派人

Once that happened user defenders remained assigned to their original markee no matter where he was repositioned.

一旦电脑改变了，玩家的后卫们还在盯那些原来派给他的人，不管这些人去了哪个新位置。

I'm always amazed when I read the story of Gideon, when God sent an angel to speak to him, he was so afraid of the Midianites that he was even hiding the wheat that he threshed from them, he was such a timid guy.

当我读到基甸的故事的时候，总是感到奇怪。当神派天使去找到他的时候，他是那么惧怕米甸人，甚至要把麦子藏起来，他是一个如此胆小的人。

You think they have legitimately fallen in love, by his behaviour and her behaviour – until the call-out service starts sending him out again while he's with her.

两人惺惺相惜，他们就这样的在大家的意料之中坠入爱河，然而就在两人在一起的时候，预约服务公司却再次派他出去工作。

Education Unit 2 Beatniks: a person who acts and dresses with exaggerated disregard for what is generally thought proper and who is given to radical and extravagant social criticism or self-expression.

比特尼克，披头族：一个行为和穿着奇装异服的，通常过分的，不在乎什么是世俗的人。这种人持激进的和偏激的社会批评主义态度或自我表现。&垮掉的一代&派的成员

The wicked Jason sent from Jerusalem sinful men to carry three hundred didrachmas of silver for the sacrifice of Hercules; but the bearers thereof de- sired it might not be bestowed on the sacrifices, because it was not necessary, but might be deputed for other charges.

无廉耻的雅松派了几个入安提约基雅籍的人，代表耶路撒冷去作观察员，又叫他们带三百银钱去祭献赫辣克肋神。但是带钱的人以为用这些钱购办祭物不甚相宜，所以留下作了别的费用。

The Givin respect the Verpine and Duros for their shipbuilding talents, but cannot abide the Mon Calamari for their differing design philosophies.

吉文人敬佩弗派恩人和杜罗人的造船天赋，但是无法认同蒙卡拉马里人与自己相异的设计理念。

The Greve having disappeared with the elder branch, a bourgeois place of execution was instituted under the name of the Barriere-Saint-Jacques;"practical men" felt the necessity of a quasi-legitimate guillotine; and this was one of the victories of Casimir Perier, who represented the narrow sides of the bourgeoisie, over Louis Philippe, who represented its liberal sides.

格雷沃刑场已随嫡系消逝了'继又出现了一个资产阶级的格雷沃刑场，被命名为圣雅克便门刑场；&追求实际利益的人&感到需要一个大致合法的断头台，这是代表资产阶级里狭隘思想的那部分人的卡齐米尔·佩里埃①对代表自由主义派的路易－菲力浦的胜利之一。

They thought symbolism is a deep existence, art is a methode. The human being can get rid of the vulgar in common life and access the other world in religion with symbolistic feeling way and symbolistic living way, in this way Russian symbolism reflects that human being conquers the objectivity as the subjectivity and he exceeds his spirit.As a symbolistic poet representing the characteristic greatness of his own nationality, the biggest difference between Blok"s works and other symbolists" consists in that he always and totally realized the tendency of sublimity in his symbolistic system, and developed the symbolistic degree in the fields of subjectivity and objectivity and the relationship between them.

认为象征是一种更深层的存在状态，艺术是手段，人只有以象征主义的感知方式和生活方式才能摆脱日常生活的庸俗而走向宗教化的彼岸世界，因此俄国象征主义反映了人作为主体对客体世界的征服和自我精神的超拔和更新勃洛克作为一位体现着本民族特色的伟大的象征派诗人，其创作与其他象征主义诗人最大的差别就在于在他的象征主义体系中始终而完满地实现了崇高的美学倾向，并且在主客体及二者的关系三个方面发展了崇高的象征主义维度。

