洛迪

Arkady Ostrovsky explains why it is both

阿卡迪·奥斯特洛夫斯基诠释了为何其身兼双角。

His musical development has been influenced in completely different ways by a succession of distinguished teachers, most notably Claudio Arrau,Sascha Gorodnitzk and Rosina Lhévinne.

在奥尔森的学琴生涯中，曾随多位钢琴名师学习，包括克劳迪亚·阿劳、萨沙·哥洛尼斯基、罗西娜·列文娜等，而这些迥异的教学风格对奥尔森日后的钢琴演绎产生了巨大影响。

Chris Bangle, Director of Design, BMW Group Peter Barna, Provost, Pratt Institute Yves Behar, Founder, fuseproject Katherine Bennett, IDSA Education Vice-President, and Professor of Product Design, Art Center College of Design Mark Breitenberg, Dean of Undergraduate Education, Art Center College of Design, and Chair of the Education Committee, International Council of Societies of Industrial Design Heather Fraser, Director, Business Design Initiative, Rotman School of Management, University of Toronto Tamara Giltsoff, Live | Work Walter Herbst, Director, Master of Product Development Program, McCormick School of Engineering and Applied Science, and Professor of Marketing, Kellogg School of Management, Northwestern University Barry Jaruzelski, Vice-President, Innovation Practice, Booz Allen Hamilton Chuck Jones, Vice-President, Global Consumer Design, Whirlpool Lorraine Justice, Professor and Head of Hong Kong Polytechnic University, School of Design Larry Keeley, President, Doblin Inc. David Kelley, Founder of IDEO, and Co-founder of Stanford s Hasso Plattner Institute of Design Claus Knapheide, Director of User Experience, Siemens Mick Malisic, Director of Marketing, Frog Design Brian Matt, Founder, CEO, Altitude Dev Patnaik, Founder, Jump Associates Ravi Sawhney, CEO-President, RKS Design Jeff Semenchuk, EVP, Global Consumer Group Innovation, Citigroup RitaSue Siegel, President, RitaSue Siegel Resources Bob Sutton, Professor of Management Science and Engineering, and Co-founder of Stanford s Hasso Plattner Institute of Design Sohrab Vossoughi, President, ZIBA Design Patrick Whitney, Director, Institute of Design, Illinois Institute of Technology Gianfranco Zaccai, President and CEO, Continuum

克里斯手镯，设计，宝马集团董事彼得巴纳，教务长，普拉特学院伊夫贝哈尔，方正，fuseproject 凯瑟琳贝内特，IDSA的教育副总统，以及产品设计，艺术中心设计学院教授马克布赖滕贝格，本科教育，艺术中心设计学院，以及教育委员会，国际工业设计协会理事会主席迪安石南弗雷泽，主任，业务设计倡议，罗特曼管理，多伦多大学塔玛拉Giltsoff，直播|工作沃尔特赫布斯特，主任，产品开发计划，麦考密克工程和应用科学学院硕士，以及市场营销，Kellogg管理，西北大学法学院教授巴里雅鲁泽尔斯基，副总统，创新实践，博思艾伦查琼斯，副总裁，全球消费者设计，惠而浦洛林司法，教授和香港理工大学校长，设计学院拉里开利，总裁，德布林公司大卫凯利，IDEO的创始人兼联合创始人斯坦福虏哈索普拉特纳设计学院克劳斯Knapheide，用户体验，西门子公司董事米克马利希奇，市场营销，青蛙设计总监布赖恩马特，创始人，CEO，海拔 dev的帕特奈克，方正，跳转协会拉维梭尼，首席执行官，总裁，设计可胜杰夫谢缅丘克，执行副总裁，全球消费者集团创新，花旗集团 RitaSue西格尔先生，RitaSue西格尔资源鲍勃萨顿，管理科学与工程学院教授，兼联合创始人斯坦福虏哈索普拉特纳设计学院苏赫拉布Vossoughi，总统，Ziba设计帕特里克惠特尼主任，设计，伊利诺斯技术研究所詹弗兰科扎卡伊，总裁兼首席执行官，连续

"Yes yes, we are," said Dedalus Diggle, who had been watching these exchanged with an air of bemusement and now seemed to pull himself together.

"是——是的，"德达洛。迪歌说道。他看着眼前的对话，迷惑的思想飞散在空气中，现在似乎收了回来。

But for Bonner, he earned something more: he turned his life around.

在他挽救了帕洛斯·弗迪斯蓝蝶的同时，蝴蝶也挽救了他。

Vidic slipped as he attempted to finally clear the ball, gifting Andrea Pirlo the ball on the by-line.

维迪奇解围时打滑，把皮球送到皮尔洛脚下。后者直接把球传给西多夫。

Drinking-cups of gold and ivory, chiseled by Benvenuto Cellini; cabinets of buhl and porcelain, bearing the cipher of Austrain Marie Antoinette, amid devices of rose-buds and true-lovers' knots, birds and butterflies, cupidons and shepherdesses, goddesses, courtiers, cottagers and milkmaids; statuettes of Parian marble and biscuit china; gilded baskets of hot-house flowers; fantastical caskets of Indian filigree work; fragile tea-cups of turquoise china, adorned by medallion miniatures of Louis the Great and Louis the Well-beloved, Louise de la Vallière, and Jeannne Marie du Barry; cabinet pictures and gilded mirrors, shimmering satin and diaphanous lace; all that gold can buy or art devise had been gathered together for the beautification of this quiet chamber in which my lady sat listening to the moaning of the shrill March wind and the flapping of the ivy leaves against the casements, and looking into the red chasms in the burning coals.

黄金和象牙的酒杯，都是本文纳托·切利尼③雕刻的；镶嵌金、银、鳖甲的布尔柜子和瓷器，在玫瑰花苞、真情同心结、飞鸟与蝴蝶、爱神与收女、女神与廷臣、村民与挤奶女等所构成的装饰性图案之中，还有着奥斯特里安·玛莉·昂朵涅特④的花押；用帕洛岛的大理石制作的小雕像和本色瓷器；盛放着暖房花卉的镀金花篮；妙想天开的用金银丝编织的印度首饰匣；薄而脆的青瓷茶杯，杯子上还雕着微型雕像，伟大的路易⑤啦，受人爱戴的路易啦，瓦里埃的路易啦，让娜·玛莉·迪·巴列⑥啦；六时大小的图画和镶着镀金框子的镜子，微微闪光的锦缎和半透明的花边；一切金钱买得到、艺术设计得出的东西，都收集拢来美化这安静的房间；爵士夫人便坐在这房间里，谛听着料峭的三月风的呜咽以及长春藤叶子在窗扉上飘飘拂拂的声音，凝望着熊熊燃烧的煤块之间殷红的空隙。

"London is open for business. If we don't do that, then the terrorists will have won and that's not what we want," said Deputy Chief Constable Andy Trotter.

副局长康斯特布尔安迪特洛特说："伦敦要开始商务活动，如果我们不这样做，恐怖分子就会得逞，这是我们不愿看到的。"

The Brazilian's clanger against Siena saw Milan drop two points on Saturday and Ancelotti said: I hope Dida will do as well this season as he has in the past years for us.

巴西人在同锡耶纳的比赛中犯的低级失误让米兰在周六的比赛中丢掉了两分，安切洛蒂说：我希望迪达在这个赛季中的表现一如既往的优秀。

This week, however, we will go in person to Italy and speak with Claudio Lotito.

"无论如何，这周我们都将去意大利和拉齐奥的主席克劳迪奥。洛蒂托谈谈"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。