浓郁的

The analysis of the components and contents of volatile material indicated that fruit of apples treated with 2 and 4ml/kg of ethanol increased the content and kinds of the characteristic volatile and improved flavor and quality in apple, while the fruit treated with 6ml/kg of ethanol produced higher contents of volatile material and developed off-flavor. Fruit of'Yar'pear treated with 2 and 4ml/kg of ethanol increased the sweet taste and aroma, but higher ethanol concentration showed off-flavor.

对苹果挥发性物质成分的分析表明，2及4ml/kg的乙醇处理增加了苹果特征风味挥发性物质的组分及含量，使水果呈现果香和花香，改善了苹果的品质，而6ml/kg的乙醇处理也能增加苹果果香，但由于强烈果香味的乙酸乙酯等组分在所增加的挥发性物质中所占比例较大，果实呈现浓烈的果香，并使果实的在口中的余味较差，在感官评价中稍差。2和4ml/kg的乙醇处理增加鸭梨甜味，并具有清爽的果香味，而高剂量的乙醇处理余味较差。4ml/kg乙醇处理，在挥发性物质组分数量上与对照差异不大，但却使乙醇形成酯类增加，使鸭梨果实呈现浓郁的果香。

With a crushing feel of warmth and generosity, the painter has created a crushing feel of warmth and generosity, the painter has created a rugged texture for a composition in which a variety of conflicting elements coexist in perfect harmony. The melodious rhythm, striking palette, and sweeping format, which make it impossible to read her works in a simplistic manner, effectively conveys to the audience the rich, complex, yet undecorated sense of beauty.

看上去画面上有一种挥之不去的惆怅情绪，温暖宽厚的情怀以及粗犷厚重的肌理表层，画家将种种矛盾的因素整合在一幅画面上，并用风景的形式——富有韵律感的节奏和浓郁的色彩以及宽广的结构……这一切的综合因素集于一画，使得很难用简单的方式解读她的作品，但能感觉到画中丰富复杂但又单纯的美感。

BE a morning regardless everyday the person's morning ﹑ or the sun very lazy noon, is a light breeze regardless the blow gently evening ﹑ or the bright moon in the sky quiet night;BE the early spring that the creation beginning come to regardless, is a green shade heavy midsummer, is full eyes rich in hues deep autumn, is the sever winter that the heavy snow stops suddenly, or breeze, or rain, or fog or snow, I will exceed a front door, take unknown and regretful, take to ponder ramblingly, take intensely hot affection to the great universe, let the own figure cage is in the breeze, rain in, fog in, in, the cage is in the first sun rays in the morning, setting sun in, the cage is in the moonlight, the star light under, let in an own figure can the person's Crescent curved way up travel extensively, surroundings the atmosphere of the quiet , the pottery person's beautiful scenery, just like contend for of out of this world Taoyuan.

弗罗米。劳麦。耶维奇每日﹐无论是晨露沁人的清晨﹑或是煦阳懒懒的午间﹐无论是微风习习的傍晚﹑或是皓月当空的静夜﹔无论是万物初醒的早春﹐是绿荫浓郁的仲夏﹐是满目斑斓的深秋﹐是大雪骤停的严冬﹐或风﹐或雨﹐或雾或雪﹐我都会迈出大门﹐带着无名怅惘﹐带着漫无边际的寻思﹐带着对大自然炽热的钟爱﹐让自己的身影笼在风里﹐雨里﹐雾里﹐露里﹐笼在晨曦中﹐夕阳里﹐笼在月色中﹐星光下﹐让自己的身影在一条条可人的 Crescent弯道上漫游﹐周围静谧的气氛﹐陶人的景致﹐宛如无争的世外桃园。

Whenever going to the temples, I am fascinated by the complicated and gorgeous embellishments among the ridgepoles and the strange and various figures and stories.

每当行至庙宇，对建筑栋架间繁复的华丽藻饰，形态互异的人物故事感到兴趣，其内容所传达的主题陈述，似乎蕴含某种讯息与组织策略；而故事纷陈的画作背后，均是出自工匠之手描绘，从题材的呈现与笔墨线条中，流露浓郁的文人气息，彩绘工匠技艺的养成内涵与特殊性，显然异於其他工匠。

It is applied as the basic features of make-up soil to create a wealth of decorative techniques, that is, all kinds of colored glaze decoration, depiction of flowers, pick flowers, and white flowers, white painted underglazed designated flower, and red and green color, low-lead three-color glaze and white printing, printing and so on more than 30 kinds of celadon; techniques in particular rust spent five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting and traditional Chinese painting, calligraphy, art and porcelain technology combine to create a new integrated arts, explore the ancient ceramics of the new realm of aesthetics; for the future and colorful blue and white porcelain had paved the way for development.ci zhou yao decorative themes are rich and varied, unique, artist have a very cool way, and masterly skills of painting, will be pleased to see civilyu chong bird, rare birds andrui shou , landscape character, opera stories, poems Qu Fu,min yan motto, children at play Zaju painted on porcelain, etc., to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang's artistic style and rich color and a distinctive non-governmental national characteristics, and the world at large on the domestic ceramics have had a profound impact.