From May 4th Movement of 1919 to the 1920s, sex love narrations in Chinese novels were rather an enlightenment and liberation in that particular era with four characteristics. Firstly, sexual desire was endowed with rationality with regard to liberation of human nature and mutual love. Secondly, with an epochal concern for a stronger and superior race, greater attention was paid to sexual parties concerned, mainly physically. Thirdly, new ethics on sex were promoted in that personal freedom on sex love was emphasized and sex love became an important way of self-fulfillment. Therefore, independence of sex love was advocated and the scope of sex love was also widened. Fourthly, the sex consciousness of this period had the mixed features of the past and the contemporary. Sex love narrations in the 1930s and 1940s showed a further exploration on the theme of human nature. First of all, sex was restored to a kind of desire. ShenCongwen probed the importance of harmonious sex love to a sound personality and Shi Zhecunrevealed that sexual inhibition could lead to the distortion, even frenzy of human nature. Bothexplored the influence and functions of sexual desire as human nature upon human personality,giving prominence to the irresistibleness of sexual desire and the significance of sexual desire asa motive. Then, human bodies driven by sexual desire were described and given greater attentionto. Next, ethics on sex were deconstructed either by Shen Congwen who opposed man-madeethics with law of nature and the School of New Sensation who replaced traditional ethics on sexwith exchange rules in consumption, or by Shi Zhecun who spared no efforts in representing thecomplete failure of social rules, including ethics on sex, due to the impact from sexual desire.The direct effect was a paleness of the ethical binding force on sex. Last, sex consciousness inthe works of female writers emerged. In the early works of Ding Ling, the sexual desire of thefemale is no longer a ramification of emotion but an independent one. In addition, in the sex lovenarrations of other female writers, such as Mei Niang, strong self-consciousness on the socialstatus of the female is also reflected. Sex love narrations in the late 1970s and early 1980s wereactually a re-enlightenment in the spirit of humanism, whose major features include humanisticlegitimation of sex love within the boundary of ethics, a blend of sex love narrations withnational concepts and national myths as well as the aesthetic, poetic descriptions of humanbodies etc. In the middle and late 1980s, sex love narrations entered a stage of exploration forpluralism. First, by restoration of sexual desire, writers of this era restored human nature, thevery original state of human being. Different emphasis and tendencies could be seen in differentwriters: looking at sex love dialectically and trying to describe its creative as well as destructivecharacteristics; connecting sex love with violence and trying to reveal the evil side of humannature through it; emphasizing the creativeness of sex love especially in the heritage of"wildness".

从&五四&到20世纪20年代，中国小说的性爱叙事是一种处在时代夹缝中的启蒙和解放，其所表现出来的特点，一是正面赋予性欲望以合理性，这种合理性是在人性解放和爱情前提下获得的；二是在强种育种的时代焦虑影响下小说性爱叙事表现出对物质身体的关注，其焦点主要在体格方面；三是树立起新的性伦理道德观念，表现为强调在性爱问题上的个人选择自由，性爱成为个人自我实现的重要方式，从而赋予人在性爱问题上的独立性，同时还扩大了性爱表现的领域；四，这个时期小说性爱叙事中所表现出的性意识还具有新旧杂糅的特点。30、40年代小说性爱叙事表现出对人性主题的深化与丌拓，首先是把性还原为欲望本身来探索，沈从文从和谐性爱对健全人性的决定作用、施蛰存从性压抑会导致人性扭曲甚至疯狂的角度探讨作为人类本质性欲望的性对人性产生的影响和作用，突出了性欲力量的不可抗拒和作为人类行为的重要动力等方面的内容；其次在叙事中表现出对欲望化了的身体的描绘与关注；第三是解构了性的伦理道德，无论是沈从文以自然法则来反对人为的道德设置还是新感觉派用消费交换原则替代传统性伦理道德，或是施蛰存极力表现包括性伦理规范在内的社会法则在性欲力量冲击下溃不成军，其直接的效果都是使性伦理道德对人的约束力量显得苍白虚弱；第四，出现了由女性作家表现的女性性意识，在丁玲的早期作品中女性的性欲望不再是作为感情的衍生物而是独立的欲望存在，而在梅娘等其他女作家的小说性爱叙事中则表现出对女性社会地位的强烈自觉意识。70年代末80年代初期小说的性爱叙事实际上是在人道主义语境下的再次启蒙，其主要特征一是性爱在人道主义前提下获得合法性，但要求性爱不超出伦理规定的范围；再就是将性爱叙事同国家观念和民族神话相融合；此外还有对身体的描写审美化诗意化等。80年代中后期，小说性爱叙事进入了多元化探索的阶段，作家通过还原性欲望来还原人性、还原人类的本真状态，不同作家笔下表现为不同的侧重和倾向——以辨证的方式看待性爱，写出其具有的创造性力量和毁灭性特征；将性爱与暴力相联系并通过其来表现人性的黑暗；强调性爱的创造性作用，尤其在民族&血性&的传承方面。

To those in the west who saw the web as an inherently open and free medium, it could only be a matter of time before the reactionary forces of censorship and authoritarian control succumbed to the inevitable.

不只是他们灵活在多种语言之间来回跃动的能力，也不只是他们比我们香港人更有国际观，随便一个文化人都能从印度人的族群差异说到伊斯兰教瓦哈比派的兴起，更是因为他们对华人这个身份的敏感。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。