Nathaniel Hawthorne is considered to be one of the most influential American romantic novelists in the 19th century.

纳撒尼尔·霍桑是十九世纪美国文学史上最具影响力的浪漫主义作家之一。

As an early romanticist, he depicted those events in history and real life in an exaggerate way.

作为一个前期浪漫主义作家,他运用夸张的手法,来描绘那些历史事件和现实生活。

It reflects Wordsworth's strong love of nature as a romanticist.

这首诗反映了华兹华斯这位浪漫主义作家对大自然的强烈的爱。

The change of the hero motif in the 19~ century romanticism literature, has represented extrusively the image molding of romantic heros what the romantic writers have wilded about.

英雄母题在十九世纪浪漫主义文学中的嬗变,突出地表现在浪漫主义作家所热衷的浪漫主义英雄的形象塑造上。

His literary work is infused with a sense of life and culture.

他又是位浪漫主义作家,作品富生活文化感。

First, the distortion, metamorphosis love --- human nature tragedy 19th century France romanticism writer Gugo vice-Bishop Clode who molds in "the Notre Dame cathedral" continuously representative who regards as the evil influence, also is the object which the people whip vigorously, but if inspects his inner world and with the environment relation earnestly, not difficult to discover, not only on his body has pastor's false, also has the human nature encounters constrains after the sorrow.

一、 扭曲、变态的爱情———人性悲剧 19世纪法国浪漫主义作家雨果在《巴黎圣母院》中塑造的副主教克洛德一直被看作邪恶势力的代表,也是人们极力鞭挞的对象,但如果认真考察他的内心世界及同周围环境的联系,就不难发现,他身上不仅有牧师的虚伪,也有着人性遭到压抑之后的悲哀。

There is a sentence from Alfred de Musset, French romantic writer, said that:"No matter how the situation is, women's pains are more than the men, moreover, compare with men, it is much deeper in varying degree."

法国浪漫主义作家缪赛的诗中有这样一句:&不论处境如何,女人的痛苦总比男人多,而且程度上也更深&。

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