它以施用化妆土为基本特征，创造了丰富的装饰技法，即有各类色釉装饰、刻划花、剔花、白地黑花、白地釉下绘划花，又有红绿彩、低温铅釉三彩和印花白瓷、印花青瓷等三十多种；尤其是铁锈花技法突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果并把中国的传统绘画、书法技艺与制瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界；为以后青花和五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们以极其潇洒的手法和高妙的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏曲故事、诗词曲赋、格言民谚、婴戏杂剧等绘于瓷器，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格及浓郁的民间色彩和鲜明的民族特色，对国内乃至世界陶瓷产生了深远的影响。

In particular, black white flower, the five kilns broke through the limitations of single-colored glaze, with the artistic effect of traditional ink painting, traditional Chinese painting, calligraphy, ceramics and art combine to create a new integrated arts, opened up the aesthetics of ancient ceramics a new realm, and for the future and colorful blue and white porcelain million development opened the way.ci zhou yao decorative themes are rich and varied, unique, very cool artist who adopted the tactics and superb skill of the art technology, willyu chong people loved flowers and birds, rare birds andrui shou , landscape character, drama, stories, myths and legends, poetry Qu Fu, epigram proverbs, such as painting children at play acrobatics on top of the porcelain to retain a large number of ancient folk painting, calligraphy and folk customs reflect the kind of information, forming a simple, free and easy, a crisp, Haofang artistic style, rich color and a distinctive non-governmental national characteristics , on the domestic and the world of ceramic and have had an enormous impact on a far-reaching, becoming old and sonic booms, renowned Chinese and foreignming yao generation.

尤其是白地黑花，突破了五大官窑单色釉的局限，具有传统水墨画的艺术效果，把中国的传统绘画、书法技艺与陶瓷工艺结合起来，创造了新的综合艺术，开拓了古代陶瓷美学的新境界，并为以后元青花及五彩瓷器的发展开辟了道路。磁州窑的装饰题材丰富多彩，别具一格，画师们采用极其潇洒的手法和高超精湛的画技，将民间喜闻乐见的花鸟鱼虫、珍禽瑞兽、山水人物、戏剧故事、神话传说、诗词曲赋、警句谚语、婴戏杂技等绘于瓷器之上，保留了大量古代民间绘画、书法及反映民俗民风的实物资料，形成了质朴、洒脱、明快、豪放的艺术风格、浓郁的民间色彩和鲜明的民族特色，对国内及世界陶瓷产生了深远而巨大的影响，成为声震古今、享誉中外的一代名窑。

The emblem as shown above embodies both rich local features of Nanjing and the international color of the WHCCE; the bilingual name of the Exposition is symbolic of a platform for cross-culture exchanges; the red-hued brushwork of the traditional Chinese painting stands for a long splendid history of Nanjing, as well as a long history of cultural intercourse between the East and the West; the red hue that the emblem takes on symbolizes vigor, hospitality, and prosperity on the part of the city of Nanjing and her residents, who are looking forward to meeting friends around the world in the historical and cultural city of Nanjing, a city of fraternity and joy.

会徽既具有浓郁的南京地域特色，同时也体现了名城会的国际化色彩。中、英两种文字点明的名城会名称象征着名城会是中外文化交流的平台。名城会名称上方的一抹红色国画笔触既象征着南京文脉源远流长，也象征着东西方文化融会贯通。会徽采用红色，寓意热情、希望和生机，代表热情的南京人民与海内外朋友们&相聚在文化名城，狂欢在博爱之都&的期盼与喜悦之情，也象征着南京文化事业和文化产业的蓬勃发展。

Tie-dye is a unique process Bai product, it shows the rich folk art styles, more than 1000 kinds of patterns for thousands of years is a microcosm of the history and culture, which reflects the people's feelings customs and aesthetic taste, it can be seen everywhere in the Dali sign of Urban and Rural It and various technological means of weaving and dyeing together constitute the charming culture.

麻烦帮我翻译一下啊！！论文的英文摘要，不要在线翻译的，语法错误太多！扎染是白族特有的工艺产品，它显示出浓郁的民间艺术风格，1000多种纹样是千百年来历史文化的缩影，折射出人民的民情风俗与审美情趣，在大理城乡随处可见它的踪影，它与各种工艺手段一起构成富有魅力的织染文化。

The tune, which is based on full-bodied li race folk tone and the rhythm of li race dance characteristic, describes a warmth and exciting picture of li race people seeing off delegates to go to beijing and expresses proud and happy of li race people and get-up-and-go feelings. li race people use their special ways to show their love for their mother nation.

音乐以浓郁的黎族民间音调和具有黎族舞蹈特色的节奏为基础，描绘了黎家人民欢送代表上北京的热烈而激动的场面，表达了黎族人民喜悦自豪、积极向上的思想感情，黎家人民用他们特有的方式表达了自己对祖国母亲的热爱。

Redondo attempted to convert the emotion of the human being into Arabic style; in the view of Chavannes an image flow that could be converted correspondingly per each distinct concept is existed while many works by Moro takes Salome as the subject matter, presenting full-bodied mystic.

当时象征主义吸引了一大批优秀的画家，例如雷东、夏凡纳、莫罗、比利时的二十大团、巴黎的玫瑰十字，德奥的分离派等等，雷东试图将人类的情感转化为阿拉伯式的风格；夏凡纳认为&和每一项清晰的观念相对应，都存在一种能加以转述的图象思想&；莫罗的许多作品以莎乐美为题材，有浓郁的神秘气氛。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。