流浪地

Sector D is a neighborhood in the American mind, the psychic equivalent of the neighborhood you find yourself lost in after getting off at the wrong exit on the New Jersey Turnpike, a winter neighborhood strewn with broken glass, and packs of dogs circling your car as you struggle to fix a flat tire on a dead-end street while derelicts glare at you over a barrel fire and darkness descends.

这个精神上的概念就好比你在新泽西州收费公路上走错出口以后茫然不知身在何处的一个地段，时值冬季，周围到处是碎玻璃，你在一条死胡同里艰难地修理一只漏气的轮胎，三五成群的狗围着你的车打转，流浪狗隔着铁桶里的火焰对你虎视眈眈，而此时夜色已渐渐降临。

With a stone torrent run, it is not tired of living in a place away vagrants; a stone unprovoked manner, it is not in the form of well-being to come to you; a broken stone, it is not broken heart; a stone traveled back and forth, is it not pinpoint their location; hiding in the corner stone of inferiority is not always live, there are no tears stones, and for whom the tears flow?

一块石头随洪流跑了，是不是厌倦了一个地方的生活而去流浪；一块石头无端端来了，是不是以福祉的形式为你降临；一块石头碎了，是不是它的心碎了；一块石头来回辗转，是不是还没有找准自己的位置；躲在角落里的石头，是不是一直自卑地活着，石头有没有泪水，它的泪水为谁而流？

He said that life is a colorful road which is such an ornament of life that we have been desperately running towards the end without any decorations; that the road is of so much body and so little soul in deep sleep that he has to throw his soul far into the boring life; bums are always waiting so long so that the soul could have caught up with the body.

他说人生是一条多彩路，而生活只是路的装饰；我们拼命地向着路的终点奔跑，却没有带上生活这个装饰品；路上有太多的躯体，而很少有的灵魂却在沉睡；流浪者因为把自己的灵魂丢得太远，生活才显得枯燥无味；流浪是一种长久期待，等着灵魂能追上躯体。

Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.

沙亨博士为导演的这部影片探索了阿拉伯人的一长串受歧视的形象--从流浪的匪盗、逆来顺受的少女到阴险的酋长、挥动着枪的&恐怖分子&--一路辛辣地洞察着这些老套形象的起源，它们在美国历史上发展的核心观点，以及如今为什么它们非常重要。

Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypic images, their development at key points in US history, and why they matter so much today.

沙亨博士为导演的这部影片探索了阿拉伯人的一长串受歧视的形象——从流浪的匪盗、逆来顺受的少女到阴险的酋长、挥动着枪的&恐怖__粪子&——一路辛辣地洞察着这些老套形象的起源，它们在美国历史上发展的核心观点，以及如今为什么它们非常重要。

Jack Shaheen, the film explores a long line of degrading images of Arabs--from Bedouin bandits and submissive maidens to sinister sheikhs and gun-wielding "terrorists"--along the way offering devastating insights into the origin of these stereotypical images, their development at key points in US history, and why they matter so much today.

沙亨博士为导演的这部影片探索了阿拉伯人的一长串受歧视的形象——从流浪的匪盗、逆来顺受的少女到阴险的酋长、挥动着枪的&恐怖分子&——一路辛辣地洞察着这些老套形象的起源，它们在美国历史上发展的核心观点，以及如今为什么它们非常重要。

On the other hand, the more important thing is because the urban housing is a kind of heterogeneity products.

另一方面，更重要的是由于城市住房是一种异质性产品。

Climate histogram is the fall that collects place measure calm value, cent serves as cross axle for a few equal interval, the area that the frequency that the value appears according to place is accumulated and becomes will be determined inside each interval, discharge the graph that rise with post, also be called histogram.

气候直方图是将所收集的降水量测定值，分为几个相等的区间作为横轴，并将各区间内所测定值依所出现的次数累积而成的面积，用柱子排起来的图形，也叫做柱状图。